sincereously: night sky above mountains (Default)
Filling prompts at Three Sentence Ficathon are always a lot of fun, but especially this year! Post 4 is still open to new prompts until around midnight PST on February 9th.

My fills below:

Fallen London

any, any, sexy tiger backup dancers

There had, of course, been something of an outcry when people started talking of reviving the Coilheart Games, given the whole unpleasant business of the Sixth Coil...but then again, it had been four years since the last Games, and every expert in London swore that the Sixth Coil showed no signs of breaking its seal, and whatever else you could say for the previous Games, it certainly had been good for intra-Neath cooperation (and the officials, who at least had enough sense not to trust any event in the height of false-summer, promised that they'd move the Games to false-spring instead), and so despite their never-quite-ending grumbling, the Londoners gathered into the newly-rebuilt stands, placed their bets and cheered their favorite teams, and kept an eye on the darkest and shakiest corners of the Neath just in case.

As it turned out, the most sensational part of the new Games came not from a resurgent Fingerking or some new fight for London's survival, but from Port Carnelian's contribution to the reimagined Tournament of the Imagination: the glossy-furred, well-built tigers gyrating in perfect coordination behind the Striped Chanteuse. Mr. Huffam's headline the next day described the wave of fainting from the particularly sensitive Surface visitors in the audience; later, scholars would blame their sinuous motions for the ruin of at least four young rakes, a new school of poetry, and two assassination attempts in the Foreign Office...but that's another story.




Hadestown

Any, Any, I love you. I want us both to eat well.

Orpheus never has had a head for figures, but Eurydice's done all the calculating - cost of living, average wages, caloric requirements per individual.

There's no way they'll make it, she thinks, not unless they start eating each other instead, and while she would give her very flesh to Orpheus and he to her, she's willing to take a chance on another way.

It's one less burden on him while he finishes his song, she tells herself, right before she tells him goodbye and starts on the trek to Hadestown.



Harlots

Harlots, Charlotte & Lucy, flowers

Even since Charlotte began her trade, she has been showered in more flowers than she can count - violets and daffodils, lilacs and camellias, bouquet after bouquet of red roses.

You are truly a rose, a fresh bloom, a lily that needs no gilding, the men tell her, and Charlotte privately wonders whether they think about their compliments at all before they say them. Lucy would be better suited for the flowers, little Lucy who has not yet learned to hide her heart - she could fit among all these soft petals like a shepherdess in her field, but Charlotte is too much a creature of the city to feel anything but suffocated by all this nature.

Her mother, practical as always, gives her pitchers of water to refill the flower vases and reminds her what clever girls do with gifts from promising culls and potential keepers. Accordingly, she puts yet another set of the dull red roses from Sir Howard on prominent display on her vanity, writes to thank Lord Repton for the camellias and asks Lucy about a sketch of the flowers on her note, and learns to accept everything from humble daisies to brilliant orchids with a charming smile.

But in some quiet late mornings, when Charlotte is nearly choking on the sweetness of flowers, she sneaks a few blooms from their vases and steals to Lucy's room - "will you put one in my hair?" her little sister asks, and Charlotte puts on a scowl and says "very well, but just this once, sprat," as she always does, her fingers already twining blossoms into Lucy's braids as the scowl breaks into a smile.



MASH

MASH (TV), Margaret, a small indulgence

In the bottom drawer of Margaret's nightstand, she has a dozen bottles of nail polish. They come in sunset pinks and sunrise yellows, in royal purple and robin's-egg blue and six different types of red - a rainbow's worth of colors and then some, almost searingly bright against all the olive drab.

No matter what fresh hell is pressing on the 4077th, Margaret tries finding moments to sit down with her personal rainbow and paint her toenails in neat, even, calming strokes; it's a small enough indulgence, she reasons, and if some sniper's bullet finds her, by God, they're going to lay her in the ground with nice-looking toes.


MASH (TV), Frank, the one thing he's good at

Contrary to what those reprobates in the Swamp might think, Margaret's not blind to Frank's faults - she's subtly guided his scalpel in the OR and talked him through his tantrums too much for that.

What Frank's good at is believing - believing in rules and discipline when everyone else mocks them for it, believing in the Army when no one else is this outfit does. And he believes in her, nodding at her suggestions with wide earnest eyes and trusting her to run the 4077th beside him with that same steadfast and unblinking belief, and for that alone, she can love him.


any, any, trying to hold an orgy but the participants keep getting distracted

In hindsight, it had taken a surprisingly long time for Hawkeye and Trapper to announce plans for the First And Hopefully Only Annual 4077th Orgy and General Bacchanalia - six months and some change into the war, after two weeks with no casualties but also nothing else to break up the monotony, on a weekend where Frank and ("unfortunately," Trapper sighed) Hot Lips were off at a medical conference and Father Mulcahy was on R&R. It was, Hawkeye enthused, going to be an unprecedented dive into the deep end of depravity, featuring a blindfolded Korean four-piece band (all the way from Seoul and bribed with ungodly amounts of booze), an all-naked dress code in the room stuffed wall-to-wall with mattresses, and real champagne and steaks rerouted from General Mitchell's personal shipment.

It certainly turned out to be a notorious party, maybe quite not the way Hawkeye and Trapper hoped but still something of a success - sure, the mattresses didn't get much use after one of the band members spilled his champagne and dropped his cigarette and set the whole room on fire, and they had to deploy poor Radar to keep Mulcahy distracted when he came back from R&R early...but everybody agreed that the steaks had been fantastic and the real highlight of the party, at least until General Mitchell showed up with four MPs in tow...




Measure for Measure

any, any nun or nun adjacent character, religious guilt

The Duke has given her an hour to think over his proposal and prepare her answer, and so Isabella kneels before the convent's altar, the familiar prayers feeling heavy on her tongue.

Her actions in the past few days have been a series of almosts - almost good, almost right, the betrothed lovers all reunited and the broken promises restored, and yet it has not happened through lawful mercy or open justice but by sordid bargains and false friars and lies told in the dark.

She has had to compromise and compromise again - for her brother's life, for her own vocation, for justice in Vienna - and she wonders, now, if she even has a place among the votarists of Saint Clare anymore, if what she's done has already left her soul too stained for true holiness.



A Song of Ice and Fire

any, any, funeral

Once she's finished arranging the body inside the shallow-bottomed boat, she pushes the boat out only waist-deep in the river before lighting it with her torch - the proper way would be with a flaming arrow, she remembers, but the only weapons Arya has on her are the daggers, the ones she had just cleaned of Stoneheart's blood.

I didn't like archery anyway, she thinks, settling on the riverbank to watch the boat burn, kicking her feet aimlessly in the water like she had when she was small and her mother had been teaching her to swim in the godswoods' pools ("you really are half a trout!" her mother had once said, laughing, as little Arya took off paddling across the pool, and Arya now bites her lip at the stab of memory).

The flame consumes enough of boat and body so that Stoneheart will never rise again, but as the fire starts to gutter out Arya approaches the charred boat and starts collecting bones - Catelyn was a Tully of Riverrun but she was also a Stark of Winterfell, and Arya is going to bring her, finally, home.


any, any, dark lady, white knight

Cersei has taken to wearing black since Robert died, Jaime notices - it might have been mistaken for a widow's devotion, but Jaime recognizes what his sister looks like radiant with satisfaction and knows better.

Jaime himself has taken to wearing the white armor since he returned to King's Landing; it makes people whisper harder when they see him gleaming and spotless all in white beside his black-clad sister, and he tries to quiet the part of him that tells him he is not worthy of the armor at all.

None of it matters in the deepest parts of the night, when the black dress and white armor fall away to to reveal pale naked skin, and Jaime's world dissolves into the green of their eyes and the gold of their hair and their lips gleaming red, Lannister red.


Any, Any F/M Ship, "Breathe, my dear."

"Breathe, my dear," she told him just before they entered their first harvest feast together. Ned had taken to lordship well, all things considered, but opening banquets had never been comfortable to him the way it had been to Brandon; Cat, though, had been leading feasts ever since her mother died, and over the years she knew Ned had been watching her, learning when to guide and when to let her take the lead, taking this strange dance they'd been thrust into and making it their own.

Ned kept her hand tight in his own - his hands always surprised her, so warm for a man who thrived on cold - and kissed her gently, and let her lead him into the great hall where their duties waited.


ASoIaF, Joyeuse Erenford, familiar

The lands of House Erenford lie on the Green Fork a few miles north of the Twins, on marshland choked with reeds - an unhealthy and unfruitful place, people say, but Joyeuse spent her whole life there until sixteen, and she has learned to love the soft ground beneath her feet and the heavy stillness of the air.

The Twins is anything but quiet, she realizes quickly - nothing here feels like home, and especially not the squeals and screams of her new squabbling family and the constant jabs of elbows and knees rushing in the too-crowded halls with absolutely no care for who they're touching (and the hands, gods, the hands of her husband and - but she cannot think about it, just squeezes her eyes shut and concentrates on the feeling of her daughter in her arms instead, while listening to stories of Freys steadily falling dead outside the castle walls).

She takes her daughter and a horse the night her husband dies - she doubts her stepfamily will grieve her going any more than they've grieved their many already dead - and when she's finally returned to heron calls in her ears and sticky mud beneath her boots, she takes a breath of familiar air and feels finally at peace.


Any fandom with dragons, Any, The dragon and its pet.

The maesters wrote that Nettles had tamed Sheepstealer, but this was a lie; Sheepstealer had lived too wild for too long to ever accept a rider who thought herself his master, and Nettles never tried. She brought him sheep every day instead, nice and fresh and plump, and she joked to the sailors at Hull that the dragon had trained her to do his bidding more than she'd ever trained the dragon.

The first time Sheepstealer glanced up from the huge ram she'd brought him to devour and and instead nudged her playfully with his snout, she knew good and well what it meant - that she belonged to the dragon now, that the dragon had figured her to be someone worth keeping.


ASoIaF, any, heart-tree

Sometimes, when Cat finds Ned at his prayers, he asks her to stay with him for a while. The godswood still is not Cat's place - she never feels more southron than she does here - but Ned's low voice and solemn eyes reassure her that she is welcome here, and the heart-tree's gaze feels kinder when she nods and kneels beside him.

Ned's gods, she has learned, do not expect the ritual and ceremony that hers do; their presence fades into the quiet of the woods as Cat and Ned share their worries and make wishes for their children and (every once in a while) sleep, cushioned by furs and fallen weirwood leaves and warmed by each other's arms.


ASoIaF, any Targaryen, mourn

Harrenhal suits her - stark and bleak as a tombstone, too cold for tears. Here, Rhaena looks out her bedroom window and sees the God's Eye stretching out to the field where her brother plummeted to his death; she lights candles in the sept while whispering the names of her murdered friends and lost lovers and the child who's disappearing more and more beneath a septa's robes; she feels the godswood's cool breezes on her face and wonders where the winds scattered her daughter's ashes.

Harrenhal is haunted, but so is Rhaena, and Harrenhal's ghosts are easier to live with than her own.




Star Wars

any, any, brother doesn't mean 'my father's son'

"I wish we'd had the same father," Leia tells Luke once.

She feels his confused amusement as soon as she says that, but she's too wistful and too drunk to bristle much about it. They'd both had maybe one or two more nogs than sensible and she'd just finished telling him how her father had taught her to climb trees out in the mountain forests of Alderaan; she's not sure whether it's the drink or the memories that are making images and emotions flow through their connection more than usual, but she knows he can feel what had been in her mind when she'd told him that wish - a shared childhood in the palace, getting into scrapes together and getting their father's scoldings and hugs together afterward, Bail Organa watching over and guiding his twins as they grew as a family.

Luke never knew her father, and she is not Luke's father's child (and neither is he, no matter what he says, she thinks fiercely and privately, he's not Vader's in the ways that matter) and despite it all Luke's still her brother. He's her brother, and it feels right that he's her brother, and so the family they've decided to be matters more than blood or memories or family history or anything else, but - "I just wish sometimes, that's all," she says, shrugging, as Luke shifts slightly closer to her on the couch and she catches a half-smile and some wistful flickers of imagination from him, something that makes her think he might wish sometimes too.

"Yeah, it would've been good," he finally replies, and nudges her shoulder with his, and asks for another story about her father.


any, any, it's not my blood

It hadn't been her smoothest fight, not by a long shot - the Wild Karrde was going to take days to repair even with the crew scavenging parts from the pirates' cruiser, and while they hadn't lost any cargo to the pirates or to the firefight, that last detonator had sent enough gore flying that Mara absolutely dripped blood when she caught up with Karrde again. "None of it's mine," she informed him crisply, handing him the datachip with the pirates' most lucrative stolen codes and trying to ignore the tackiness of the drying blood between her fingers.

Karrde took the chip without appearing to even notice Mara's bloody fingerprints on it - a professional as always, she thought, but when he met her eyes again she thought she felt something shift through the Force she was trying hard not to use nowadays. Like in his never-ending evaluations and calculations he saw some new possibility for her, something she'd earned for herself completely apart from anything she'd been before. "Aves told me this captain rigged up a shower in his quarters with real water," Karrde said, pocketing the datachip, "and with all due respect, Jade, you look like you could use it - why don't you go clean up and we'll debrief afterward?"

Mara can't help a small smile as she thanks Karrde and goes to hunt down her shower - a sonic would be more practical, and she might scold herself later for the waste of water, but now more than ever she's liking the idea of a fresh start.


Any, any, wet hair

"Believe me, you don't want to see what it looks like if I don't comb it wet," Leia tells Han, lifting a handful of hair off her shoulder and attacking it with the same look of concentration she got when she calculated nav coordinates, and when she glances at Han again in the mirror this cramped 'fresher suddenly feels even smaller than normal.

It had been a couple of days since they'd kissed and Han's still figuring out what that means for them now, exactly; it's still two and a half weeks to Bespin and no sane betting man would take any chances while they're stuck together for so long with no way out, but right now Leia's standing in his 'fresher in a robe she borrowed from him with her hair down around her shoulders, and Han had never liked figuring the odds anyway.

"Want some help?" he asks, and right when he's about to call the mission a failure and head back to the cockpit, Leia raises her eyebrow and quirks up her lips and offers him her comb.


Star Wars, Leia & Luke, alternate first meeting

She finds him in the aftermath of a Rebel attack on an Imperial supply depot, following the smoking wreck of his X-wing after she shot out its lower left S-foil; he must know exactly who she is (well, she thinks, maybe not exactly who she is, how they're really related) when she touches down in the jungle clearing, because as she emerges from her TIE he tenses up and shakes his sweat-soaked hair out of his face and jabs his just-ignited lightsaber toward her - stang, his footing is absolutely awful, he must barely knows how to use it.

There's some tickle of familiarity in her mind, she realizes as she ignites her own blade, some long-ago bond that hasn't quite broken yet; she prods at the connection like a tender bruise as she takes her first swing at him and he wheels clumsily backwards, and she wonders if he notices her frustration spiking at just how much training he still needs before he can be any kind of useful to her.

But still, he can be taught, and if he can be taught he can become an ally, and if she can make an ally of him they will have the power to overthrow the Emperor and all his whims and cruelties (the way she no longer believes Father ever will) and remake the Empire in her own design.


Star Wars, Han/Leia/Luke, My hand was the one you reached for / All throughout the Great War

They've all touched each other easily, right from the start - Han's hand covering Luke's and guiding him on exactly which lever to hold while the Falcon wobbles through hyperspace, Luke's hand finding Leia's and holding tight while they run from stormtroopers, Leia's hands and Han's catching each other after their victory hugs and holding on as long as possible as if daring each other to be the first to let go.

(Their hands find each other in darker, quieter moments too, in celebration after Yavin and exhaustion on Hoth and comfort on the anniversaries of Alderaan's destruction, and in all the little moments of victory and despair and sheer need to connect to someone and something real in the middle of a war).

It should be different, now that the war is over and all the truths are known, but as they sit on an Ewok bridge and watch the victory fires burning down below, they glance down at Han's left fingers entwined with Leia's and his right fingers looped around Luke's hand and burst out laughing at how, maybe, this part of them doesn't have to change after all.


any, any, they're more like guidelines

Chewie's better than Han at rules - which isn't saying much, granted, but even in the tightest spots Chewie can and will remind Han of things like "the deflector shield isn't built to take that kind of fire, Han" and "you don't have many parsecs before that black hole sucks the ship in, Han" or in this case, "you know that you can't overload the hyperdrive without cracking it, right, Han?".

"Yeah, I know," Han replies, handing Chewie the hydrospanner, "but trust me, okay?"

And Chewie, despite his better judgment, does; as Han punches the hyperdrive and they shoot into lightspeed just ahead of the Imperial cruiser, he thinks that where he and Han and this improbable boltbucket of a ship is concerned, the rules are more like guidelines anyway.




Stardew Valley

any, any, A scheme to raise giant squid in the sewers.

"I still don't know how she got down here, exactly," Krobus said, "but she likes the slimejacks - she even said she might bring her family here and we could catch a new line of products for the store - do you think there's too much competition in the market for deep-sea fish around here?"

The farmer - quite unusually for them - stood completely quiet and stock-still beside Krobus, breathing more and quicker than humans normally did in a sewer; when Krobus followed their stare across the sewer-muck, he saw a huge sucker-lined arm rise through the sewer-steam and undulate languorously at them.

"She likes it when we wave back to her," Krobus said cheerfully as he wiggled his hands towards the squid, and after another, deeper breath, the farmer slowly lifted their own hand and joined in.



A Streetcar Named Desire

any, any, cherry soda

The kid gives her a weird look when she comes to the soda fountain for her cherry soda; at first she apologizes, wondering if she grabbed his drink by mistake, but then he tightens his fingers around his own cherry soda and clutches it closer - then blinks again, loosens his grip - then cocks his head, like whatever ghost he's seen looking at her has already fled and there's only a vaguely benevolent curiosity left behind.

"Ma'am," he says softly, "are you all right?"

A wonderful question, she thinks, one she's been asking herself ever since Blanche went to the asylum - but Eunice is watching the baby and Stanley will be home from the poker game in a few hours and asking herself questions will only land her right beside Blanche in a matching straitjacket, so she smiles weakly, and takes a sip of her soda, and musters up all her gracious girlhood manners and assures the young man that she's perfectly all right, thank you ever so much for asking.



Tortall

Tortall, Kel/Yuki, dance

Yuki had been the one to teach Kel the dance of the fans, years ago when they were young girls - a beautiful sparring game where two dancers weave gracefully around each other, their shukusens flicking open delicately and slicing the air with the beat of the music, and the dancers' pride is in how fluidly they move and how closely they can flash the shukusens toward their partner without the blades breaking the skin and without either of them ever flinching.

They resume the dance when Yuki comes to Tortall, but it has new dangers now that they are grown women, and new meanings too; Kel has to watch herself so that she doesn't bring down the full power and force of her knight's training while she dances, and it's somehow harder as she watches Yuki too, who lingers teasingly too long on the downbeat and crinkles her eyes when the shukusen whistles close to her ears and takes every moment to duck and dart around Kel so that Kel feels her body's warmth around her for every moment of the dance.

They end the dance without either of them cutting the other but with their arms twined and their chests pressed close together; the shukusens flick closed but Kel feels that the dance is not yet over, and when they lean in to press their lips together, neither of them ever flinch.

sincereously: night sky above mountains (Default)
Hello, creator!

I'm so excited to see what you come up with for this exchange! Hope you have a great time with it. Prompts are here if you want them, but if you have another idea that's inspiring you I'm happy to see that too. You can also check out any of my past prompts or promptfills on my journal for ideas if you want!

If you have any questions or concerns, please contact me through the mods. I'm also sincereously on AO3.

General Likes and DNWs
General fic likes:
Worldbuilding (especially magical, religious and cultural worldbuilding)
Unusual formats, including in-universe documents and IF/Choose Your Own Adventure
Canon divergence
Outsider POV
Dramatic irony
Moments of quiet intimacy during breaks in the action (especially good for missing scenes in between what we see in canon)
Slowly building intimacy/respect together - slow burn in general
Taking care of injured people
Hair care, washing, and styling as bonding
Forced proximity (undercover together, trapped together, accidental/arranged marriage, fake dating, only one bed, etc.)
Elaborate plans that may or may not work out
Improvising new plans as you go along
"That's an extremely bad plan, of course I'm in" type situations and interpersonal dynamics
Getting in way over your head but throwing yourself headfirst into the plan anyway
Repressed characters having a chance to be vulnerable
Struggling against temptation/the Dark Side
Five + one things structure

General art likes
I love a wide range of art styles, so I don't have much of a preference there. Art-specific likes:
Strong lighting/contrast of light and dark
Earth tones
Cool colors
Strong lines
Symbolic imagery
General art prompts:
In-universe illustrations or artworks, including maps and schematics
Looking up at the night sky
Wearing your nicest outfits for a formal event (and getting those formal clothes messed up if/when the event goes sideways)
Helping someone get dressed, because of an injury or complicated clothes
Fight scenes, especially being already battered and bruised but still squaring up to continue the fight
Dancing, well or badly
Sneaking into a place you shouldn't be

General DNWs:
Character bashing
Canon-divergent death of requested characters (canonical deaths are fine)
Non-canonical child death
Setting change AUs (ex. coffeeshop, high school, modern AU, etc.)
Time travel AUs
Explicitly stated sexuality labels for characters whose sexuality is not canonically defined
Formalized dom/sub relationships
Ageplay
Raceplay
Omegaverse
Mpreg
Excretory kinks
Rape/noncon (dubcon - sex pollen with both/all characters dosed, sex in arranged marriages, fuck-or-die, etc. - are fine, as are references to canonical rape/noncon.)
Underage under 15 and unrequested non-canonical ships with 20+ year age gaps (mentions of canon examples are fine, but please don't make them the focus of the fic)*
Cross-gen incest
Animal abuse
Hopeless endings (endings can be dark, but not without any shred of hope)

Please keep the violence level at about what it is in canon.

**For Nancy Birch, this DNW is modified to "DNW underage under 12, DNW graphic depictions of under-15 sex, mentions of canonical under-12 underage for other characters is fine but please don't graphically depict it"


FANDOMS

Please click on all bold/underlined headings to see more details.

A Series of Unfortunate Events

Requested tags: Beatrice Baudelaire & The Duchess of Winnipeg | R. & Kit Snicket, WB: History of VFD, WB: VFD Codes

Requested medium tags: Medium Opt-In: Illustrated Text (Art & Writing) - Any Nominated Illustrated Text Medium, Medium Opt-In: Art - Costume Design, Medium Opt-In: Art - Floorplan/Architectural Style Drawing, Medium Opt-In: Unique Rules - Map: Any, Medium Opt-In: Art - Stained Glass, Medium Opt-In: Art - Playing Card, Medium Opt-In: Art - Tarot Card, Medium Opt-In: Unique Rules - Interactive Fiction - Web-based choice-based IF not hosted on AO3, Medium Opt-In: Unique Rules - Logic Grid Puzzle, Medium Opt-In: Unique Rules - Murdle, Medium Opt-In: Writing - Any In-Universe Documents That Fit the Canon Setting

About the canon:

One of my favorite series as a kid! I love the frequent references, the macabre humor, and the mysteries that are constantly hinted at and only sometimes solved. The codes and other intricacies of the VFD's work are really fascinating worldbuilding. I’m also interested in the friendship among the women, as tragically as it turned out.

Prompts

- Anything at all about them growing up in VFD together - practicing theatrics and codes, going mountain climbing, training bats, interacting with their fellow Volunteers, things like that!

- Beatrice and Kit and the Duchess trying to solve (or being suspects in) the various fires and deaths and general mayhem of the schism would also be great for a logic grid puzzle or Murdle.

- Beatrice actually did survive the fire and is rescued by Kit and/or the Duchess. Does having her friend back help Kit's unhappiness? Could she and the Duchess pull off a plan to stop the firestarters or try to help her children?

- I'd also love to see events in the rise and fall of VFD and in the books as displayed in in-universe documents. Coded telegrams and reviews and news columns and just about any kind of communication? Map of an in-universe safe house? Costume designs for various VFD disguises? (You could also make up your own codes!)



Harlots

Requested tags: Violet Cross/Amelia Scanwell, Nancy Birch

Requested medium tags: Art - Fanart, Medium Opt-In: Unique Rules - Interactive Fiction - Web-based choice-based IF not hosted on AO3, Medium Opt-In: Unique Rules - Logic Grid Puzzle, Medium Opt-In: Writing - Any In-Universe Documents That Fit the Canon Setting, Medium Opt-In: Writing - Interactive Fiction - AO3 style Choose Your Own Adventure

About the canon:

I love so much about this canon - the fripperies and humor, the politicking and drama and the moments of sincerity that shine through. I love the setting, with its range from decadence to squalor. More than anything, I love how complex the women are and complicated relationships they have with each other. All of these stories are, in the end, about people on the fringes trying to carve a place in the world, and I love seeing their successes and failures as they go after what they want.

Prompts

- (Amelia/Violet) Any small series of missing slice-of-life scenes during or after their time in canon would be great - Violet caring for Amelia after her stabbing, them going on a journey together, Amelia and Violet having reading lessons and "reading lessons"...

- (Amelia/Violet) With their plot so unresolved at the end of season 2, I'd love to see what happens next for them! Them getting to strengthen their relationship after the physical and emotional turmoil they dealt with all season, being able to escape and build a life together, maybe helping find a way to take down the Spartans?

- (Nancy) Outsider POV on Nancy - she keeps so many things so close to her chest, it's really interesting to see what people see when they think about her, especially in her more vulnerable moments.

- (Nancy) Nancy backstory - how she grew up in Lydia Quigley's house (probably the most un-Nancy place to live personality-wise, on top of all the horrors of of Quigley-run house), her growing relationship with Margaret and her daughter(s), how she escaped and developed her own way of living. Did she have someone to guide her in becoming a dominatrix, or did she figure that out on her own?

- (Nancy) Related to above, I also love Nancy/Margaret and also enjoy Nancy/Margaret/Will as a V-shaped OT3 with Margaret as the hinge. I'd love to see the smaller quieter moments of their relationship, or the plans they made together and how those plans fell apart, or a way for them all to find a way to be more-or-less happy together in the end.



Stardew Valley

Requested tags: Krobus, Gunther, Marlon, Witch

Requested medium tags: Medium Opt-In: Art - Fanart, Medium Opt-In: Art - In-Universe Art, Medium Opt-In: Art - Drawn - Botanical Illustration, Medium Opt-In: Art - Stained Glass, Medium Opt-In: Art - Tarot Card, Medium Opt-In: Art - Zodiac Sign, Medium Opt-In: Instructions - Cocktail Recipes, Medium Opt-In: Instructions - In-Universe Spell or Ritual Instructions, Medium Opt-In: Instructions - Solo Journaling TTRPG rules, Medium Opt-In: Unique Rules - Interactive Fiction - Web-based choice-based IF not hosted on AO3, Medium Opt-In: Writing - Interactive Fiction - AO3 style Choose Your Own Adventure, Medium Opt-In: Writing - Any In-Universe Documents That Fit the Canon Setting

About the canon:

I really enjoy the setting - it's so pretty and so charming, with a strong undercurrent of magic. For this exchange I'm especially interested in the strange and supernatural parts of the valley - there's a lot of lore but also a lot left unexplained and open to imagination.

Prompts

- (Krobus) I love to see Krobus learning about the human world from the other characters and him teaching them about the world of the magical beings in return. What would happen if he struck up a friendship with a villager, especially someone who isn't the Farmer? Can he find a way to fit in the rhythm of life in the town?

- (Krobus) What, exactly, did Krobus do during the Elemental Wars that makes the dwarves want to send an assassin after him in particular? Any worldbuilding for both the Shadow People and the Dwarves (as well as other magical species) would be great too.

- (Gunther) So is Gunther the one who writes the descriptions for all of the artifacts and minerals that go into the museum? I'd love to see more of his scholarly archaeological work, including in-universe documents. And since he can leave the museum sometimes (he visits the Farmer to give them the Rusty Key), what if he goes on trips to find museum items? Anything from realistic archaeological practice to Gunther being a secret Indiana Jones figure would be really fun.

- (Gunther) Anything that goes into the Gunther-is-a-ghost theory. What was he like as a living villager? How did he die and end up haunting the museum? Did he know any of the other villagers when he was alive, or were they after his time?

- (Marlon) What's his history in the Adventurer's Guild? Are he and Gil the only members or is it an organization that goes throughout Ferngill (or even Gotoro)? What drew him to join or create the organization? What were his favorite or most harrowing adventures? How did he lose his eye and injure his leg, for example?

- (Marlon) Can Marlon use magic at all? If he doesn't, is it because he can't or because he refuses to (and if it's the latter, what actions led him to that decision)? If he can, how did he learn those skills, and what would happen if he had to put them to use to stop a large threat to the village and/or the valley?

- (Witch) How did she and the Wizard fall for each other? We only ever get the Wizard's side of how their marriage broke down - how does she see it? (I'm good with either or both as unreliable narrators). Did she create the shrines in her hut or did she build the hut around preexisting shrines? What goals does she have besides cursing random items in the town?

- (Witch) The Witch takes on an apprentice. Who does she pick? What are her goals in teaching them magic? How does the apprentice use their new powers?

- Any combination of my requested characters on an adventure of your choice - Gunther has to recruit Krobus' help to get a magical artifact for the museum! the Witch gives Marlon magical training! Marlon has to confront some unsavory Adventurer's Guild policies when he becomes friends with Krobus! the Witch conjures up ghostly Gunther to help with some scheme of hers! The valley is your oyster.

- From a worldbuilding perspective, any in-universe documents that delve into the Valley - including both the natural and the supernatural - would be a lot of fun. Maybe you get the Witch's spellbook or her illustrations of the magical properties of plants, or information from some of Gunther's library books or museum displays that we either don't see or only briefly see in-game, or Krobus' written observations about the world and the customs of the Shadow People, or Marlon taking notes on things that will be useful for monster combat.

FIAB 2023

Aug. 30th, 2023 11:17 pm
sincereously: night sky above mountains (Default)
Hello, creator!

I'm so excited to see what you come up with for this exchange! Hope you have a great time with it. Prompts are here if you want them, but if you have another idea that's inspiring you I'm happy to see that too. You can also check out any of my past prompts or promptfills on my journal for ideas if you want!

If you have any questions or concerns, please contact me through the mods. I'm also sincereously on AO3.

General Likes and DNWs
General fic likes:
Worldbuilding (especially magical, religious and cultural worldbuilding)
Unusual formats, including in-universe documents and IF/Choose Your Own Adventure
Canon divergence
Outsider POV
Dramatic irony
Moments of quiet intimacy during breaks in the action (especially good for missing scenes in between what we see in canon)
Slowly building intimacy/respect together - slow burn in general
Taking care of injured people
Hair care, washing, and styling as bonding
Forced proximity (undercover together, trapped together, accidental/arranged marriage, fake dating, only one bed, etc.)
Elaborate plans that may or may not work out
Improvising new plans as you go along
"That's an extremely bad plan, of course I'm in" type situations and interpersonal dynamics
Getting in way over your head but throwing yourself headfirst into the plan anyway
Repressed characters learning to let go
Struggling against temptation/the Dark Side
Five + one things structure

General art likes
I love a wide range of art styles, so I don't have much of a preference there. For art-specific prompts:
Wearing your nicest outfits for a formal event (and getting those formal clothes messed up if/when the event goes sideways)
Helping someone get dressed, because of an injury or complicated clothes
Fight scenes, especially being already battered and bruised but still squaring up to continue the fight
Dancing, well or badly
Sneaking into a place you shouldn't be

General DNWs:
Character bashing
Canon-divergent death of requested characters (canonical deaths are fine)
Non-canonical child death
Setting change AUs (ex. coffeeshop, high school, modern AU, etc.)
Time travel AUs
Explicitly stated sexuality labels for characters whose sexuality is not canonically defined
Formalized dom/sub relationships
Ageplay
Raceplay
Omegaverse
Mpreg
Excretory kinks
Rape/noncon (dubcon - sex pollen with both/all characters dosed, sex in arranged marriages, fuck-or-die, etc. - are fine, as are references to canonical rape/noncon.)
Underage under 15 and unrequested non-canonical ships with 20+ year age gaps (mentions of canon examples are fine, but please don't make them the focus of the fic)
Cross-gen incest
Animal abuse
Hopeless endings (endings can be dark, but not without any shred of hope)

Please keep the violence level at about what it is in canon.


FANDOMS

Please click on all bold/underlined headings to see more details.

Columbo

Requested tags: Columbo, Dog the Dog, Lieutenant Columbo and Dog the Dog

Requested medium tags: Medium Opt In: Art - Fanart, Medium Opt In: Art - Stained Glass, Medium Opt In: Writing - Any In-Universe Documents That Fit the Canon Setting, Medium Opt In: Writing - Interactive Fiction - AO3 style Choose Your Own Adventure, Medium Opt In: Unique Rules - Interactive Fiction - Web-based choice-based IF not hosted on AO3, Medium Opt-In: Unique Rules - Murdle

About the canon:

I'm so very fond of this canon. It's very enjoyable watching both the elaborate murder plots and Columbo deftly unraveling them in his own seemingly-unassuming way. Plus the bond between man and dog!

Prompts

- We only really see Columbo on a case, and the information he gives about his life outside his work varies greatly on the suspects he's trying to corner. Is there any truth to any of the stories he weaves? Any slice-of-life or Columbo tailing a more "ordinary" case would be lovely.

- It'd be cool to get a look into Columbo's notebooks or case reports, or those of one of the colleagues who periodically get assigned to work with Columbo.

- I'd like to see a case from Dog's point of view! Maybe Dog is trying to help his master by seeking out crucial clues, or maybe Dog has a canine case of his own that intersects with Columbo's mystery-of-the-week. (This would work very well with interactive fiction, if that's something you're interested in).

- A Murdle would be so fun for this canon! Are Columbo's past suspects in the rich people prison and up to no good? Is there an entirely new cast of characters for Columbo and/or Dog to contend with?



A Song of Ice and Fire

Requested tags: Daena Targaryen, Elaena Targaryen

Requested medium tags: Medium Opt In: Art - Fanart, Medium Opt In: Art - Stained Glass, Medium Opt In: Writing - Any In-Universe Documents That Fit the Canon Setting

About the canon:
This is a really fun world to explore, with a lot of strong-willed personalities all trying to find what's best for themselves and for the people they care about (if any, tbh). With Targaryen women especially, their family history offers both the potential of power and the threat of punishment for reaching "too far", with a rare few being able to carve out actual happiness.

Prompts

- For both of these women, any sort of "canon but from their POV" would be great. They have a unique perspective on a time full of turmoil and it'd be fun to see their personalities, wants, and fears in the midst of that.

- For a brief time - while Baelor is in Dorne, before the official annulment - Daena was queen consort of Westeros. How did she use or not use power in this time period? How did she see Daenaera's example (was Daenaera even still alive by then?) If you want to go AU, could she have found a way to hang on to authority she had as consort even after Baelor's return?

- Daena disappears from the narrative soon after Daemon’s birth - what kind of life could she have had? Canon divergence is very welcome here! Maybe she takes a journey across Essos, or maybe she carves out a place (a new kingdom?) for herself and her son. (I’m not as interested in having her marry into the Starks, but I’d be interested to see her make a huge range of marriages for love and/or political gain, or her being extremely determined not to be married as well).

- What did Elaena do during the Blackfyre Rebellion? She would likely have already been de facto Master of Coin by then, and I'd be interested in both the political/bureaucratic aspects of her work during the Rebellion and the more personal issues of her family at war with itself.

- Honestly, just giving Daena and/or Elaena a dragon would be really fun. Unleash all of the chaos!



Star Wars

Requested tags: C-3PO & R2-D2, C-3PO/R2/D2, C-3PO & R2-D2 & Darth Vader

Requested medium tags: Medium Opt In: Art - Fanart, Medium Opt In: Art - Stained Glass, Medium Opt In: Writing - Any In-Universe Documents That Fit the Canon Setting, Medium Opt In: Writing - Interactive Fiction - AO3 style Choose Your Own Adventure, Medium Opt In: Unique Rules - Interactive Fiction - Web-based choice-based IF not hosted on AO3, Medium Opt-In: Unique Rules - Logic Grid Puzzle, Medium Opt-In: Any - Any In-Universe Documents that Fit the Canon Setting

About the canon:

This is another of my oldest fandoms! I love all the risks that Our Heroes take to help/save the others (even when there seems to be a betrayal, they always come back and do whatever they can to make things right), and it makes for sound camaraderie that makes their adventures so fun to watch. The worldbuilding is a great genre-hodgepodge of sheer pulpy nonsense with room for both fun antics and genuinely touching moments.

I'm familiar with various aspects of both the Disney canon universe and the Legends universe, supplemented by spending way too much of my free time on Wookiepedia. Feel free to draw on whatever version of canon you want and to mix them together if it makes sense for what you're creating! Don't worry about what I might or might not have seen/read; I like going down wiki rabbit holes and I don't care about spoilers.

Prompts

- Generally, this is a canon where I'll enjoy a lot of tropey shenanigans. Artoo and Threepio have to carefully repair each other after a battle! Artoo and Threepio (and Vader?) are stranded in some inhospitable location and have to make their way back to safety! Artoo and Threepio get temporarily rewired and have to maintain their composure while bodyswapped! All sorts of things.

- Artoo and Threepio are always on the edge of whatever drama is happening among the main characters, and I'd love the opportunity to see them at center stage! Anything with their own POV on the events of the movies would be great, or maybe an exploration of their lives in between the prequels and the original trilogy?

- Maybe Threepio and Artoo go on their own mission for the Rebellion! How do they deal with various obstacles? How well or badly do they do undercover? What are their interactions like with other droids, both friend and foe?

- There's just a lot of potential for comedy and drama and dramatic irony with Artoo + Threepio + Vader. How could the droids come into Vader's possession - capture, being bought, maybe they never left Anakin/Vader's service in the first place? How do they handle life behind Imperial lines, and what sort of tasks does Vader ask of them? How does Vader relate to them, as Vader and as the memory of Anakin?

- Any of the other prompts, but in the style of an after-the-fact mission report or other Rebel or Imperial internal communication.


Stardew Valley

Requested tags: Krobus, Gunther, Marlon, Witch

Requested medium tags: Medium Opt In: Art - Fanart, Medium Opt In: Art - Stained Glass, Medium Opt In: Writing - Interactive Fiction - AO3 style Choose Your Own Adventure, Medium Opt In: Unique Rules - Interactive Fiction - Web-based choice-based IF not hosted on AO3, Medium Opt-In: Unique Rules - Logic Grid Puzzle, Medium Opt-In: Instructions - Cocktail Recipes

About the canon:

I really enjoy the setting - it's so pretty and so charming, with a strong undercurrent of magic. For this exchange I'm especially interested in the strange and supernatural parts of the valley - there's a lot of lore but also a lot left unexplained and open to imagination.

Prompts

- (Krobus) I love to see Krobus learning about the human world from the other characters and him teaching them about the world of the magical beings in return. What would happen if he struck up a friendship with a villager, especially someone who isn't the Farmer? Can he find a way to fit in the rhythm of life in the town?

- (Krobus) What, exactly, did Krobus do during the Elemental Wars that makes the dwarves want to send an assassin after him in particular? Any worldbuilding for both the Shadow People and the Dwarves (as well as other magical species) would be great too.

- (Gunther) So is Gunther the one who writes the descriptions for all of the artifacts and minerals that go into the museum? I'd love to see more of his scholarly archaeological work, including in-universe documents. And since he can leave the museum sometimes (he visits the Farmer to give them the Rusty Key), what if he goes on trips to find museum items? Anything from realistic archaeological practice to Gunther being a secret Indiana Jones figure would be really fun.

- (Gunther) Anything that goes into the Gunther-is-a-ghost theory. What was he like as a living villager? How did he die and end up haunting the museum? Did he know any of the other villagers when he was alive, or were they after his time?

- (Marlon) What's his history in the Adventurer's Guild? Are he and Gil the only members or is it an organization that goes throughout Ferngill (or even Gotoro)? What drew him to join or create the organization? What were his favorite or most harrowing adventures? How did he lose his eye and injure his leg, for example?

- (Marlon) Can Marlon use magic at all? If he doesn't, is it because he can't or because he refuses to (and if it's the latter, what actions led him to that decision)? If he can, how did he learn those skills, and what would happen if he had to put them to use to stop a large threat to the village and/or the valley?

- (Witch) How did she and the Wizard fall for each other? We only ever get the Wizard's side of how their marriage broke down - how does she see it? (I'm good with either or both as unreliable narrators). Did she create the shrines in her hut or did she build the hut around preexisting shrines? What goals does she have besides cursing random items in the town?

- (Witch) The Witch takes on an apprentice. Who does she pick? What are her goals in teaching them magic? How does the apprentice use their new powers?

- Any combination of my requested characters on an adventure of your choice - Gunther has to recruit Krobus' help to get a magical artifact for the museum! the Witch gives Marlon magical training! Marlon has to confront some unsavory Adventurer's Guild policies when he becomes friends with Krobus! the Witch conjures up ghostly Gunther to help with some scheme of hers! The valley is your oyster.

FFFX 2023

Aug. 6th, 2023 07:48 pm
sincereously: night sky above mountains (Default)
Hello, creator!

I'm so excited to see what you come up with for this exchange! Hope you have a great time with it. Prompts are here if you want them, but if you have another idea that's inspiring you I'm happy to see that too.

If you have any questions or concerns, please contact me through the mods. I'm also sincereously on AO3.

General Likes and DNWs
General fic likes:
Worldbuilding (especially magical, religious and cultural worldbuilding)
Unusual formats, including in-universe documents and IF/Choose Your Own Adventure
Canon divergence
Outsider POV
Dramatic irony
Moments of quiet intimacy during breaks in the action (especially good for missing scenes in between what we see in canon)
Slowly building intimacy/respect together - slow burn in general
Taking care of injured people
Hair care, washing, and styling as bonding
Forced proximity (undercover together, trapped together, accidental/arranged marriage, fake dating, only one bed, etc.)
Elaborate plans that may or may not work out
Improvising new plans as you go along
"That's an extremely bad plan, of course I'm in" type situations and interpersonal dynamics
Getting in way over your head but throwing yourself headfirst into the plan anyway
Repressed characters learning to let go
Struggling against temptation/the Dark Side
Five + one things structure

General DNWs:
Character bashing
Canon-divergent death of requested characters (canonical deaths are fine)
Non-canonical child death
Setting change AUs (ex. coffeeshop, high school, modern AU, etc.)
Time travel AUs
Explicitly stated sexuality labels for characters whose sexuality is not canonically defined
Formalized dom/sub relationships
Ageplay
Raceplay
Omegaverse
Mpreg
Excretory kinks
Rape/noncon (dubcon - sex pollen with both/all characters dosed, sex in arranged marriages, fuck-or-die, etc. - are fine, as are references to canonical rape/noncon.)
Underage under 15 and unrequested non-canonical ships with 20+ year age gaps (mentions of canon examples are fine, but please don't make them the focus of the fic)
Cross-gen incest
Animal abuse
Hopeless endings (endings can be dark, but not without any shred of hope)

Please keep the violence level at about what it is in canon.


FANDOMS

Please click on all bold/underlined headings to see more details.

A Brother's Price

Requested tags: Eldie Porter, Original Middle Sister of a Criminal Family, Original Middle Sister of an Army Volunteer Family

About the canon:

I'm interested in the world that's constructed here, particularly how women fit within the family structures and the highly stratified society. It doesn't show as much with our viewpoint characters, being a rare boy and a princess who’s become the Eldest, but it's interesting how much of an average woman's identity in this world is subsumed into being part of a collective group of sisters, including running any sort of businesses or other jobs together and receiving any punishment earned by an individual member of the family. It'd be cool to see both the kinds of women that fit within these tight-knit, insular conceptions of family and those who want to defy the norms to find an individual identity or choose a different family. I'd also love to see any explorations of the in-universe culture.

While the tag is for original characters, I'm good with the characters turning out to be unnamed background canon characters too.

This canon is a single book available through most online book retailers and in libraries, including in ebook formats.

Prompts

- (Eldie Porter) From the Eldest of a duchess's family to a younger sister of farmers/merchants, and with her life and those of her new sisters on the line if she ever slips up and exposes the truth - how does she adjust in the aftermath of the book? How do her new sisters feel and act around her, or her new sisters-in-law and cousins in the royal family? What would happen if someone else found out about who she really was?

- (Eldie Porter) In an AU where the Porters aren't quite so ambitious and survive as former in-laws and closely trusted advisors to the Queens, what kind of person does Eldie Porter become? How does she feel about the Porter family? Is she at all close to the royals? What happens if she finds out the truth of her parentage?

- (Middle Sister of a Criminal Family, Middle Sister of an Army Volunteer Family) The characters take part in the War of the False Eldest. Who did they fight for? What did they think about the dynastic situation that led to the war, or were they just concerned about the common people/their family who got trampled in the war's path? Did they know the Whistlers at all, and what was their impression of them if they did?

- (Original Middle Sister of a Criminal Family) What kind of criminals are they - thieves, thugs, smugglers, pickpockets, counterfeiters? What kind of criminal does this middle sister want to be, if she wants to be a criminal at all? What's her relationship with her sisters like, particularly with her Eldest? Is she satisfied with her status or is she looking for more, and what would that "more" look like for her? If so, does she succeed in getting it?

- (Original Middle Sister of an Army Volunteer Family) What happened to her family to make joining the army seem like the best option? Was she actually interested in joining the army, or did her sisters pressure her into it? How does she adjust to the drudgery and danger of army life - that line in the book that "the army eats families" has stuck with me here. Does she manage to make it out and rise higher, and if she does, what prices does she end up paying for it?


Harlots

Requested tags: Violet Cross/Amelia Scanwell, Nancy Birch/Margaret Wells, William North/Margaret Wells

About the canon:
I love so much about this canon - the fripperies and humor, the politicking and drama and the moments of sincerity that shine through. I love the setting, with its range from decadence to squalor. More than anything, I love how complex the women are and complicated relationships they have with each other. All of these stories are, in the end, about people on the fringes trying to carve a place in the world, and I love seeing their successes and failures as they go after what they want.

For any story, I'm good with Margaret/Nancy and Margaret/Will by themselves or occurring simultaneously as V-shaped polyamory with Margaret as the hinge.

Harlots is 3 seasons (although only 2 are necessary for my request) of approximately 1-hour episodes (with 8 episodes a season) available on Hulu.

Prompts

- (Amelia/Violet) Any small series of missing slice-of-life scenes during or after their time in canon would be great - Violet caring for Amelia after her stabbing, them going on a journey together, Amelia and Violet having reading lessons and "reading lessons"...

- (Amelia/Violet) With their plot so unresolved at the end of season 2, I'd love to see what happens next for them! Them getting to strengthen their relationship after the physical and emotional turmoil they dealt with all season, being able to escape and build a life together and avoid the unwanted marriage, maybe teaming up with the Wells and associates in their plots against the Spartans? (As far as Hunt goes...well, I'd prefer that he not be outright abusive or that Amelia and Violet kill him, but other ways of writing him out of the equation - him sticking to calling off the engagement at the end of S2, going on the run after the ruse with Margaret is discovered, being killed as the start of a casefic, turning out to be not-straight and working out an amicable mutual bearding situation with Amelia and Violet - will work for me).

- (Margaret/Nancy, Margaret/Will) Any kind of backstory fic would be very welcome. What little moments led to Nancy and Margaret falling into trust while in Lydia's house? What was their personal and professional life like after leaving Lydia - did they ever try to go into business together, or help each other find a place in the world? How did Margaret first get to know Will - he wasn't a client, but was he connected to the world of sex work in other ways or did he join it for the sake of being with Margaret?

- (Margaret/Nancy, Margaret/Will) The people who love Margaret come after her after she's transported. Do they work to bring her back or try to establish a new life in a new world?



Measure for Measure

Requested tags: Isabella

About the canon:

Isabella's headstrong and messy and that's what I enjoy about her. She has a idiosyncratic set of ideals that she can be ruthless about pursuing. She isn't completely uncompromising in her principles, but the places where she chooses to bend and the places where she won't bend at all (and how she justifies those things to herself and to others) are really fascinating. I love productions that lean into how angry she can be about the unfair world and unfair situation she lives in.

This canon is available through multiple public-domain sources.

Prompts

- Honestly, if you just want to do 10k of character study, I'm all for that. Does she have any stories or saints or scholars who particularly speak to her? Who does she admire and who does she deplore? Where does she see her actions line up with her faith, and where does she have to work to reconcile them together? If you happen to be interested in early modern Catholic religious history or theology, I'd enjoy seeing some of those details too.

- After the play, does the shadow of what happened follow her even as she tries to escape to the convent? How do the other nuns react to her? Abbesses historically had quite a lot of influence in their local communities and had to interact with local authorities - what would happen if she eventually became Abbess? Alternatively, how would she fare as the Duchess? Could she find an expression of her faith and her needs that feels right to her? Noblewomen could historically wield a lot of soft power if they played their cards right - could Isabella harness that power (and for what purpose?) or is she not equipped to play that game?

- Do she and Claudio ever rebuild their relationship? Mariana has done an enormous morally ambiguous favor for Isabella, knows as well as Isabella does what it's like to suffer at a man's whims, and after marrying Angelo becomes far more prominent socially - how does Isabella relate to Mariana in the aftermath of the play, whether she marries the Duke or not? I'm good with her never interacting with Angelo again if you want, but if they do end up thrown together for some reason (maybe the Duke is doing some other convoluted scheme and they're either caught up in it or trying to pick up the pieces) how could those fraught circumstances unfold?

- Instead of a bed trick, Isabella opts for a straight-up prison break. Bonus points if she also dresses up as a friar in the course of the escape.



Stardew Valley

Requested tags: Krobus, Gunther, Marlon, Witch

About the canon:

I really enjoy the setting - it's so pretty and so charming, with a strong undercurrent of magic. For this exchange I'm especially interested in the strange and supernatural parts of the valley - there's a lot of lore but also a lot left unexplained and open to imagination.

This canon is available on Steam.

Prompts

- (Krobus) I love to see Krobus learning about the human world from the other characters and him teaching them about the world of the magical beings in return. What would happen if he struck up a friendship with a villager, especially someone who isn't the Farmer? Can he find a way to fit in the rhythm of life in the town?

- (Krobus) What, exactly, did Krobus do during the Elemental Wars that makes the dwarves want to send an assassin after him in particular? Any worldbuilding for both the Shadow People and the Dwarves (as well as other magical species) would be great too.

- (Gunther) So is Gunther the one who writes the descriptions for all of the artifacts and minerals that go into the museum? I'd love to see more of his scholarly archaeological work, including in-universe documents. And since he can leave the museum sometimes (he visits the Farmer to give them the Rusty Key), what if he goes on trips to find museum items? Anything from realistic archaeological practice to Gunther being a secret Indiana Jones figure would be really fun.

- (Gunther) Anything that goes into the Gunther-is-a-ghost theory. What was he like as a living villager? How did he die and end up haunting the museum? Did he know any of the other villagers when he was alive, or were they after his time?

- (Marlon) What's his history in the Adventurer's Guild? Are he and Gil the only members or is it an organization that goes throughout Ferngill (or even Gotoro)? What drew him to join or create the organization? What were his favorite or most harrowing adventures? How did he lose his eye and injure his leg, for example?

- (Marlon) Can Marlon use magic at all? If he doesn't, is it because he can't or because he refuses to (and if it's the latter, what actions led him to that decision)? If he can, how did he learn those skills, and what would happen if he had to put them to use to stop a large threat to the village and/or the valley?

- (Witch) How did she and the Wizard fall for each other? We only ever get the Wizard's side of how their marriage broke down - how does she see it? (I'm good with either or both as unreliable narrators). Did she create the shrines in her hut or did she build the hut around preexisting shrines? What goals does she have besides cursing random items in the town?

- (Witch) The Witch takes on an apprentice. Who does she pick? What are her goals in teaching them magic? How does the apprentice use their new powers?

- Any combination of my requested characters on an adventure of your choice - Gunther has to recruit Krobus' help to get a magical artifact for the museum! the Witch gives Marlon magical training! Marlon has to confront some unsavory Adventurer's Guild policies when he becomes friends with Krobus! the Witch conjures up ghostly Gunther to help with some scheme of hers! The valley is your oyster.

sincereously: 3SF over white background with black lines (3sentenceficathon)
With one week left to prompt in the Three Sentence Ficathon, I thought I'd collect my promptfills for this year here! Post 1 (found here) is available for fills only; Post 2 (found here) is available for both fills and new prompts for one more week. Fills are welcome on both posts until the next Ficathon starts next January!

Fallen London
Original prompt: Any, any, peckish (A Seeker of the Name)

When you first began to hunt the Name, that niggling little peckishness had been a mere annoyance; it became a constant companion, became a friend, became the only part of you that has not yet melted away like a candle's wax. The gnawing has eaten your stomach now, and still you devour - chestnuts and flesh, and dreams, and hope. Still you are never satisfied.

(This is only right.)
(Hunt as he was hunted.)
(Consume as he was consumed.)


Golden Girls
Original prompt: The Golden Girls, Blanche, Her previous lovers.

Dorothy and Sophia would never believe her, but she's never been with a man she didn't love. Well, all right, it might not be what most people think of love - not the kind of always-and-forever love that made you actually want to stay in with them on a Friday night, the kind she had with George - but she always saw something in her men that she loved, whether it was the firm muscles of his rear or the hot spark in his eye or the way he smiled crookedly whenever one of his jokes sent her into peals of laughter, or even just how good he made her feel on and in his arms.

The stories might have been a teensy bit exaggerated and perhaps a bit contradictory over the years, but every woman is entitled to a little mystique and some harmless pleasures, and her stories do her good; whenever she gets to remembering all her lovers she smiles, and shivers, and shimmies into her favorite slinky dress and then she's ready to fall in love all over again.


Singin' in the Rain
Original prompt: Any, Any OT3, summarizing each relationship. (Don/Kathy/Cosmo)

They've all got their own rhythm, the three of them. Don's got the control and easy strength that can equally lift Kathy into a graceful spin and launch Cosmo into a playful backflip; Kathy throws her heart into every motion and flies into the air always trusting Cosmo to hold her steady and Don to catch her if she falls; Cosmo nimbly steps in among them all, and while he might sometimes look like he's in the background, the dance would never look quite right without him pulling Don into an old routine or catching Kathy's arm to show her a new step.

They all have their own rhythm, but when they dance together, they're in perfect harmony.


A Song of Ice and Fire
Original prompt: ASOIAF, Joffrey, a good king (Version 1)

His father shows him that a king drives his kingdom, his court, his family with his appetites and his strong arm (and his backhand); his mother teaches him that he should have everything he wants, as anyone of Lannister blood deserves. His grandfather lectures him about moderation every once in while, but Joffrey has read his histories, and he hardly thinks Grandfather showed moderation when he slaughtered the Reynes and the Tarbecks like the dogs they were - he wonders if Grandfather liked it when they begged and screamed, the way Joffrey likes it when Sansa is obviously trying not to cry.

Joffrey knows what a king is - a man who holds a kingdom in his fist and squeezes it as he likes - and he is as good at being a king as he knows to be.


Original prompt: ASOIAF, Joffrey, a good king (Version 2)

Joffrey absolutely hated Winterfell when he first arrived - the rules, the new foster father and mother who made him actually mind those stupid rules, the new foster siblings who never held back from showing him up at lessons, the ugly heart tree and the horrible food and the ever-present awful bloody cold.

But the years passed, and somehow the rules started to feel more reasonable and the cold more comfortable, and when his father died and he came back to King's Landing for the first time since he was six he brought his foster family with him, for he could not imagine being the kind of king the realm needed without their love and their counsel.

And so in the years to come the people talked of the honor of King Joffrey, the king who brought justice to his vassals and his smallfolk and who brought the armies against the terrors from beyond the Wall - as good a king, they all agreed, as any king they knew to be.


Original prompt: ASOIAF, any, genderswap (f!Viserys III)

Her first husband would have given her a queen's crown, for the day Viserra was born her father had made Rhaegar marry his newborn sister, and if Rhaegar had only given her a chance to grow up she knows she would have made a good consort to his reign, two true Targaryens the way it is always meant to be.

But Rhaegar had spurned her, broken her destiny and her family for the sake of the Stark girl, and so today she takes a second husband for a queen's crown. But not a consort's crown, not this time, she thinks as she winds her silver hair into a braid and pins it in place, this time I get the khal and his ten thousand Dothraki, and I get to sit on the Iron Throne and watch the Usurper burn to ash at my feet, and I get a golden crown, yes, everything that is the dragon's, it's going to be mine.


Original prompt: ASOIAF/GOT, any Arryn, Spirit (Jeyne Arryn)

Some fools say that the Eyrie is one of the harshest and most barren seats in all the Seven Kingdoms, but they do not know it as Jeyne does.

From atop the Giant's Lance she can take the falcon's view of her lands, tracing her life's path in the ridges and dips below - the high crag where the Stone Crows killed her father and brothers, just north of the river against whose banks she'd trapped her almost-usurper cousin and ended his ambitions, which tumbled into the lush green valley full of swaying wheat, where Jeyne could just barely see the small lake where she'd first promised Jessamyn her love.

The howling mountain winds wax and wane like the Vale itself is breathing, and when Jeyne breathes with them she can fancy that she and the very spirit of the Vale have become one.


Original prompt: ASOIAF/GOT, any, Dothraki Dragons (Irri)

It is known that dragons are terrible and evil creatures, magic-made perversions of beasts, who swallow horses whole and char the mother earth so fiercely that for years no grass can grow upon it. It is known that they are long gone, along with the silver-haired bloodmages who made them - that is, until three eggs crack in a pyre and turn the world upside down.

Irri also knows that a brave girl can leave sheep for a dragon and slowly win it to her side, and so when the khaleesi vanishes she takes any meat she can find and brings it to the pyramid where the dragons wait.


Star Wars
Original prompt: Any, any, bodyswap (Han & Luke)

"You tell me to stretch out with my feelings one more time and I'll kill you before the worm gets around to it," Han muttered, ignoring his own face frowning back at him.

Luke leaned back against the wall of their cell, rubbing the side of his head like he was getting a headache. Han, admittedly, could not blame him. Theoretically, escaping the Hutt who captured them should have been as easy as telling the guard to open up the door, or maybe breaking into the fiddly inner workings of the door lock. Unfortunately, both things required the Force, and due to some godsforsaken Sith machination Han currently controlled the body with the Force sensitivity, and the Force did not seem to like Han very much. After the third time he'd tried to sway the guard and accidentally sent them into an attack frenzy instead, the feeling was mutual.

Han squeezed his eyes shut and slumped back against the door, tuning out the buzz of awareness - of Luke, of the guard, of the people on the street above this prison - as best he could. Thinking like a Jedi was getting him nowhere. Think like a criminal, then. What could he use to break the lock? The cell was completely bare, and even Han trying to break down the walls with the Force had only put shallow scratches in them. What else did he have?

Only what you take with you.

Luke had sidled over while Han was thinking, and gave him an encouraging pat on the shoulder. Han looked over at Luke's hand - formerly Han's own - on his shoulder, and an idea struck him.

"Are you breaking my hand?" Luke said incredulously as Han popped open the panel on his mechanical right hand and fished out a few thin metal pieces, plus some wiring for good measure.

"Look, right now it's my hand anyway," Han said, squinting as he maneuvered the makeshift lockpick. One of the attempted door breakdowns had created a small gap, just wide enough to allow one of the wire pieces through and let Han finagle the mechanism.

Of course, it wasn't easy to do with one hand now out of commission. Han looked over at Luke and raised his eyebrows, and Luke might not be able to read emotions in the Force right now but he still got the message very clearly.

"All right," he said, shuffling beside Han and slotting the metal pieces into place, "but as soon as we're back to the Falcon you're fixing it back to normal, okay?"

"Deal," Han replied, grinning as the lock clicked and the door hissed unlocked. The next few steps might be tricky, but between the two of them - as long as you help us out for once, Han thought to the Force - they ought to get out of it just fine. Same as always.


Original prompt: Any, any, meeting your dark mirror universe self (Leia vs. dark!Leia)

"I don't think you and your pitiful little rebellion know what you're dealing with," the Empress drawled, the yellow irises of her eyes catching the bright red beam of her lightsaber as she stared at Leia; with her free hand she twisted a strand of her familiar dark hair out of the way of her horribly familiar face, in a gesture Leia had seen thousands of times in her own mirror.

Looking at the Empress was about as disorienting as falling into this universe in the first place had been...but Leia had her own advantages, from her weapons to her friends to her strange recognition of the storm of rage and passion and determination she sensed from her enemy's all-too-familiar heart.

"I think I know exactly who I'm dealing with," Leia snarled, igniting her own saber's blade, "the question is, do you?"


Original prompt: any, any, sedoretu (Luke/Mara/Leia/Han)

Somewhere in the evening, while they were working out the logistics for a tricky run, Han looked up from the endless piles of flimsi, a weirdly soft look on his face as he said, "You gotta admit it all worked out pretty good, right?"

Mara's first instinct was to ask where the hell that came from, but she looked across the room and understood - their Morning wife and Chief of State smiled triumphantly down at her datapad as she worked yet another crisis out, her feet in the lap of their Morning husband as he chatted to the twins over a grainy holo connection about an old Jedi artifact he'd just found, and they themselves sat together with their handwriting overlapping on scratch-sheets and all their belongings comfortably strewn together - a scene Mara could never have imagined when Han had first casually asked her what she knew about sedoretu and she had been half-waiting for the trap to spring.

After all these years - after hundreds of dejarik games and sparring matches and rescues in battle, after thousands of kisses - Mara finally had it in her to grin back at him, and throw her arm around his shoulder, and say, "You know what, this time I think you're right."


Stardew Valley
Original prompt: Stardew Valley, any, learning beauty again (Leah)

Zuzu City seeped into Leah like the exhaust fumes that clung to her clothes, like Kel's long-suffering sighs burrowing into Leah's heart whenever Leah procrastinated on a work project to chase the ever-fainter spark of art inside her.

If she stayed there any longer the fumes and the sighs would suffocate her, and so Leah escaped to a world of quiet snows and soft breezes laden with butterflies. The soft rains of Stardew Valley have finally washed the city out of her soul, and when she studies the woods around her, all she can see is the beauty of possibilities.

FIAB 2022

Sep. 1st, 2022 11:49 pm
sincereously: night sky above mountains (Default)
Hello, creator!

I'm so excited to see what you come up with for this exchange! Hope you have a great time with it. Prompts are here if you want them, but if you have another idea that's inspiring you I'm happy to see that too.

If you have any questions or concerns, please contact me through the mods. I'm also sincereously on AO3.

General Likes and DNWs
General fic likes:
Worldbuilding (especially magical, religious and cultural worldbuilding)
Unusual formats, including in-universe documents and IF/Choose Your Own Adventure
Canon divergence
Outsider POV
Dramatic irony
Moments of quiet intimacy during breaks in the action (especially good for missing scenes in between what we see in canon)
Slowly building intimacy/respect together - slow burn in general
Taking care of injured people
Hair care, washing, and styling as bonding
Forced proximity (undercover together, trapped together, accidental/arranged marriage, fake dating, only one bed, etc.)
Elaborate plans that may or may not work out
Improvising new plans as you go along
"That's an extremely bad plan, of course I'm in" type situations and interpersonal dynamics
Getting in way over your head but throwing yourself headfirst into the plan anyway
Repressed characters learning to let go
Struggling against temptation/the Dark Side
Five + one things structure

General art likes
I love a wide range of art styles, so I don't have much of a preference there. For art-specific prompts:
Wearing your nicest outfits for a formal event (and getting those formal clothes messed up if/when the event goes sideways)
Helping someone get dressed, because of an injury or complicated clothes
Fight scenes, especially being already battered and bruised but still squaring up to continue the fight
Dancing, well or badly
Sneaking into a place you shouldn't be

General DNWs:
Character bashing
Canon-divergent death of requested characters (canonical deaths are fine)
Non-canonical child death
Setting change AUs (ex. coffeeshop, high school, modern AU, etc.)
Time travel AUs
Explicitly stated sexuality labels for characters whose sexuality is not canonically defined
Formalized dom/sub relationships
Ageplay
Raceplay
Omegaverse
Mpreg
Excretory kinks
Rape/noncon (dubcon - sex pollen with both/all characters dosed, sex in arranged marriages, fuck-or-die, etc. - are fine, as are references to canonical rape/noncon.)
Underage under 15 and unrequested non-canonical ships with 20+ year age gaps (mentions of canon examples are fine, but please don't make them the focus of the fic)
Cross-gen incest
Animal abuse
Hopeless endings (endings can be dark, but not without any shred of hope)

Please keep the violence level at about what it is in canon.


FANDOMS

Please click on all bold/underlined headings to see more details.

Columbo

Requested tags: Columbo, Lieutenant Columbo and Dog the Dog

Requested medium tags: Medium Opt In: Art - Fanart, Medium Opt In: Art - Stained Glass, Medium Opt In: Writing - Any In-Universe Documents That Fit the Canon Setting, Medium Opt In: Writing - Interactive Fiction - AO3 style Choose Your Own Adventure, Medium Opt In: Unique Rules - Interactive Fiction - Web-based choice-based IF not hosted on AO3

About the canon:

I'm so very fond of this canon. It's very enjoyable watching both the elaborate murder plots and Columbo deftly unraveling them in his own seemingly-unassuming way. Plus the bond between man and dog!

Prompts

- (Columbo) We only really see Columbo on a case, and the information he gives about his life outside his work varies greatly on the suspects he's trying to corner. Is there any truth to any of the stories he weaves? Any slice-of-life or Columbo tailing a more "ordinary" case would be lovely.

- (Columbo & Dog) I'd like to see a case from Dog's point of view! Maybe Dog is trying to help his master by seeking out crucial clues, or maybe Dog has a canine case of his own that intersects with Columbo's mystery-of-the-week. (This would work very well with interactive fiction, if that's something you're interested in).



M*A*S*H

Requested tags: Margaret Houlihan, Maxwell Klinger, Father Francis Mulcahy, Charles Emerson Winchester III

Requested medium tags: Medium Opt In: Art - Fanart, Medium Opt In: Art - Stained Glass, Medium Opt In: Writing - Any In-Universe Documents That Fit the Canon Setting, Medium Opt In: Writing - Interactive Fiction - AO3 style Choose Your Own Adventure, Medium Opt In: Unique Rules - Interactive Fiction - Web-based choice-based IF not hosted on AO3

About the canon:

This is one of my oldest fandoms, and I have such affection for all the weird and wonderful people at the 4077th. I love the humor and seeing all these strong personalities play off of each other, and I love the times when they do their best to find light in the midst of the horrific situation they're living in.

Canon-specific DNWs: Any non-canon ships involving Radar, Colonel Potter, or Henry Blake, and any shipping that breaks up BJ/Peg (although adding others into their relationship is great). I am completely happy with any other ships, though - f/f, f/m, m/m, polyamorous, whatever you like!

Prompts

- (Any) Canon-typical shenanigans in general - prank wars, Klinger's Section 8/escape attempts, all the little events that they come up with to try to stave off boredom. Alternatively, canon-typical serious moments and explorations of trauma would be excellent as well; in particular, this canon is inherently good for the "taking care of a wounded friend" hurt/comfort scenario. Just anything you loved about the series, I'd be glad to see a fic version of it.

- (Any) All of the above episode-typical moments, but also with the ICOR paperwork that Radar or Klinger had to fill out after various camp goings-on. The canon promo post also reminded me of how fun a Choose Your Own Adventure format could be for this fandom - following one of the characters through a typical day at the 4077th, or through a deluge of wounded, or accompanying a patient to camp or to a different MASH unit, or trying to get much-needed supplies. I always liked episodes like Point of View or Life Time that did something unusual with the format, and I'd enjoy seeing something along those lines here, too!

- (Margaret) Margaret has a spine of steel and a huge amount of volatile emotions and vulnerability that she has no idea how to express. I really liked the episodes where she ended up alone with one or two others, especially in a forced-proximity situation, because that's where her conflict between being strong and acknowledging her emotional needs seemed the most evident. Maybe she's trapped somewhere (on the road, at an aid station, in that cave from the CAVE episode) with one of the other characters and needs to make her way back to camp while relying on the other person?

- (Klinger) Klinger always has some scheme running, and I'd enjoy seeing any of them, particularly where they intersect with his knowledge of fashion and tailoring. I also somewhat see all his different plans and tricks as a way of getting his mind off where he is and why he's there. How did he pull of putting together that fancy wardrobe and elaborate disguises? I also liked the episode Dear Uncle Abdul and would love seeing him describe the events of the 4077th to his massive family in epistolary form. (In addition, I don't have any particular gender headcanons wrt Klinger, but I'm good with seeing Klinger playing around with gender and gendered expectations both deliberately and by accident).

- (Mulcahy) Command has sent an order that all personnel need to be trained in self-defense, and Mulcahy finds himself head teacher of the 4077th's impromptu boxing academy. Sure, he likes being needed, but he didn't expect to be needed for this, and between his new students' reluctance and his own unsureness of his purpose and capabilities he's not sure he's up for the challenge. How does he manage the situation? Do they ever have to make use of their training?

- (Any) They're sent away to a medical conference in Seoul or Tokyo. What happens - irritation over room sharing? Wild times at local establishments? An encounter with a visiting general (Klinger’s pulling a wild scheme, Mulcahy’s polite but questioning, Charles is schmoozing to try to get out of the 4077th, and it's probably one of Margaret's exes)? Bonding with each other while incredibly drunk? Kissing/hooking up while incredibly drunk?

- (Klinger, Mulcahy) The camp or the orphanage desperately needs supplies, and one or both of them wheel and deal with the black marketeers to get what they need while dodging suspicious MPs. I like seeing their guile at work!

- (Charles) I really enjoy Charles' relationship to music, how he sees it as his solace and uses it to both carve out an oasis for himself (while annoying his tentmates) and to comfort those who share his passion. I'd like to see Charles learning a new instrument, or teaching music to others, or bonding with patients or other hospital staff over music. Or possibly one of his own compositions?

- (Charles) I find it interesting that he and Hawkeye and Trapper would have lived in Boston in overlapping time periods, and it's likely that they would have still gone to Boston sometimes for work-related reasons even after the war ended. It would be cool to see Charles continuing to run into the people from the 4077 in Boston post-war and eventually start trying to see each other on purpose, because like it or not they're one of the few people around who Gets It, and the push-and-pull of rivalry and respect between them (and possibly the romantic/sexual sparks)


Star Wars

Requested tags: C-3PO & R2-D2, C-3PO & R2-D2 & Darth Vader, Leia Organa/Han Solo, Leia Organa & Luke Skywalker, Leia Organa & Luke Skywalker & Han Solo, Leia Organa/Luke Skywalker/Han Solo, Lando Calrissian/Leia Organa/Han Solo, Lando Calrissian & Chewbacca

Requested medium tags: Medium Opt In: Art - Fanart, Medium Opt In: Art - Stained Glass, Medium Opt In: Writing - Any In-Universe Documents That Fit the Canon Setting, Medium Opt In: Writing - Interactive Fiction - AO3 style Choose Your Own Adventure, Medium Opt In: Unique Rules - Interactive Fiction - Web-based choice-based IF not hosted on AO3

About the canon:

This is another of my oldest fandoms! I love all the risks that Our Heroes take to help/save the others (even when there seems to be a betrayal, they always come back and do whatever they can to make things right), and it makes for sound camaraderie that makes their adventures so fun to watch. The worldbuilding is a great genre-hodgepodge of sheer pulpy nonsense with room for both fun antics and genuinely touching moments.

I'm familiar with various aspects of both the Disney canon universe and the Legends universe, supplemented by spending way too much of my free time on Wookiepedia. Feel free to draw on whatever version of canon you want and to mix them together if it makes sense for what you're creating! Don't worry about what I might or might not have seen/read; I like going down wiki rabbit holes and I don't care about spoilers. Finally, if you're writing Leia/Luke/Han or Leia/Lando/Han I'm happy with it both as a full triad or as a Han-centric V, depending on your preferences.

Prompts

- (Any) An adventure story about going on the hunt for a MacGuffin, including mysterious clues and booby traps and narrow escapes from The Bad Guys. Making blatant Indiana Jones references using Han is encouraged. (I'd also be very here for this kind of story in a Choose Your Own Adventure format).

- (Any) An undercover mission! Han and Leia (+ Lando or Luke) pretending to be married/actually getting married to maintain cover, Luke having to resort to the Force at the worst possible time, Chewie actually bringing one or more of the others in as "prisoners" rather than him having to pretend to be the captured one for once...

- (Any) I really like one-or-both-twins-are-raised-by-Vader-as-his-Sith-apprentice(s) AUs and even Empress-Padmé-and-her-heir(s) AUs. How do all of the characters' relationships change in a world where that happened?

- (C-3PO & R2-D2) They're always on the edge of whatever drama is happening among the main characters, and I'd love the opportunity to see them at center stage! Anything with their own POV on the events of the movies would be great, or maybe an exploration of their lives in between the prequels and the original trilogy? Maybe Threepio and Artoo go on their own mission for the Rebellion!

- (C-3PO & R2-D2 & Darth Vader) There's just a lot of potential for comedy and drama and dramatic irony here. How could the droids come into Vader's possession - capture, being bought, maybe they never left Vader's service in the first place? How do they handle life behind Imperial lines, and what sort of tasks does Vader ask of them? How does Vader relate to them, as Vader and as the memory of Anakin?

- (Leia & Luke, Leia/Han, Leia & Luke & Han, Leia/Luke/Han, Lando/Leia/Han) At the last minute, Tarkin decides against destroying Alderaan. How does Alderaan's survival impact the development of the Rebellion, as well as the relationships among the characters? I'm also very here for Queen Leia stories.

- (Leia & Luke) Anything that goes into their Force connection - feeling it before they realize what it is (maybe showing up in each other's dreams, or as each other's "imaginary friends" as small children) or using it to better learn how to use the Force and understand each other after they know. Also, Leia sharing her memories of Padmé with Luke.

- (Leia & Luke) I love any and all moments of Leia getting Jedi training, and I'd love to see more of that! How does she approach her powers? In what ways does she work well with Luke's teaching, and in what ways does she feel a conflict with it? How does she react when she's using her powers for the first time? I'm also great with a role-reversal where Leia's the Jedi teaching Luke.

- (Leia & Luke & Han or Leia/Luke/Han) Anything about the time period in between ANH and ESB, where Leia is grieving her planet and Luke is adjusting to commanding a squadron and Han is insisting that no, really, he's going to leave any day now. They're already close even by the end of ANH, having bound together in life-or-death situations, but how does their relationship develop and grow in the relatively mundane times?

- (Leia & Luke & Han or Leia/Luke/Han) I always see Han as being just a little weirded out by the whole Force thing, no matter how long he knows Luke and Leia. How does he handle both of their growing powers, and how does it change their relationships?

- (Leia/Han or Lando/Leia/Han) They manage to keep Han from getting frozen in carbonite, but Luke is captured instead. How do they work together to save him and keep the Rebellion running while also grappling with their feelings for one another?

- (Leia/Han or Lando/Leia/Han) In ROTJ, they have a lot of time to come to an understanding about their relationship on the way from Tatooine back to the fleet - or just celebrate getting Han back.

- (Lando & Chewie) Anything about their time together between ESB and ROTJ, having to rely on each other to find Han while repairing broken trust and processing how they've both changed since the last time they were working together.

- (Lando & Chewie) Sometime during the Rebellion, Chewie recruits Lando's help to liberate Kashyyyk from Imperial control. How do they try to pull it off? Any sort of elaborate schemes or cons would be awesome here.

- (Any) Any of the other prompts, but in the style of an after-the-fact mission report or other Rebellion internal communication. Maybe every member of the mission has a conflicting story about what exactly happened? Maybe it's all the requisition and order forms Han filled out trying to get new parts every time something on the Falcon stops working?


A Song of Ice and Fire

Requested tags: Catelyn Tully Stark/Ned Stark, Oberyn Martell/Ellaria Sand

Requested medium tags: Medium Opt In: Art - Fanart, Medium Opt In: Art - Stained Glass, Medium Opt In: Writing - Any In-Universe Documents That Fit the Canon Setting, Medium Opt In: Writing - Epistolary, Medium Opt In: Writing - Rashomon (1950)-style Conflicting Narratives

About the canon:

With Cat/Ned, I love the canon story of them building a life together and slowly falling in love. Neither of them expected to marry the other and their marriage got off to a rocky start, to say the least, but through a combination of natural compatibility and working to understand each other, they created one of the strongest marriages in the canon and became the loves of each other's lives. The chapter in AGOT where they're pulling each other close all the time during their meeting in King's Landing demonstrates just how much comfort they find in each other, and they both spend a lot of their page time just wanting to be back home and back together.

For Ellaria/Oberyn, they both have such strong personalities that it's fun to see them sparking off with each other. Neither of them are bound by the social conventions of Westeros and are determined to get what they want, and I like the idea of them forging their own path together. They also differ in interesting ways, too - Oberyn spends his canon appearance driven by revenge while Ellaria's biggest moment in the series is a speech on the futility of revenge, and yet they have a very obvious respect and love for each other despite their differences. (With this couple, I'm also great with adding in other people, as long as it conforms to my DNWs).

Prompts

- (Ned/Cat) I'd love to see takes on their early married life as they get to know each other and learn to trust and depend on each other. This includes things like early awkward conversations and even more awkward sex in Riverrun, slice-of-life in Winterfell, learning to make the sex less awkward and eventually actually good, raising their children or discovering a pregnancy, and exchanging letters during Robert's Rebellion and the Greyjoy Rebellion. (A note on Jon: Jon's presence in Winterfell is obviously a major part of the development of Ned and Cat's marriage - handle it as much or as little as you'd like, I just ask you to be as fair as possible to each of the characters involved and to have Jon as the result of R+L=J).

- (Ned/Cat) I would also be interested in seeing Ned and Cat in a canon-divergence AU but still marrying for political reasons - maybe Edmure is a girl and Cat is heiress to Riverrun marrying second son Ned, or this is a world where Brandon and Catelyn manage to get married and have a child before his death and Ned marries his brother's widow to help secure Brandon's child's rulership of Winterfell.

- (Oberyn/Ellaria) What was their original courtship like? How did they first meet, and how did they seduce each other into becoming dedicated partners? Any background on Ellaria would also be very welcome, since we know so little of what her life was like pre-Oberyn.

- (Oberyn/Ellaria) I'm also really interested in the period of time between the Rebellion and the start of canon, where Oberyn and Ellaria are building their family together and Oberyn is making plans for vengeance. Was Ellaria present for the deal Oberyn signed with Willem Darry in Braavos, and even if she wasn't, what did she think of it (Doran says that Ellaria didn't know about it, but I'm willing to believe he's wrong especially for fic purposes)? What was it like raising the Sand Snakes?

FFFX 2022

Aug. 16th, 2022 11:12 pm
sincereously: night sky above mountains (Default)
Hello, creator!

I'm so excited to see what you come up with for this exchange! Hope you have a great time with it. Prompts are here if you want them, but if you have another idea that's inspiring you I'm happy to see that too.

If you have any questions or concerns, please contact me through the mods. I'm also sincereously on AO3.

General Likes and DNWs
General fic likes:
Worldbuilding (especially magical, religious and cultural worldbuilding)
Unusual formats, including in-universe documents and IF/Choose Your Own Adventure
Canon divergence
Outsider POV
Dramatic irony
Moments of quiet intimacy during breaks in the action (especially good for missing scenes in between what we see in canon)
Slowly building intimacy/respect together - slow burn in general
Taking care of injured people
Hair care, washing, and styling as bonding
Forced proximity (undercover together, trapped together, accidental/arranged marriage, fake dating, only one bed, etc.)
Elaborate plans that may or may not work out
Improvising new plans as you go along
"That's an extremely bad plan, of course I'm in" type situations and interpersonal dynamics
Getting in way over your head but throwing yourself headfirst into the plan anyway
Repressed characters learning to let go
Struggling against temptation/the Dark Side
Five + one things structure

General art likes
I love a wide range of art styles, so I don't have much of a preference there. For art-specific prompts:
Wearing your nicest outfits for a formal event (and getting those formal clothes messed up if/when the event goes sideways)
Helping someone get dressed, because of an injury or complicated clothes
Fight scenes, especially being already battered and bruised but still squaring up to continue the fight
Dancing, well or badly
Sneaking into a place you shouldn't be

General DNWs:
Character bashing
Canon-divergent death of requested characters (canonical deaths are fine)
Non-canonical child death
Setting change AUs (ex. coffeeshop, high school, modern AU, etc.)
Time travel AUs
Explicitly stated sexuality labels for characters whose sexuality is not canonically defined
Formalized dom/sub relationships
Ageplay
Raceplay
Omegaverse
Mpreg
Excretory kinks
Rape/noncon (dubcon - sex pollen with both/all characters dosed, sex in arranged marriages, fuck-or-die, etc. - are fine, as are references to canonical rape/noncon.)
Underage under 15 and unrequested non-canonical ships with 20+ year age gaps (mentions of canon examples are fine, but please don't make them the focus of the fic)
Cross-gen incest
Animal abuse
Hopeless endings (endings can be dark, but not without any shred of hope)

Please keep the violence level at about what it is in canon.


FANDOMS

Please click on all bold/underlined headings to see more details.

A Brother's Price

Requested tags: Original Middle Sister of a Criminal Family, Original Poor Family That Joins the Army, Other: Worldbuilding

About the canon:

I'm interested in the world that's constructed here, particularly how women fit within the family structures and the highly stratified society. It doesn't show as much with our viewpoint characters, being a rare boy and a princess who’s become the Eldest, but it's interesting how much of an average woman's identity in this world is subsumed into being part of a collective group of sisters, including running any sort of businesses or other jobs together and receiving any punishment earned by an individual member of the family. It'd be cool to see both the kinds of women that fit within these tight-knit, insular conceptions of family and those who want to defy the norms to find an individual identity or choose a different family. I'd also love to see any explorations of the in-universe culture.

While the tag is for original characters, I'm good with the characters turning out to be unnamed background canon characters too. For the Poor Family, I'm also good with making an exception to my character death DNW and killing off one or more of the family members, although I'd prefer the family not to be totally wiped out.

This canon is a single book available through most online book retailers and in libraries, including in ebook formats.

Prompts

- (Any) The characters take part in the War of the False Eldest. Who did they fight for? What did they think about the dynastic situation that led to the war, or were they just concerned about the common people/their family who got trampled in the war's path? Did they know the Whistlers at all, and what was their impression of them if they did?

- (Any character or Worldbuilding) In-universe documents of any sort - religious or mythological texts, in-universe librettos for the opera (possibly with revision or performance notes), military reports, etc.

- (Worldbuilding) There's some mention of religious laws and strictures, particularly around prohibiting adoptions, but not much else - what does religious practice look like in this world? Were the Prophets cannons named for actual prophets, and how might these figures play into Queensland religion?

- (Original Middle Sister of a Criminal Family) What kind of criminals are they - thieves, thugs, smugglers, pickpockets, counterfeiters? What kind of criminal does this middle sister want to be, if she wants to be a criminal at all? What's her relationship with her sisters like, particularly with her Eldest? Is she satisfied with her status or is she looking for more, and what would that "more" look like for her? If so, does she succeed in getting it?

- (Original Poor Family that Joins the Army) How many sisters are there in this family, and what are they all like? What happened to them to feel that joining the army was the best option? How do they adjust to the drudgery and danger of army life - that line in the book that "the army eats families" has stuck with me here. Do one or more of them manage to make it out and rise higher, and if they do, what prices do they end up paying for it?


Harlots

Requested tags: Violet Cross/Amelia Scanwell, Nancy Birch/Margaret Wells, William North/Margaret Wells, Charlotte Wells & Lucy Wells and Margaret Wells

About the canon:
I love so much about this canon - the fripperies and humor, the politicking and drama and the moments of sincerity that shine through. I love the setting, with its range from decadence to squalor. More than anything, I love how complex the women are and complicated relationships they have with each other. All of these stories are, in the end, about people on the fringes trying to carve a place in the world, and I love seeing their successes and failures as they go after what they want.

For any story, I'm good with Margaret/Nancy and Margaret/Will by themselves or occurring simultaneously as V-shaped polyamory with Margaret as the hinge.

Harlots is 3 seasons (although only 2 are necessary for my request) of approximately 1-hour episodes (with 8 episodes a season) available on Hulu.

Prompts

- (Amelia/Violet) Any small series of missing slice-of-life scenes during or after their time in canon would be great - Violet caring for Amelia after her stabbing, them going on a journey together, Amelia and Violet having reading lessons and "reading lessons"...

- (Amelia/Violet) With their plot so unresolved at the end of season 2, I'd love to see what happens next for them! Them getting to strengthen their relationship after the physical and emotional turmoil they dealt with all season, being able to escape and build a life together and avoid the unwanted marriage, maybe teaming up with the Wells and associates in their plots against the Spartans? (As for how to deal with Hunt...well, I'd prefer that he not be outright abusive or that Amelia and Violet kill him, but other ways of writing him out of the equation - getting reassigned, going on the run after the ruse with Margaret is discovered, being killed as the start of a casefic, turning out to be not-straight and working out an amicable mutual bearding situation with Amelia and Violet - will work for me).

- (Margaret/Nancy, Margaret/Will) Any kind of backstory fic would be very welcome. What little moments led to Nancy and Margaret falling into trust while in Lydia's house? What was their personal and professional life like after leaving Lydia - did they ever try to go into business together, or help each other find a place in the world? How did Margaret first get to know Will - he wasn't a client, but was he connected to the world of sex work in other ways or did he join it for the sake of being with Margaret?

- (Margaret/Nancy, Margaret/Will, Margaret & Charlotte & Lucy) The people who love Margaret come after her after she's transported. Do they work to bring her back or try to establish a new life in a new world?

- (Margaret & Charlotte & Lucy) I love Margaret and her daughters. It’s intense, it’s messy, it’s a bunch of people all trying to do what they can but coming into friction with each other in the process. What was it like for Margaret raising her daughters, knowing what limited options they had and trying to set her daughters up for success despite the heavy costs?



The Seven Husbands of Evelyn Hugo

Requested tags: Celia St. James

About the canon:
The glamour and illusion of Hollywood plays a big part of this book, and I love seeing how the characters navigate that world and use its expectations to their advantage. It’s not just how they claw their way to power in such a world, but also how they find human connection despite it all. I love all the froth and tinsel of the setting, but I also love the characters finding something real beneath it. I’d also like anything that delves more into the nitty-gritty of the film business, and more into the AU-Hollywood that the book creates. For this exchange I’m especially interested in Celia - the sweet persona she creates and the truth and strength and fire of her real personality, and how that affects both the people she loves and the business she works in.

I’m good with any canon relationships and with pairing Celia with OCs.

This canon is a single book available through most online book retailers and in libraries, including in ebook formats.

Prompts

- There are quite a few times in canon where Celia and Evelyn aren’t together, and I’d love to see Celia’s life during any of those times - her romantic relationships other than Evelyn, her movies, her work within and without the Hollywood system. What drew her to the women she dated while she and Evelyn were on the outs?

- What were Celia’s other movies like? How did she get into Method? The world of the novel has a mix of real-world actors and original characters that amalgamate different Hollywood stories, and I’d love to see either or both while looking on Celia’s career. This would also work really well with in-universe documents, if you wanted to go that route.

- I’d love to see her and Evelyn (or her and Evelyn + John/Harry) meeting her family. They never do in canon, but the potential for conflict and connection and strengthening their own bonds is great, especially considering that Evelyn had such a different background.

- What if Celia had gone more into the Broadway theater world? How would that have changed her relationship to her work, to Evelyn, to John and Harry?



M*A*S*H

Requested tags: Margaret Houlihan, Maxwell Klinger, Father Francis Mulcahy, Charles Emerson Winchester III

About the canon:

This is one of my oldest fandoms, and I have such affection for all the weird and wonderful people at the 4077th. I love the humor and seeing all these strong personalities play off of each other, and I love the times when they do their best to find light in the midst of the horrific situation they're living in.

M*A*S*H is 11 seasons of 30-minute episodes (with around 24 episodes a season) available on Hulu.

Canon-specific DNWs: Any non-canon ships involving Radar, Colonel Potter, or Henry Blake, and any shipping that breaks up BJ/Peg (although adding others into their relationship is great). I am completely happy with any other ships, though - f/f, f/m, m/m, polyamorous, whatever you like!

Prompts

- (Any) Canon-typical shenanigans in general - prank wars, Klinger's Section 8/escape attempts, all the little events that they come up with to try to stave off boredom. Alternatively, canon-typical serious moments and explorations of trauma would be excellent as well; in particular, this canon is inherently good for the "taking care of a wounded friend" hurt/comfort scenario. Just anything you loved about the series, I'd be glad to see a fic version of it.

- (Any) All of the above episode-typical moments, but also with the ICOR paperwork that Radar or Klinger had to fill out after various camp goings-on. The canon promo post also reminded me of how fun a Choose Your Own Adventure format could be for this fandom - following one of the characters through a typical day at the 4077th, or through a deluge of wounded, or accompanying a patient to camp or to a different MASH unit, or trying to get much-needed supplies. I always liked episodes like Point of View or Life Time that did something unusual with the format, and I'd enjoy seeing something along those lines here, too!

- (Margaret) Margaret has a spine of steel and a huge amount of volatile emotions and vulnerability that she has no idea how to express. I really liked the episodes where she ended up alone with one or two others, especially in a forced-proximity situation, because that's where her conflict between being strong and acknowledging her emotional needs seemed the most evident. Maybe she's trapped somewhere (on the road, at an aid station, in that cave from the CAVE episode) with one of the other characters and needs to make her way back to camp while relying on the other person?

- (Klinger) Klinger always has some scheme running, and I'd enjoy seeing any of them, particularly where they intersect with his knowledge of fashion and tailoring. I also somewhat see all his different plans and tricks as a way of getting his mind off where he is and why he's there. How did he pull of putting together that fancy wardrobe and elaborate disguises? I also liked the episode Dear Uncle Abdul and would love seeing him describe the events of the 4077th to his massive family in epistolary form. (In addition, I don't have any particular gender headcanons wrt Klinger, but I'm good with seeing Klinger playing around with gender and gendered expectations both deliberately and by accident).

- (Mulcahy) Command has sent an order that all personnel need to be trained in self-defense, and Mulcahy finds himself head teacher of the 4077th's impromptu boxing academy. Sure, he likes being needed, but he didn't expect to be needed for this, and between his new students' reluctance and his own unsureness of his purpose and capabilities he's not sure he's up for the challenge. How does he manage the situation? Do they ever have to make use of their training?

- (Any) They're sent away to a medical conference in Seoul or Tokyo. What happens - irritation over room sharing? Wild times at local establishments? An encounter with a visiting general (Klinger’s pulling a wild scheme, Mulcahy’s polite but questioning, Charles is schmoozing to try to get out of the 4077th, and it's probably one of Margaret's exes)? Bonding with each other while incredibly drunk? Kissing/hooking up while incredibly drunk?

- (Klinger, Mulcahy) The camp or the orphanage desperately needs supplies, and one or both of them wheel and deal with the black marketeers to get what they need while dodging suspicious MPs. I like seeing their guile at work!

- (Charles) I really enjoy Charles' relationship to music, how he sees it as his solace and uses it to both carve out an oasis for himself (while annoying his tentmates) and to comfort those who share his passion. I'd like to see Charles learning a new instrument, or teaching music to others, or bonding with patients or other hospital staff over music.

- (Charles) I find it interesting that he and Hawkeye and Trapper would have lived in Boston in overlapping time periods, and it's likely that they would have still gone to Boston sometimes for work-related reasons even after the war ended. It would be cool to see Charles continuing to run into the people from the 4077 in Boston post-war and eventually start trying to see each other on purpose, because like it or not they're one of the few people around who Gets It, and the push-and-pull of rivalry and respect between them (and possibly the romantic/sexual sparks)
sincereously: night sky above mountains (Default)
Hello, creator!

I'm so excited to see what you come up with for this exchange! Hope you have a great time with it. Prompts are here if you want them, but if you have another idea that's inspiring you I'm happy to see that too.

If you have any questions or concerns, please contact me through the mods. I'm also sincereously on AO3. Please also feel free to check out any of my past exchange letters for prompts and inspiration, if you want!

General Likes and DNWs
General fic likes:
Worldbuilding (especially magical, religious and cultural worldbuilding)
Unusual formats, including in-universe documents and IF/Choose Your Own Adventure
Canon divergence
Outsider POV
Dramatic irony
Moments of quiet intimacy during breaks in the action (especially good for missing scenes in between what we see in canon)
Slowly building intimacy/respect together - slow burn in general
Taking care of injured people
Hair care, washing, and styling as bonding
Forced proximity (undercover together, trapped together, accidental/arranged marriage, fake dating, only one bed, etc.)
Elaborate plans that may or may not work out
Improvising new plans as you go along
"That's an extremely bad plan, of course I'm in" type situations and interpersonal dynamics
Getting in way over your head but throwing yourself headfirst into the plan anyway
Repressed characters learning to let go
Struggling against temptation/the Dark Side
Five + one things structure

General art likes
I love a wide range of art styles, so I don't have much of a preference there. For art-specific prompts:
Wearing your nicest outfits for a formal event (and getting those formal clothes messed up if/when the event goes sideways)
Helping someone get dressed, because of an injury or complicated clothes
Fight scenes, especially being already battered and bruised but still squaring up to continue the fight
Dancing, well or badly
Sneaking into a place you shouldn't be

General DNWs:
Character bashing
Canon-divergent death of requested characters (canonical deaths are fine)
Non-canonical child death
Setting change AUs (ex. coffeeshop, high school, modern AU, etc.)
Time travel AUs
Explicitly stated sexuality labels for characters whose sexuality is not canonically defined
Formalized dom/sub relationships
Ageplay
Raceplay
Omegaverse
Mpreg
Excretory kinks
Rape/noncon (dubcon - sex pollen with both/all characters dosed, sex in arranged marriages, fuck-or-die, etc. - are fine, as are references to canonical rape/noncon.)
Underage under 15 and unrequested non-canonical ships with 20+ year age gaps (mentions of canon examples are fine, but please don't make them the focus of the fic)
Cross-gen incest
Animal abuse
Hopeless endings (endings can be dark, but not without any shred of hope)

Please keep the violence level at about what it is in canon.


FANDOMS

Carrie
Tags: Carrie White, Margaret White, Sue Snell

Additional Info and Prompts: Each of these characters have such raw pain guiding their lives and actions, and seeing how they express that hurt - for better or for worse - is so fascinating to me. The mundane setting tinged with the supernatural (or at least a kind of natural that includes things like telekinesis) also opens up a lot of fun worldbuilding possibilities that any of these characters can explore.

- Ship preferences: Carrie/Sue and/or canon pairings

- Any requested character having a moment of vulnerability, for whatever reason, in front of one or more other requested characters. They all have to put up such a strong front to other people; what happens when that front fails?

- I liked how much the book drew on in-universe documents to build its narrative, and I’d love to see other documents - Carrie’s schoolwork? religious pamphlets Margaret wrote? Sue’s book?

- Carrie doesn’t go to the prom and gets the chance to practice her power in smaller forms of vengeance/revenge in high school. How might she experiment with the power? How does she keep it secret or not? Is there ever a point where she crosses the line?

- Carrie's power is exposed earlier and she goes on the run from being captured and contained by the government/a company/various and sundry nefarious forces, either on her own or with Sue or Margaret.

- Anything on Margaret’s past and how she developed her twisted religious views - was there any specific incident that gave her such a horror of roadhouses, or did it slowly build up over time? This could also work with five-times structures (five lessons Margaret taught Carrie, etc.)

- Margaret herself has the carrier gene for TK - what would have happened if she had gotten the power? How would it have changed her religious views and the way she raised Carrie?

- Sue becomes a leading TK researcher and mentors another young TK-positive girl. Carrie’s ghost - figurative or real - may also make an appearance.



Chicago
Tags: Velma Kelly, Roxie Hart, Mary Sunshine, Mama Morton

Additional Info and Prompts: Four women in a deeply cynical world who are absolutely determined to get what they want. Even Mary Sunshine has a tenacity to her, while Velma and Roxie scheme with a mix of pettiness and audacity and Mama smiles and pulls the strings. In the show they all have times where one needs another to get ahead, even though they might hate it, and that interplay of how they all use each other - and sometimes grudgingly work together - really interests me.

- Ship preferences: any combination of Velma/Roxie/Mama/Mary/other murderesses and/or canon pairings

- In-universe newspaper articles or book excerpts - I'd love to see Mary Sunshine's prim takes on other crimes, or a retrospective on Velma or Roxie or Mama a few years after the events of the film.

- Life on the road with Velma and Roxie's act post-canon - how successful or not are they, really? What kinds of gimmicks and deals do they come up with to bring in an audience? How many times do they have to stop themselves from killing each other?

- We saw how Roxie built up a persona for her trial - what was it like for Velma in the early days after her arrest? (Did she even have to change that much to come up with her "murderess" persona?)

- All of Roxie's pre-canon past brushes with notoriety, no matter how exaggerated they might be in her head - her dating that well-to-do ugly bootlegger for starters, but maybe also her reaction to a half-a-sentence review during her chorus girl days or to being at the club just before Velma Kelly's arrest.

- How did Mary Sunshine get to be a crime reporter? Did she obliviously fall into it through some black comedy of errors, or is she a bit slyer than she initially appears? What does she do to pursue a story?

- What kinds of deals did Mama have with the prisoners who weren't Velma or Roxie? With the people outside the prison system? Were there ever any genuine feelings or was it pure calculating business? How did she choose this life and pursue it in the first place?



Golden Girls
Tags: Sophia Petrillo, Blanche Devereaux, Dorothy Zbornak, Rose Nylund

Additional Info and Prompts: This show never fails to make me laugh! I love the bond the women have, how even when their strong personalities cause hilarious friction they still come together in the end. They all also have such distinctive voices that I'd enjoy seeing anything about their perspective on the world around them, particularly any incidents in their colorful pasts.

- Ship preferences: any combination of Blanche/Dorothy/Rose and/or canon pairings

- Any canon-typical misadventures would be awesome: taking a class together, going on a trip together, hosting a party together, that sort of thing. I'd also love to see elaborations of any of the memories the girls talk about over the course of the show, like Rose's St. Olaf stories or Sophia's Sicily stories or Blanche's stories about her past beaus.

- Wilder adventures would also be fun: exorcising a ghost, pulling off a heist, suddenly acquiring superpowers...

- The girls are all interviewed for some reason - recalling an event, giving a police report - but they all have wildly different takes on what actually happened...

- Interactions with their extended families, especially their children and grandchildren. What traits do they and their families have in common, for better or for worse? A lot of the canon stories with their grandchildren involve them adjusting their relationships to fix mistakes they made with their children, and it could be incredibly interesting to see more of those kinds of stories.