sincereously: night sky above mountains (Default)
While real life did add its own challenges, I still had a great time with Three Sentence Ficathon this year! Post 4 is still open to new prompts until February 15th.

My fills below:

Fallen London

any, any, mad honey

The bohemians of the Neath have spun out thousands of words on Prisoner's Honey - golden, luxurious, viscous, the bringer of dreams, the first fruits of Hell - but curiously, they seem rather touchy about calling it mad. How silly, how Surface to worry about something so silly - why, down here, madness is even less inconvenient than death!

So the honey flows through London like blood through a beating heart, but be careful before you tip a spoonful past your lips - the bohemians of the Neath have so many words for honey, but not one of them is safe.




Singin' in the Rain

singin' in the rain, cathy/cosmo/don, only one bed

It's a natural transposition - back in their vaudeville days Don and Cosmo shared a bed so many times they never even bothered to count the number, and Kathy and Don have wound up in the same bed so many times since their engagement and certainly will continue to do so upon their marriage, therefore...

When the hotel concierge apologizes for the lack of rooms and offers a trundle bed for Mr. Brown, it doesn't even occur to any of them to do anything but airily dismiss the offer and suggest they'll find some other arrangement. And they do find it, stripped of all defenses and carefully-tailored studio-provided clothes, their limbs all tangled in each others' as they joke about how nice it is, that they found a bed big enough for three.




A Song of Ice and Fire

any, any, AU where twins can feel each other’s pain - ASOIAF, Jaime/Cersei pre-canon

Cersei revels in the pain of Jaime's wounds, all his training exercises and his battles, the sweet sting of the Sword of the Morning knighting Jaime by delicately slicing her brother's shoulder with the most beautiful sword in the world.

She savors knowing that Jaime knows her aches, too - she spares him none of it, not her nights with Robert Baratheon (Jaime would never have liked him, but oh, how he hates him now), not her struggles as she bears their children, not her teeth sinking into his collarbone when he takes her against a wall.

One twin will press on old bruises from the others' fingertips, and the other will pinch right where they know the other is wounded - if love is poison, then Cersei will gladly drink this poison down every time, and know that Jaime will ache and burn with it just as much as she does.


Any, any mother who we don’t meet in canon, who was she? - ASOIAF, Minisa Whent

Minisa went to the Isle of Faces only once. Everyone had warned her against it, and she ignored them anyway, stealing a boat and rowing out to the Isle, kneeling before gods she doesn't know and praying that they can help her make sense of all the strange lurching feelings inside her when her own gods can't, curling up at the foot of a weeping weirwood with her own blood soaking into its roots, and dreaming -

Everyone notes how very tranquil she is when she returns from the Isle - so very calm and pliant, for a mad daughter of the mad Whents of Harrenhal - and when she's wed to Hoster Tully and bears children she knows she'll never live to see grown, she tries to teach them everything she knows, everything to keep them safe in the endless night she sees coming.





Star Wars

any, any female character, haunted by everyone she couldn't save - Star Wars, Leia

Tarkin was never going to spare Alderaan - she knows this, knows the Empire has no concept of mercy as anything but a sick joke and she owes them no mercy in turn, certainly no guilt of her own for what they've done to her planet, her people. She knows this.

It doesn't help late in the night cycle, when she's back on the Death Star over and over, scrabbling helplessly for any answer that might have saved them, the impossible words hanging somewhere just past the tip of her tongue.


any, any, stuck in the elevator - Rogue One, Jyn

The lift jolts to a stop about halfway down, throwing Jyn headlong into Cassian as all the lights crackle out; they assess the situation to each other in breathless sentence fragments, okay? and think and found and maybe, maybe.

Maybe they've been caught or maybe the attack is going better than she thinks and maybe the base is falling apart around them, Jyn doesn't really care at this point - she's still drunk on the relief of success, like she wants to sleep for a thousand years and bounce off the lift walls, all at once.

Most of all - as she wracks her head for she knows about hot-wiring lifts, Cassian slipping into place right beside her - she knows that, however likely it is they're about to die in this damn lift (it's likely, it's very likely), she's going to claw out every millisecond of life that she can.


any, any/any, weapons maintenance as together time - Star Wars, Han/Leia

"That looks like it's coming along pretty good," Hans says. He's making this up, of course - he's not any kind of expert on what lightsabers are supposed to look like, and even less so when they're currently spread out in pieces on a sheet right next to his workspace - but Leia takes it well enough, letting out a huff of breath so amused Han might almost call it affectionate, and turns back to fixing up her lightsaber even while Han gets to running diagnostics on that little list in the targeting system of the Falcon's dorsal laser cannon.

It's rare that Han and Leia can spend any time together completely quiet - they're both too restless for that - but it's nice, really, and when he absentmindly asks her to pass the hydrospanner and she levitates it right into his hand, he catches her proud and knowing eyes and can't help his smile in return.





Stardew Valley

Stardew Valley, Sandy, no place like home

Where else is she going to see sunsets like this, creatures like this, cacti like this? Where else is she going to get a chance to hear the wind whipping through a dragon's sun-bleached bones?

She's heard of the excitement of Zuzu City, and Emily's told her over and over of the charms of Stardew Valley...but this is where the life she's built is, and for her, there's no place like home.


Stardew Valley, Marnie/Marlon, swept off his/her feet

Marlon's faced all sorts of danger in his time, but even he admits it's a first when he's faced, weaponless, with a giant herd of angry, stampeding cows.

And when Marnie effortlessly drags him over and hauls him up the fence and out of harm's way, when she carelessly dusts off her hands like the whole adventure was nothing and hits him with a grin that strikes him right in the heart - well, that's something of a first for him, too.

She has her business to attend to and he has his (she's had her loves before, and he's had his) but she still lingers in his head, and he wonders just how many firsts they could have together if they only took the chance.

sincereously: night sky above mountains (Default)
Hello, creator!

I'm so excited to see what you come up with for this exchange! Hope you have a great time with it. Prompts are here if you want them, but if you have another idea that's inspiring you I'm happy to see that too. I enjoy all kinds of romantic and platonic pairings for these fandoms!

If you have any questions or concerns, please contact me through the mods. I'm also sincereously on AO3.

General Fic Likes:
Worldbuilding (especially magical, religious and cultural worldbuilding)
Encounters with the supernatural, particularly ghosts
Characters using or attempting to use magic or other supernatural forces
Maybe-magic-maybe-mundane events
Canon divergence
Introspection
Humor
Suspense
Unreliable narrators
Dramatic irony
Moments of quiet intimacy during breaks in the action (especially good for missing scenes in between what we see in canon)
Complicated women, and complicated relationships between complicated women
Slowly building intimacy/respect together - slow burn in general
Taking care of injured people
Forced proximity (undercover together, trapped together, accidental/arranged marriage, fake dating, only one bed, etc.)
Elaborate plans that may or may not work out
Improvising new plans as you go along
"That's an extremely bad plan, of course I'm in" type situations and interpersonal dynamics
Getting in way over your head but throwing yourself headfirst into the plan anyway
Repressed characters being vulnerable
Struggling against temptation/the Dark Side/inner demons (and giving in)
Mind control/possession (and resisting mind control/possession)
Unusual formats, including in-universe documents
Five + one things structure


General Art Likes
Depictions of canon rooms, houses, and landscapes (also includes maps and set designs)
Characters with bloody hands
Characters doing ordinary things with very un-ordinary things happening in the background
Symbolic imagery
Black-and-white or greyscale with pops of color
Light - from warm glows illuminating the whole space to chiaroscuro
Any art style is great!


General DNWs:
Character bashing
Non-canonical child death
Setting change AUs (ex. coffeeshop, high school, modern AU, etc.)
Time travel AUs
Explicitly stated sexuality labels for characters whose sexuality is not canonically defined
Formalized dom/sub relationships
Ageplay
Omegaverse
Mpreg
Excretory kinks
Rape/noncon (dubcon - sex pollen with both/all characters dosed, sex in arranged marriages, fuck-or-die, etc. - are fine)
Underage under 15 and unrequested non-canonical ships with 20+ year age gaps (mentions of canon examples of both are acceptable, but please don't make them the focus of the fic)
Animal abuse
Fic devoted primarily to examining real-world issues/-isms (please don't feel that you have to avoid them, but I'd rather they not be the entirety of what the work is about)
Hopeless endings (endings can be dark, but not without any shred of hope)
For both fic and art, please keep the level of violence at about what it is in canon.


FANDOMS

Please click on all bold/underlined headings to see more details.

Dracula

Requested Tags: Mina Seward, Renfield, Van Helsing, The Armadillos

Prompts
- (Any) Any perspective on the events of the movie from the POV Mina, Renfield, Van Helsing, or the Armadillos. There's so much potential from comedy to despair and everything in between, as they each deal with Dracula's influence and either resist or succumb (or a little of both).

- (Mina) The staking comes a little too late, and Mina transforms into a vampire. Does Dracula take her back to Transylvania, or does she stay in England? Maybe she falls headlong into becoming a monster, or maybe she retains enough of her humanity fight the worst parts of her new nature...

- (Renfield) Renfield stays in Dracula's castle after Dracula bends Renfield's mind to his will, with Renfield eventually becoming one of Dracula's brides.

- (Van Helsing) Some of the other adventures of Van Helsing researching and fighting supernatural creatures!

- (The Armadillos) Just...how did a bunch of armadillos end up in Translyvania? How do they get along with the local wildlife? Did Dracula import them in for whatever reason? Do they have magical properties in this universe? Can Dracula turn not only into a bat but into an armadillo?

- (The Armadillos) Honestly any of the human/vampire characters interacting with an armadillo would be fantastic.



The Bride of Frankenstein

Requested Tags: The Bride, the Hermit, Frankenstein's Creature

Prompts
- (The Bride) Would love the Bride surviving and making her own way in the world - what if she meets the hermit, or develops a better understanding of the world on her travels, or becomes friends with the Creature despite their bad beginning?

- (The Bride) Or she can also go on a rampage of destruction and revenge and taking whatever (and whoever) she wants!

- (The Hermit) The Hermit's POV on events would be fun - on one hand he has so little idea of what's going on, but in some ways he knows better than anyone...

- (The Hermit) The Hermit unwittingly forms a unlikely support group for undead creatures. Crossovers also welcome, especially with other Universal monsters!

- (Frankenstein's Creature) Could the Creature find a simpler, easier life than he got in the movie? Maybe he could take after the Hermit and seek solace in the woods, or even team up with the Hermit and/or the Bride to make a new life.

- (Frankenstein's Creature) The Creature releases the Homunculi that Pretorius created and helps them take revenge on their creator, possibly with the help of the Bride.



The Wolf Man

Requested Tags: Bela, Gwen Conliffe, Jenny Williams, Larry Talbot, Maleva

Prompts
- (Bela) Anything in Bela's backstory - his past as a werewolf, how his fortunetelling interacts with his lycanthropy, etc. Also, anything where he survives and he and Larry (and any other werewolves in the story) bond over their shared misfortune and form their own kind of pack.

- (Gwen) Anything from Gwen's POV, from her work in the antique store (and her work with all kinds of artifacts with roots in local folklore) to her relationships with her fiance/Larry/Jenny to her reactions to the revelation of werewolves walking among us. Also very here for werewolf Gwen!

- (Jenny) Jenny doesn't die, but becomes a werewolf. Can she trust anyone with her secret? Does she end up a social outcast or can she find a pack, either with Bela and Maleva's group or with Gwen and Larry? Can she ever break her curse?

- (Larry) Larry survives and escapes, possibly with Gwen and possibly following Maleva, seeking peace and redemption and werewolf lore. Can he ever break the curse? Does he ever meet other werewolves?

- (Maleva) Maleva seems to have all kinds of fascinating knowledge and even more fascinating backstory. Did she always know everything about werewolves and anti-transformation charms, or was it something she only picked up once her son was bitten? How did she help manage Bela's condition? How did she cope with the fallout of the movie's events, with so many dead (including Bela)?
sincereously: night sky above mountains (Default)
Hello, creator!

I'm so excited to see what you come up with for this exchange! Hope you have a great time with it. Prompts are here if you want them, but if you have another idea that's inspiring you I'm happy to see that too. You can also check out any of my past prompts or promptfills on my journal for ideas if you want!

If you have any questions or concerns, please contact me through the mods. I'm also sincereously on AO3.

General Likes

General fic likes:

Worldbuilding (especially magical, religious and cultural worldbuilding)
Unusual formats, including in-universe documents and IF/Choose Your Own Adventure
Canon divergence
Outsider POV
Dramatic irony
Moments of quiet intimacy during breaks in the action (especially good for missing scenes in between what we see in canon)
Slowly building intimacy/respect together - slow burn in general
Taking care of injured people
Hair care, washing, and styling as bonding
Forced proximity (undercover together, trapped together, accidental/arranged marriage, fake dating, only one bed, etc.)
Elaborate plans that may or may not work out
Improvising new plans as you go along
"That's an extremely bad plan, of course I'm in" type situations and interpersonal dynamics
Getting in way over your head but throwing yourself headfirst into the plan anyway
Repressed characters having a chance to be vulnerable
Struggling against temptation/the Dark Side
Five + one things structure
Time loops

General art likes

I love a wide range of art styles, so I don't have much of a preference there. Art-specific likes:
Strong lighting/contrast of light and dark
Earth tones
Cool colors
Strong lines
Symbolic imagery

General art prompts:
In-universe illustrations or artworks, including maps and schematics
Looking up at the night sky
Wearing your nicest outfits for a formal event (and getting those formal clothes messed up if/when the event goes sideways)
Helping someone get dressed, because of an injury or complicated clothes
Fight scenes, especially being already battered and bruised but still squaring up to continue the fight
Dancing, well or badly
Sneaking into a place you shouldn't be


General DNWs:

Character bashing

Canon-divergent death of requested characters (canonical deaths are fine)

Non-canonical child death

Setting change AUs (ex. coffeeshop, high school, modern AU, etc.)

Time travel AUs (excluding time loops)

Explicitly stated sexuality labels for characters whose sexuality is not canonically defined

Formalized dom/sub relationships

Ageplay

Raceplay

Omegaverse

Mpreg

Excretory kinks

Rape/noncon (dubcon - sex pollen with both/all characters dosed, sex in arranged marriages, fuck-or-die, etc. - are fine, as are references to canonical rape/noncon.)

Underage under 15 and unrequested non-canonical ships with 20+ year age gaps (mentions of canon examples are fine, but please don't make them the focus of the fic)

Cross-gen incest

Animal abuse

Hopeless endings (endings can be dark, but not without any shred of hope)

Ned/Cat cheating on each other (Ned's canonical supposed infidelity is fine)

Please keep the violence level at about what it is in canon.


FANDOMS

Please click on all bold/underlined headings to see more details.

A Series of Unfortunate Events

Requested tags: WB: VFD Codes, WB: History of VFD

Requested medium tags: Medium Opt-In: Illustrated Text (Gifset & Writing) - Any Nominated Illustrated Text Medium, Medium Opt-In: Art - Costume Design, Medium Opt-In: Art - Floorplan/Architectural Style Drawing, Medium Opt-In: Art - Stained Glass, Medium Opt-In: Art - Playing Card, Medium Opt-In: Art - Tarot Card, Medium Opt-In: Unique Rules - Map: Any, Medium Opt-In: Writing - Any In-Universe Documents That Fit the Canon Setting, Medium Opt-In: Unique Rules - Interactive Fiction - AO3-style Choose Your Own Adventure, Medium Opt-In: Unique Rules - Interactive Fiction - Choice-Based IF Not Hosted On AO3, Medium Opt-In: Unique Rules - Logic Grid Puzzle, Medium Opt-In: Unique Rules - Murdle

Prompts
- (VFD Codes) Who all comes up with VFD codes? Are there ever variations of the codes within VFD? The characters we know are familiar with a specific set of codes, but maybe other VFD groups have their own forms of the codes, or maybe remaining VFD members start reworking some of their codes after the schism.

- (History of VFD) Very here for conspiracies and heartbreak. How do the people in the canon era understand the origins of the VFD, and how do those assumptions differ from what actually happened? What rumblings of discontent happened in the prelude to the schism? Or if you want to look into a simpler time, what was the training for new volunteers like back when the VFD was whole - learning disguises, training bats, falling in love very inopportunely?   

- (VFD Codes and/or History of VFD) - I'd also love to see events in the rise and fall of VFD and in the books as displayed in in-universe documents. Coded telegrams and reviews and news columns and just about any kind of communication? Map of an in-universe safe house? Costume designs for various VFD disguises? (You could also make up your own codes!) 


A Song of Ice and Fire

Requested tags: Catelyn Tully Stark/Ned Stark, Jaime Lannister/Catelyn Tully, Jaime Lannister/Ned Stark, Elia Martell/Ned Stark, Catelyn Tully Stark/Brienne of Tarth, Jaime Lannister/Lyanna Stark, Cersei Lannister/Lyanna Stark, Oberyn Martell/Ned Stark, Rhaenys Targaryen (Daughter of Elia), Daena Targaryen, Elaena Targaryen (Daughter of Aegon III), Balerion the Cat & Rhaenys Targaryen (Daughter of Elia), Balerion the Dragon & Daenys "The Dreamer" Targaryen, WB: Religious synecretism in Westeros

Requested medium tags: Medium Opt-In: Art - Stained Glass, Medium Opt-In: Art - Fanart, Medium Opt-In: Writing - Any In-Universe Documents That Fit the Canon Setting, Medium Opt-In: Art - Medieval Illumination-Style Art

Prompts
- (Ned/Cat) I'd love to see takes on their early married life as they get to know each other and learn to trust and depend on each other. (A note on Jon: Jon's presence in
Winterfell is obviously a major part of the development of Ned and Cat's marriage - handle it as much or as little as you'd like, I just ask you to be as fair as possible to each of the characters involved and to have Jon as the result of R+L=J).

- (Ned/Cat) I would also be interested in seeing Ned and Cat in a canon-divergence AU but still marrying for political reasons - maybe Edmure is a girl and Cat is heiress to Riverrun marrying second son Ned, or this is a world where Brandon and Catelyn manage to get married and have a child before his death and Ned marries his brother's widow to help secure Brandon's child's rulership of Winterfell.

- (Cat/Brienne) Cat is the one splattered with blood after Renly's death, and has to go on the run after being accused of murdering Renly. Brienne goes with her as a protector, and it turns into a special devotion...

- (Cat/Brienne) A really dark AU - in exchange for Jaime's life, Brienne agrees to join Lady Stoneheart's band and ends up serving the Lady in every possible way.

- (Cat/Jaime) Cat is arranged to marry the heir to the Westerlands instead of the heir to Winterfell.  Jaime's not sold on the match, but he's at least interested - how does Cat manage as the new Lady of the Rock, and how do she and Jaime learn to be with each other?

- (Cat/Jaime) Cat fucks military secrets out of Jaime in the Riverrun dungeon. Jaime, despite himself, is really into it.

- (Ned/Jaime) Brandon survives to marry Cat, and Ned joins Robert's Kingsguard...which unfortunately also means being in close proximity to the Kingslayer all day every day. It's unbearable for them both, or so they think for a while....

- (Ned/Jaime) After the sack of King's Landing Robert assigns Jaime to be the personal Kingsguard in charge of the surviving Targaryen kid(s), and when they're sent to foster in the North Jaime comes with them.

- (Elia/Ned) Elia becomes ruling Princess of Dorne after Doran's untimely death/disappearance, leading to her choosing second son Ned as a consort.

- (Elia/Ned) Robert arranges Rhaegar's widow to marry a man he's sure he can trust. How does their relationship develop from there?

- (Jaime/Lyanna) The alliance between Lannister and Stark persists much longer than it did in canon, and Rickard arranges for Lyanna and Jaime to marry.

- (Jaime/Lyanna) Rhaegar takes Lyanna as a second wife, and Jaime becomes the only member of the Kingsguard that the new queen can trust.

- (Cersei/Lyanna) Queen Cersei (probably the wife of Rhaegar, or maybe Stannis in an AU where Robert dies during the Rebellion) doesn't want a bunch of ladies-in-waiting, but she has to admit that this particular Northern lady is far less boring than the rest.

- (Cersei/Lyanna) Cersei - after the deaths/disappearances of Tywin and Jaime and Tyrion during the Rebellion - is Lady of the Rock. She has to work with Lyanna (whether as the wife of Robert, or as a consort of Rhaegar, or one of the few remaining Starks to negotiate with or even Lady of Winterfell in her own right) to accomplish some sort of deal, and finds herself wanting more...

- (Oberyn/Ned) Oberyn escapes abroad after the Rebellion to protect his niece and nephew Rhaenys and Aegon, and Ned meets him in the course of protecting his own nephew Jon.

- (Oberyn/Ned) Ned and Oberyn are both called to serve on the Small Council long before canon - Ned because he's a close friend of Robert, Oberyn because they need to appease the Martells and Oberyn might actually be good at the job. They have to work together, and find more building between them...

- (Rhaenys) Anything with Rhaenys would be fun. Is this an AU where she survives the attack on King's Landing and grows up as a hostage of the Baratheons? Or is it an AU where Rhaegar wins and she's left dealing with a plethora of family issues and the weight of destiny on top of it all?

- (Rhaenys) Rhaenys claims a dragon - from one of the eggs in the depth of Dragonstone? from one of the eggs hidden in the Winterfell crypts? somewhere else? No matter what, she takes her newfound draconic power and bonds and finds a new life with them, whether in Westeros or in Essos with her aunt Dany or both.

- (Daena) For a brief time - while Baelor is in Dorne, before the official annulment - Daena was queen consort of Westeros. How did she use or not use power in this time period? How did she see Daenaera's example (was Daenaera even still alive by then?) If you want to go AU, could she have found a way to hang on to authority she had as consort even after Baelor's return?

- (Daena) Daena disappears from the narrative soon after Daemon’s birth - what kind of life could she have had? Canon divergence is very welcome here! Maybe she takes a journey across Essos, or maybe she carves out a place (a new kingdom?) for herself and her son. (I’m not as interested in having her marry into the Starks, but I’d be interested to see her make a huge range of marriages for love and/or political gain, or her being extremely determined not to be married as well).

- (Elaena) Any Elaena POV on her backstory would be great - her time in the Maidenvault, her relationships with her siblings and cousins, the people she loved and/or fucked, honing her skills to become Master of Coin.

- (Elaena) What did Elaena do during the Blackfyre Rebellion? She would likely have already been de facto Master of Coin by then, and I'd be interested in both the political/bureaucratic aspects of her work during the Rebellion and the more personal issues of her family at war with itself.

- (Daena, Elaena) Daena or Elaena (or both!) acquire a dragon. How does history unfold from there?

- (Rhaenys and Balerion the Cat) Anything of Rhaenys and Balerion playing together before anything went wrong! Also Balerion protecting Rhaenys during and after the Sack of King's Landing.

- (Daenys and Balerion the Dragon) If Daenys was Balerion's first rider (as some extracanonical sources indicate) how did they first bond? Could they communicate in any way? Did Daenys see Balerion in her prophecies? How did Balerion think of Daenys long after Daenys was gone?

- (Religious syncretism in Westeros) How did the Faith meld into previous legends? Depictions of the gods vary based on the regioin's previous customs, and some in-universe septons use pre-Faith legends to argue about the origins of natural phenomenon. How did the religious tensions in Westeros get from "crusades against the unbelievers" to "I swear by the old gods and the new" and everyone accepting that? Is there ever any attempt to meld the beliefs of the Drowned God or R'hllor into the dominant religions of Westeros pre-canon? In-universe religious and scholarly documents would be especially welcome.


Star Wars Original Trilogy

Requested tags: C-3PO & R2-D2, C-3PO/R2-D2, C-3PO & R2-D2 & Darth Vader

Requested medium tags: Medium Opt-In: Art - Stained Glass, Medium Opt-In: Art - Fanart, Medium Opt-In: Writing - Any In-Universe Documents That Fit the Canon Setting, Medium Opt-In: Unique Rules - Interactive Fiction - AO3-style Choose Your Own Adventure, Medium Opt-In: Unique Rules - Interactive Fiction - Choice-Based IF Not Hosted On AO3, Medium Opt-In: Unique Rules - Logic Grid Puzzle

Prompts
- Generally, this is a canon where I'll enjoy a lot of tropey shenanigans. Artoo and Threepio have to carefully repair each other after a battle! Artoo and Threepio (and Vader?) are stranded in some inhospitable location and have to make their way back to safety! One or both of them are mistaken for gods (again)! They get temporarily rewired and have to maintain their composure while bodyswapped! All sorts of things.

- It would also be fun to see Artoo and Threepio's interactions with other droids and groups of droids. How do they get along (or not) with other droids? Are there different droid subcultures? Can Artoo and Threepio work with other droids to all band together and accomplish some sort of goal - missions for the Rebellion, evading Vader on Cloud City, escape from Jabba's palace?

- Artoo and Threepio are always on the edge of whatever drama is happening among the main characters, and I'd love the opportunity to see them at center stage! Anything with their own POV on the events of the movies would be great, or maybe an exploration of their lives in between the prequels and the original trilogy? 

- Maybe Threepio and Artoo go on their own mission for the Rebellion! How do they deal with various obstacles? How well or badly do they do undercover? Would also love them becoming detectives and solving some sort of mystery together.

- There's just a lot of potential for comedy and drama and dramatic irony with Artoo + Threepio + Vader. How could the droids come into Vader's possession - capture, being bought, maybe they never left Anakin/Vader's service in the first place? How do they handle life behind Imperial lines, and what sort of tasks does Vader ask of them? How does Vader relate to them, as Vader and as the memory of Anakin?

- Any of the other prompts, but in the style of an after-the-fact mission report or other Rebel or Imperial internal communication. I feel like Artoo and Threepio would have very different takes on how events go down! Logic puzzles could also be a lot of fun as they go on a mission or escape a trap or solve a problem or mystery together.


Stardew Valley

Requested tags: Krobus, Witch, Abigail & Witch

Requested medium tags: Medium Opt-In: Art - Drawn - Botanical Illustration, Medium Opt-In: Art - In-Universe Art, Medium Opt-In: Art - Stained Glass, Medium Opt-In: Art - Tarot Card, Medium Opt-In: Art - Zodiac Sign, Medium Opt-In: Instructions - Cocktail Recipe, Medium Opt-In: Instructions - In-Universe Spell or Ritual Instructions, Medium Opt-In: Instructions - Solo Journaling TTRPG rules, Medium Opt-In: Unique Rules - Interactive Fiction - AO3-style Choose Your Own Adventure, Medium Opt-In: Unique Rules - Interactive Fiction - Choice-Based IF Not Hosted On AO3, Medium Opt-In: Writing - Any In-Universe Documents That Fit the Canon Setting

Prompts
- (Abigail & Witch) - Between Abigail's fascination with adventures, the Witch's spite, and the implied complicated backstory, Abigail and the Witch have the potential for a very interesting relationship. Does the Witch know or suspect that Abigail is her ex-husband's secret child? Does she seek out Abigail for benevolent or malevolent reasons, or does Abigail get mixed up in the world of the supernatural in a different way and meet her there? Does Abigail ever learn what happened between her mother, the Wizard, and the Witch, and how does she react to that? What kinds of adventures can they have together?

- (Witch) How did she and the Wizard fall for each other? We only ever get the Wizard's side of how their marriage broke down - how does she see it? (I'm good with either or both as unreliable narrators). Did she create the shrines in her hut or did she build the hut around preexisting shrines? What goals does she have besides cursing random items in the town?

- (Witch) The Witch takes on an apprentice. Who does she pick? What are her goals in teaching them magic? How does the apprentice use their new powers?

- (Krobus) I love to see Krobus learning about the human world from the other characters and him teaching them about the world of the magical beings in return. What would happen if he struck up a friendship with a villager, especially someone who isn't the Farmer? Can he find a way to fit in the rhythm of life in the town?

- (Krobus) How does Krobus relate to the other supernatural creatures of the Valley? Obviously there's still bad blood between the Shadow People and the Dwarves after the Elementals War, but can he and the Dwarf find a friendship (or at least a good business relationship) nonetheless? He also likes playing with the Lunaloos - how did he start getting to know them, and how do they communicate? What about other groups like the mermaids or the Junimos? What does he think of the human(oid) magic-users in the Valley, whether the Wizard or the Witch or Mr. Qi or Welwick or some new magician?

- (Any) What kinds of spells and rituals do the magic-users (human and not) use in Stardew Valley?

sincereously: night sky above mountains (Default)
Hello, creator!

I'm so excited to see what you come up with for this exchange! Hope you have a great time with it. Prompts are here if you want them, but if you have another idea that's inspiring you I'm happy to see that too. You can also check out any of my past prompts or promptfills on my journal for ideas if you want!

If you have any questions or concerns, please contact me through the mods. I'm also sincereously on AO3.

General Likes and DNWs
General fic likes:
Worldbuilding (especially magical, religious and cultural worldbuilding)
Unusual formats, including in-universe documents and IF/Choose Your Own Adventure
Canon divergence
Outsider POV
Dramatic irony
Moments of quiet intimacy during breaks in the action (especially good for missing scenes in between what we see in canon)
Slowly building intimacy/respect together - slow burn in general
Taking care of injured people
Hair care, washing, and styling as bonding
Forced proximity (undercover together, trapped together, accidental/arranged marriage, fake dating, only one bed, etc.)
Elaborate plans that may or may not work out
Improvising new plans as you go along
"That's an extremely bad plan, of course I'm in" type situations and interpersonal dynamics
Getting in way over your head but throwing yourself headfirst into the plan anyway
Repressed characters having a chance to be vulnerable
Struggling against temptation/the Dark Side
Five + one things structure

General DNWs:
Character bashing
Canon-divergent death of requested characters (canonical deaths are fine)
Non-canonical child death
Setting change AUs (ex. coffeeshop, high school, modern AU, etc.)
Time travel AUs
Explicitly stated sexuality labels for characters whose sexuality is not canonically defined
Formalized dom/sub relationships
Ageplay
Raceplay
Omegaverse
Mpreg
Excretory kinks
Rape/noncon (dubcon - sex pollen with both/all characters dosed, sex in arranged marriages, fuck-or-die, etc. - are fine, as are references to canonical rape/noncon.)
Underage under 15 and unrequested non-canonical ships with 20+ year age gaps (mentions of canon examples are fine, but please don't make them the focus of the fic)
Cross-gen incest
Animal abuse
Hopeless endings (endings can be dark, but not without any shred of hope)

Please keep the violence level at about what it is in canon.


FANDOMS

Please click on all bold/underlined headings to see more details.

Columbo + MASH

Tommy Brown (Season 3 episode 7 Swan Song) - 'Course, I got a civilian private license after the Korean War.

Columbo: Oh, you were in that one?

Tommy Brown: Yeah, were you?

Columbo: Yeah, I was in that one. But not in the Air Force.

Tommy Brown: No kidding! Let me guess what you were in. (laughing) MPs!

Columbo: KP, mostly.

Tommy Brown: (laughing harder)


Columbo (Season 4 episode 3 By Dawn's Early Light): You know, I was in the army myself, Morgan? We used to have one big room, upper bunks and lower bunks, fifty guys, and half of them were snoring and the other half, they were writing letters, so there was no privacy. Now this is, uh, - well, granted, it's not a dance hall, but it's private. I mean, if I'd had this when I was in the army, I could have enjoyed it more.


- So what happens when a young not-yet-Lieutenant Columbo ends up at the 4077th? Maybe he's sent there after an injury in the line of duty, or maybe he's there on an MP investigation, or maybe the Army in all its wisdom has assigned as a 4077th corpsman. In any case, I'd love to see Columbo applying his observation and deduction skills to the 4077th, its doctors and its patients, or the members of the 4077th getting to know this perceptive young soldier and involving him in their own ongoing dreams and schemes.

- Alternatively, maybe Columbo is investigating a case that involves one of the 4077th members after the war ends - BJ in Mill Valley, Margaret on rotation in a California base, one of the others who have come to California for career or medical or personal reasons. They might be strangers to him, or one of his old Army buddies, or one of the people who saved his life in Korea. How do the former 4077th members react to Columbo's investigation methods?



Sweeney Todd + Fallen London

- Fifteen years after being wrongfully convicted and transported, Sweeney Todd arrives in the Fifth City to seek revenge. Did London Fall in between his conviction and his return, or was he arriving from the Tomb-Colonies or some other prisoner colony? (If you need to fudge dates in any direction to make this work, I am completely okay with that).

- How do the citizens of London learn about and react to Sweeney and Mrs. Lovett's operation? On one hand, chopping someone into bits and baking them into a pie seems like permanent murder; on the other hand, does cannibalism really shock Londoners nowadays? Do they treat him like an unusual Jack of Smiles, or a villain, or a weird kind of hero? Outsider POV could be really fun, as would Choose Your Own Adventure.

- Beyond regular Londoners, how do the Sweeney Todd characters interact with other notable figures and factions of London? Does the Implacable Detective or another detective take the case of the Mysterious Meat-Pies? Can Anthony get the Zailors to help him free Johanna, or can Johanna find a new way to rescue herself? Do the Revolutionaries try to recruit Sweeney? Are the Masters interfering in this version of the story? Bloody murder and revenge and thwarted love (in many forms) seems like the kind of thing they'd find interesting...


Gypsy + Some Like It Hot + Singin' in the Rain

The "Entertainers in the late 1920s" crossovers!

- The different casts meet each other on the vaudeville circuit before anyone gets a big break, just trying to make a living. Maybe two or three of them have acts right after each other in some out-of-the-way theater, and get to chatting in between shows.

- A young Louise and June go to a Lockwood and Lamont or Lockwood and Selden movie, and the stars themselves are there! (Along with Cosmo Brown). Maybe they can talk to these movie giants quietly, or maybe Rose intervenes to try and get her girls into the movies.

- Gypsy and/or Cosmo/Don/Kathy are looking for producers for a movie, and newlyweds Daphne and Osgood are interested. If they can find parts for Joe and Sugar in the new movie, even better. What kind of film do they make? What do they make of each other?
sincereously: night sky above mountains (Default)
Filling prompts at Three Sentence Ficathon are always a lot of fun, but especially this year! Post 4 is still open to new prompts until around midnight PST on February 9th.

My fills below:

Fallen London

any, any, sexy tiger backup dancers

There had, of course, been something of an outcry when people started talking of reviving the Coilheart Games, given the whole unpleasant business of the Sixth Coil...but then again, it had been four years since the last Games, and every expert in London swore that the Sixth Coil showed no signs of breaking its seal, and whatever else you could say for the previous Games, it certainly had been good for intra-Neath cooperation (and the officials, who at least had enough sense not to trust any event in the height of false-summer, promised that they'd move the Games to false-spring instead), and so despite their never-quite-ending grumbling, the Londoners gathered into the newly-rebuilt stands, placed their bets and cheered their favorite teams, and kept an eye on the darkest and shakiest corners of the Neath just in case.

As it turned out, the most sensational part of the new Games came not from a resurgent Fingerking or some new fight for London's survival, but from Port Carnelian's contribution to the reimagined Tournament of the Imagination: the glossy-furred, well-built tigers gyrating in perfect coordination behind the Striped Chanteuse. Mr. Huffam's headline the next day described the wave of fainting from the particularly sensitive Surface visitors in the audience; later, scholars would blame their sinuous motions for the ruin of at least four young rakes, a new school of poetry, and two assassination attempts in the Foreign Office...but that's another story.




Hadestown

Any, Any, I love you. I want us both to eat well.

Orpheus never has had a head for figures, but Eurydice's done all the calculating - cost of living, average wages, caloric requirements per individual.

There's no way they'll make it, she thinks, not unless they start eating each other instead, and while she would give her very flesh to Orpheus and he to her, she's willing to take a chance on another way.

It's one less burden on him while he finishes his song, she tells herself, right before she tells him goodbye and starts on the trek to Hadestown.



Harlots

Harlots, Charlotte & Lucy, flowers

Even since Charlotte began her trade, she has been showered in more flowers than she can count - violets and daffodils, lilacs and camellias, bouquet after bouquet of red roses.

You are truly a rose, a fresh bloom, a lily that needs no gilding, the men tell her, and Charlotte privately wonders whether they think about their compliments at all before they say them. Lucy would be better suited for the flowers, little Lucy who has not yet learned to hide her heart - she could fit among all these soft petals like a shepherdess in her field, but Charlotte is too much a creature of the city to feel anything but suffocated by all this nature.

Her mother, practical as always, gives her pitchers of water to refill the flower vases and reminds her what clever girls do with gifts from promising culls and potential keepers. Accordingly, she puts yet another set of the dull red roses from Sir Howard on prominent display on her vanity, writes to thank Lord Repton for the camellias and asks Lucy about a sketch of the flowers on her note, and learns to accept everything from humble daisies to brilliant orchids with a charming smile.

But in some quiet late mornings, when Charlotte is nearly choking on the sweetness of flowers, she sneaks a few blooms from their vases and steals to Lucy's room - "will you put one in my hair?" her little sister asks, and Charlotte puts on a scowl and says "very well, but just this once, sprat," as she always does, her fingers already twining blossoms into Lucy's braids as the scowl breaks into a smile.



MASH

MASH (TV), Margaret, a small indulgence

In the bottom drawer of Margaret's nightstand, she has a dozen bottles of nail polish. They come in sunset pinks and sunrise yellows, in royal purple and robin's-egg blue and six different types of red - a rainbow's worth of colors and then some, almost searingly bright against all the olive drab.

No matter what fresh hell is pressing on the 4077th, Margaret tries finding moments to sit down with her personal rainbow and paint her toenails in neat, even, calming strokes; it's a small enough indulgence, she reasons, and if some sniper's bullet finds her, by God, they're going to lay her in the ground with nice-looking toes.


MASH (TV), Frank, the one thing he's good at

Contrary to what those reprobates in the Swamp might think, Margaret's not blind to Frank's faults - she's subtly guided his scalpel in the OR and talked him through his tantrums too much for that.

What Frank's good at is believing - believing in rules and discipline when everyone else mocks them for it, believing in the Army when no one else is this outfit does. And he believes in her, nodding at her suggestions with wide earnest eyes and trusting her to run the 4077th beside him with that same steadfast and unblinking belief, and for that alone, she can love him.


any, any, trying to hold an orgy but the participants keep getting distracted

In hindsight, it had taken a surprisingly long time for Hawkeye and Trapper to announce plans for the First And Hopefully Only Annual 4077th Orgy and General Bacchanalia - six months and some change into the war, after two weeks with no casualties but also nothing else to break up the monotony, on a weekend where Frank and ("unfortunately," Trapper sighed) Hot Lips were off at a medical conference and Father Mulcahy was on R&R. It was, Hawkeye enthused, going to be an unprecedented dive into the deep end of depravity, featuring a blindfolded Korean four-piece band (all the way from Seoul and bribed with ungodly amounts of booze), an all-naked dress code in the room stuffed wall-to-wall with mattresses, and real champagne and steaks rerouted from General Mitchell's personal shipment.

It certainly turned out to be a notorious party, maybe quite not the way Hawkeye and Trapper hoped but still something of a success - sure, the mattresses didn't get much use after one of the band members spilled his champagne and dropped his cigarette and set the whole room on fire, and they had to deploy poor Radar to keep Mulcahy distracted when he came back from R&R early...but everybody agreed that the steaks had been fantastic and the real highlight of the party, at least until General Mitchell showed up with four MPs in tow...




Measure for Measure

any, any nun or nun adjacent character, religious guilt

The Duke has given her an hour to think over his proposal and prepare her answer, and so Isabella kneels before the convent's altar, the familiar prayers feeling heavy on her tongue.

Her actions in the past few days have been a series of almosts - almost good, almost right, the betrothed lovers all reunited and the broken promises restored, and yet it has not happened through lawful mercy or open justice but by sordid bargains and false friars and lies told in the dark.

She has had to compromise and compromise again - for her brother's life, for her own vocation, for justice in Vienna - and she wonders, now, if she even has a place among the votarists of Saint Clare anymore, if what she's done has already left her soul too stained for true holiness.



A Song of Ice and Fire

any, any, funeral

Once she's finished arranging the body inside the shallow-bottomed boat, she pushes the boat out only waist-deep in the river before lighting it with her torch - the proper way would be with a flaming arrow, she remembers, but the only weapons Arya has on her are the daggers, the ones she had just cleaned of Stoneheart's blood.

I didn't like archery anyway, she thinks, settling on the riverbank to watch the boat burn, kicking her feet aimlessly in the water like she had when she was small and her mother had been teaching her to swim in the godswoods' pools ("you really are half a trout!" her mother had once said, laughing, as little Arya took off paddling across the pool, and Arya now bites her lip at the stab of memory).

The flame consumes enough of boat and body so that Stoneheart will never rise again, but as the fire starts to gutter out Arya approaches the charred boat and starts collecting bones - Catelyn was a Tully of Riverrun but she was also a Stark of Winterfell, and Arya is going to bring her, finally, home.


any, any, dark lady, white knight

Cersei has taken to wearing black since Robert died, Jaime notices - it might have been mistaken for a widow's devotion, but Jaime recognizes what his sister looks like radiant with satisfaction and knows better.

Jaime himself has taken to wearing the white armor since he returned to King's Landing; it makes people whisper harder when they see him gleaming and spotless all in white beside his black-clad sister, and he tries to quiet the part of him that tells him he is not worthy of the armor at all.

None of it matters in the deepest parts of the night, when the black dress and white armor fall away to to reveal pale naked skin, and Jaime's world dissolves into the green of their eyes and the gold of their hair and their lips gleaming red, Lannister red.


Any, Any F/M Ship, "Breathe, my dear."

"Breathe, my dear," she told him just before they entered their first harvest feast together. Ned had taken to lordship well, all things considered, but opening banquets had never been comfortable to him the way it had been to Brandon; Cat, though, had been leading feasts ever since her mother died, and over the years she knew Ned had been watching her, learning when to guide and when to let her take the lead, taking this strange dance they'd been thrust into and making it their own.

Ned kept her hand tight in his own - his hands always surprised her, so warm for a man who thrived on cold - and kissed her gently, and let her lead him into the great hall where their duties waited.


ASoIaF, Joyeuse Erenford, familiar

The lands of House Erenford lie on the Green Fork a few miles north of the Twins, on marshland choked with reeds - an unhealthy and unfruitful place, people say, but Joyeuse spent her whole life there until sixteen, and she has learned to love the soft ground beneath her feet and the heavy stillness of the air.

The Twins is anything but quiet, she realizes quickly - nothing here feels like home, and especially not the squeals and screams of her new squabbling family and the constant jabs of elbows and knees rushing in the too-crowded halls with absolutely no care for who they're touching (and the hands, gods, the hands of her husband and - but she cannot think about it, just squeezes her eyes shut and concentrates on the feeling of her daughter in her arms instead, while listening to stories of Freys steadily falling dead outside the castle walls).

She takes her daughter and a horse the night her husband dies - she doubts her stepfamily will grieve her going any more than they've grieved their many already dead - and when she's finally returned to heron calls in her ears and sticky mud beneath her boots, she takes a breath of familiar air and feels finally at peace.


Any fandom with dragons, Any, The dragon and its pet.

The maesters wrote that Nettles had tamed Sheepstealer, but this was a lie; Sheepstealer had lived too wild for too long to ever accept a rider who thought herself his master, and Nettles never tried. She brought him sheep every day instead, nice and fresh and plump, and she joked to the sailors at Hull that the dragon had trained her to do his bidding more than she'd ever trained the dragon.

The first time Sheepstealer glanced up from the huge ram she'd brought him to devour and and instead nudged her playfully with his snout, she knew good and well what it meant - that she belonged to the dragon now, that the dragon had figured her to be someone worth keeping.


ASoIaF, any, heart-tree

Sometimes, when Cat finds Ned at his prayers, he asks her to stay with him for a while. The godswood still is not Cat's place - she never feels more southron than she does here - but Ned's low voice and solemn eyes reassure her that she is welcome here, and the heart-tree's gaze feels kinder when she nods and kneels beside him.

Ned's gods, she has learned, do not expect the ritual and ceremony that hers do; their presence fades into the quiet of the woods as Cat and Ned share their worries and make wishes for their children and (every once in a while) sleep, cushioned by furs and fallen weirwood leaves and warmed by each other's arms.


ASoIaF, any Targaryen, mourn

Harrenhal suits her - stark and bleak as a tombstone, too cold for tears. Here, Rhaena looks out her bedroom window and sees the God's Eye stretching out to the field where her brother plummeted to his death; she lights candles in the sept while whispering the names of her murdered friends and lost lovers and the child who's disappearing more and more beneath a septa's robes; she feels the godswood's cool breezes on her face and wonders where the winds scattered her daughter's ashes.

Harrenhal is haunted, but so is Rhaena, and Harrenhal's ghosts are easier to live with than her own.




Star Wars

any, any, brother doesn't mean 'my father's son'

"I wish we'd had the same father," Leia tells Luke once.

She feels his confused amusement as soon as she says that, but she's too wistful and too drunk to bristle much about it. They'd both had maybe one or two more nogs than sensible and she'd just finished telling him how her father had taught her to climb trees out in the mountain forests of Alderaan; she's not sure whether it's the drink or the memories that are making images and emotions flow through their connection more than usual, but she knows he can feel what had been in her mind when she'd told him that wish - a shared childhood in the palace, getting into scrapes together and getting their father's scoldings and hugs together afterward, Bail Organa watching over and guiding his twins as they grew as a family.

Luke never knew her father, and she is not Luke's father's child (and neither is he, no matter what he says, she thinks fiercely and privately, he's not Vader's in the ways that matter) and despite it all Luke's still her brother. He's her brother, and it feels right that he's her brother, and so the family they've decided to be matters more than blood or memories or family history or anything else, but - "I just wish sometimes, that's all," she says, shrugging, as Luke shifts slightly closer to her on the couch and she catches a half-smile and some wistful flickers of imagination from him, something that makes her think he might wish sometimes too.

"Yeah, it would've been good," he finally replies, and nudges her shoulder with his, and asks for another story about her father.


any, any, it's not my blood

It hadn't been her smoothest fight, not by a long shot - the Wild Karrde was going to take days to repair even with the crew scavenging parts from the pirates' cruiser, and while they hadn't lost any cargo to the pirates or to the firefight, that last detonator had sent enough gore flying that Mara absolutely dripped blood when she caught up with Karrde again. "None of it's mine," she informed him crisply, handing him the datachip with the pirates' most lucrative stolen codes and trying to ignore the tackiness of the drying blood between her fingers.

Karrde took the chip without appearing to even notice Mara's bloody fingerprints on it - a professional as always, she thought, but when he met her eyes again she thought she felt something shift through the Force she was trying hard not to use nowadays. Like in his never-ending evaluations and calculations he saw some new possibility for her, something she'd earned for herself completely apart from anything she'd been before. "Aves told me this captain rigged up a shower in his quarters with real water," Karrde said, pocketing the datachip, "and with all due respect, Jade, you look like you could use it - why don't you go clean up and we'll debrief afterward?"

Mara can't help a small smile as she thanks Karrde and goes to hunt down her shower - a sonic would be more practical, and she might scold herself later for the waste of water, but now more than ever she's liking the idea of a fresh start.


Any, any, wet hair

"Believe me, you don't want to see what it looks like if I don't comb it wet," Leia tells Han, lifting a handful of hair off her shoulder and attacking it with the same look of concentration she got when she calculated nav coordinates, and when she glances at Han again in the mirror this cramped 'fresher suddenly feels even smaller than normal.

It had been a couple of days since they'd kissed and Han's still figuring out what that means for them now, exactly; it's still two and a half weeks to Bespin and no sane betting man would take any chances while they're stuck together for so long with no way out, but right now Leia's standing in his 'fresher in a robe she borrowed from him with her hair down around her shoulders, and Han had never liked figuring the odds anyway.

"Want some help?" he asks, and right when he's about to call the mission a failure and head back to the cockpit, Leia raises her eyebrow and quirks up her lips and offers him her comb.


Star Wars, Leia & Luke, alternate first meeting

She finds him in the aftermath of a Rebel attack on an Imperial supply depot, following the smoking wreck of his X-wing after she shot out its lower left S-foil; he must know exactly who she is (well, she thinks, maybe not exactly who she is, how they're really related) when she touches down in the jungle clearing, because as she emerges from her TIE he tenses up and shakes his sweat-soaked hair out of his face and jabs his just-ignited lightsaber toward her - stang, his footing is absolutely awful, he must barely knows how to use it.

There's some tickle of familiarity in her mind, she realizes as she ignites her own blade, some long-ago bond that hasn't quite broken yet; she prods at the connection like a tender bruise as she takes her first swing at him and he wheels clumsily backwards, and she wonders if he notices her frustration spiking at just how much training he still needs before he can be any kind of useful to her.

But still, he can be taught, and if he can be taught he can become an ally, and if she can make an ally of him they will have the power to overthrow the Emperor and all his whims and cruelties (the way she no longer believes Father ever will) and remake the Empire in her own design.


Star Wars, Han/Leia/Luke, My hand was the one you reached for / All throughout the Great War

They've all touched each other easily, right from the start - Han's hand covering Luke's and guiding him on exactly which lever to hold while the Falcon wobbles through hyperspace, Luke's hand finding Leia's and holding tight while they run from stormtroopers, Leia's hands and Han's catching each other after their victory hugs and holding on as long as possible as if daring each other to be the first to let go.

(Their hands find each other in darker, quieter moments too, in celebration after Yavin and exhaustion on Hoth and comfort on the anniversaries of Alderaan's destruction, and in all the little moments of victory and despair and sheer need to connect to someone and something real in the middle of a war).

It should be different, now that the war is over and all the truths are known, but as they sit on an Ewok bridge and watch the victory fires burning down below, they glance down at Han's left fingers entwined with Leia's and his right fingers looped around Luke's hand and burst out laughing at how, maybe, this part of them doesn't have to change after all.


any, any, they're more like guidelines

Chewie's better than Han at rules - which isn't saying much, granted, but even in the tightest spots Chewie can and will remind Han of things like "the deflector shield isn't built to take that kind of fire, Han" and "you don't have many parsecs before that black hole sucks the ship in, Han" or in this case, "you know that you can't overload the hyperdrive without cracking it, right, Han?".

"Yeah, I know," Han replies, handing Chewie the hydrospanner, "but trust me, okay?"

And Chewie, despite his better judgment, does; as Han punches the hyperdrive and they shoot into lightspeed just ahead of the Imperial cruiser, he thinks that where he and Han and this improbable boltbucket of a ship is concerned, the rules are more like guidelines anyway.




Stardew Valley

any, any, A scheme to raise giant squid in the sewers.

"I still don't know how she got down here, exactly," Krobus said, "but she likes the slimejacks - she even said she might bring her family here and we could catch a new line of products for the store - do you think there's too much competition in the market for deep-sea fish around here?"

The farmer - quite unusually for them - stood completely quiet and stock-still beside Krobus, breathing more and quicker than humans normally did in a sewer; when Krobus followed their stare across the sewer-muck, he saw a huge sucker-lined arm rise through the sewer-steam and undulate languorously at them.

"She likes it when we wave back to her," Krobus said cheerfully as he wiggled his hands towards the squid, and after another, deeper breath, the farmer slowly lifted their own hand and joined in.



A Streetcar Named Desire

any, any, cherry soda

The kid gives her a weird look when she comes to the soda fountain for her cherry soda; at first she apologizes, wondering if she grabbed his drink by mistake, but then he tightens his fingers around his own cherry soda and clutches it closer - then blinks again, loosens his grip - then cocks his head, like whatever ghost he's seen looking at her has already fled and there's only a vaguely benevolent curiosity left behind.

"Ma'am," he says softly, "are you all right?"

A wonderful question, she thinks, one she's been asking herself ever since Blanche went to the asylum - but Eunice is watching the baby and Stanley will be home from the poker game in a few hours and asking herself questions will only land her right beside Blanche in a matching straitjacket, so she smiles weakly, and takes a sip of her soda, and musters up all her gracious girlhood manners and assures the young man that she's perfectly all right, thank you ever so much for asking.



Tortall

Tortall, Kel/Yuki, dance

Yuki had been the one to teach Kel the dance of the fans, years ago when they were young girls - a beautiful sparring game where two dancers weave gracefully around each other, their shukusens flicking open delicately and slicing the air with the beat of the music, and the dancers' pride is in how fluidly they move and how closely they can flash the shukusens toward their partner without the blades breaking the skin and without either of them ever flinching.

They resume the dance when Yuki comes to Tortall, but it has new dangers now that they are grown women, and new meanings too; Kel has to watch herself so that she doesn't bring down the full power and force of her knight's training while she dances, and it's somehow harder as she watches Yuki too, who lingers teasingly too long on the downbeat and crinkles her eyes when the shukusen whistles close to her ears and takes every moment to duck and dart around Kel so that Kel feels her body's warmth around her for every moment of the dance.

They end the dance without either of them cutting the other but with their arms twined and their chests pressed close together; the shukusens flick closed but Kel feels that the dance is not yet over, and when they lean in to press their lips together, neither of them ever flinch.

New Theme!

Feb. 8th, 2025 12:53 am
sincereously: night sky above mountains (Default)
Last year at the Triple Crown of Exchanges winners' raffle, I won the prize of a new custom Dreamwidth layout by [personal profile] speperteristico. Despite me not having much vocabulary for what I liked in a layout ("Um...I like purple?"), speperteristico helped me articulate what I wanted and then very generously took those thoughts and speperteristico's own skills and turned it into this new theme. I'm very happy to have this lovely layout!

Many thanks to speperteristico not just for creating this layout but also for guiding me (a code noob) through applying it to my journal.
sincereously: night sky above mountains (Default)
Hello, creator!

I'm so excited to see what you come up with for this exchange! Hope you have a great time with it. Prompts are here if you want them, but if you have another idea that's inspiring you I'm happy to see that too.

If you have any questions or concerns, please contact me through the mods. I'm also sincereously on AO3.

General fic likes:
Worldbuilding (especially magical, religious and cultural worldbuilding)
Encounters with the supernatural, particularly ghosts
Characters using or attempting to use magic or other supernatural forces
Maybe-magic-maybe-mundane events
Canon divergence
Introspection
Humor
Suspense
Unreliable narrators
Dramatic irony
Moments of quiet intimacy during breaks in the action (especially good for missing scenes in between what we see in canon)
Complicated women, and complicated relationships between complicated women
Slowly building intimacy/respect together - slow burn in general
Taking care of injured people
Forced proximity (undercover together, trapped together, accidental/arranged marriage, fake dating, only one bed, etc.)
Elaborate plans that may or may not work out
Improvising new plans as you go along
"That's an extremely bad plan, of course I'm in" type situations and interpersonal dynamics
Getting in way over your head but throwing yourself headfirst into the plan anyway
Repressed characters being vulnerable
Struggling against temptation/the Dark Side/inner demons (and giving in)
Mind control/possession (and resisting mind control/possession)
Unusual formats, including in-universe documents
Five + one things structure

General art likes
Depictions of canon rooms, houses, and landscapes (also includes maps and set designs)
Characters with bloody hands
Characters doing ordinary things with very un-ordinary things happening in the background
Symbolic imagery
Black-and-white or greyscale with pops of color
Light - from warm glows illuminating the whole space to chiaroscuro
Any art style is great!

General DNWs:
Character bashing
Non-canonical child death
Setting change AUs (ex. coffeeshop, high school, modern AU, etc.)
Time travel AUs
Explicitly stated sexuality labels for characters whose sexuality is not canonically defined
Formalized dom/sub relationships
Ageplay
Omegaverse
Mpreg
Excretory kinks
Rape/noncon (dubcon - sex pollen with both/all characters dosed, sex in arranged marriages, fuck-or-die, etc. - are fine)*
Underage under 15 and unrequested non-canonical ships with 20+ year age gaps (mentions of canon examples of both are acceptable, but please don't make them the focus of the fic)
Animal abuse
Fic devoted primarily to examining real-world issues/-isms (please don't feel that you have to avoid them, but I'd rather they not be the entirety of what the work is about)
Hopeless endings (endings can be dark, but not without any shred of hope)
For both fic and art, please keep the level of violence at about what it is in canon.

*Exception to the rape/noncon DNW: any ship involving Helen Vaughan.

FANDOMS

Arsenic and Old Lace

Requested Characters: Abby Brewster, Martha Brewster, Teddy Brewster, Mortimer Brewster, Elaine Harper

Canon-specific DNWs: Canon-divergent death of any requested characters.

A classic movie with dead body shenanigans, the nicest murderers you’ll ever meet, and one very frazzled Cary Grant. What could be better for Halloween? I love the humor in this, the contrast of sweetness with horror lurking underneath (like the poisoned elderberry wine), and watching it has been a Halloween tradition for me for years.

I like Mortimer/Elaine, and I’m also happy with gen-focused works for this canon.

Prompts

- I’d love to see more of Abby and Martha’s history - how they grew up (their dad had a laboratory and seemed to be pretty wonky himself), raising Mortimer and getting to know Elaine, some of their early kills…

- With the way Teddy seamlessly blends whatever happens in his life to the life of Teddy Roosevelt and carries on his merry way, his POV on the events of the movie would be really fun to read. Also, what would it be like post-canon with him and Abby and Martha in Happydale? Do Abby and Martha find any more yellow fever victims for him to bury?

- During Mortimer and Elaine’s courtship, Abby and Martha decide to make a love potion for the lovebirds.

- Abby and Martha are throwing a Halloween party! And during the party, they find a lonely old gentleman who they think might need some of their special charity...

- Post-canon, Mortimer and Elaine just...have a house in Brooklyn with thirteen dead bodies in the basement. How do they handle that?

- The ghosts of the dead men start coming around. How do the inhabitants deal with that? Abby and Martha would probably just set out a nice tea for them, but Mortimer and Elaine would probably be less sanguine.


The Great God Pan

Requested Characters: Helen Vaughan, Rachel

I really enjoy the flashes of eldritch horror hiding under the surface, imbuing everything with this subtle sense of wrongness wherever Helen is involved. One thing that also really fascinates me is how much of the story is built on secondhand information, where Helen is as otherworldly and seductive and unknowable as Pan himself.

I enjoy Helen/Rachel (definitely does not need to end happily) and in general Helen/fucking everybody while fucking everybody up.

Prompts

- The narrators of this story are all men - we never hear from any women describing their encounters with Helen. What could some of their stories of Helen be? How would they perceive her appeal and her danger?

- For that matter, what is Helen's life like from her own perspective? How does an eldritch being even perceive the world, anyway? She can shapeshift - how did she develop this persona out of all she could have chosen? How did she choose her victims and relate to her companions? Did she just not have the power to escape at the end or did she commit suicide for her own reasons?

- Helen draws quite a number of followers in her court - what happened in their revels? I especially like the idea of a Bacchanalia-esque mystery cult forming around Helen, with all the ecstasy and horror that could entail.

- "What happened to Rachel" is one of the story's longest-running threads, and one of the ones I find most interesting. How did Rachel see Helen before going into the woods with her - with fascination, skepticism, trepidation, desire? What did Helen promise her to get Rachel to go into the woods with her? What did Rachel become when she encountered Helen and her companions in the woods? I do kind of like the idea of Rachel undergoing an eldritch transformation, maybe into Helen's Mary or maybe into something like Helen herself.

- More in-universe documents about Helen, from anyone's perspective including her own. Things like inscriptions to invoke Pan and/or Helen, or medical and police reports of victims driven to madness, or diaries of people on the periphery of Helen's wake of destruction (maybe people who'd be beneath her notice, like servants, or people who are deliberately trying to get her on their side to destroy their enemies and may be destroyed themselves).


Psycho

Requested Characters: Lila Crane, Marion Crane, Sam Loomis, Norman Bates, Mother/Norman's alter

Canon-specific DNWs: Canon-divergent deaths of Marion or Lila, or complete disappearance of Mother/Norman's alter while Norman survives. Canon deaths are fine, as is non-canonically killing off Norman or Sam.

I enjoy all the things that are not as they seem in this canon, about the sides of the characters that they hide from everyone, sometimes including themselves. There’s a lot of horror, but it’s understated and happens more in people’s heads (including those of the audience).

Shipwise I like Marion/Sam, Marion/Norman, and Sam/Norman. None of these ships have to be portrayed as straightforwardly romantic and can definitely go to dark places (particularly those involving Norman, because, well, dude has issues). I don't mind incorporating aspects of the books/sequel movies but would prefer a focus on this specific movie, and I'm also fine with ignoring the books/sequels if you'd like to explore something different.

Prompts

- What was Norman's life like in that spooky house and that run-down motel with only Mother for company? What did the other townsfolk, including Sam, think of him? It's not unlikely that the knife that killed Marion came from Sam's hardware store...

- Mother's perspective on the events of the movie, or on living in the mental hospital after canon. How much is she aware of the things she's done and/or the things Norman blames her for? How much does she see herself as separate from or a part of Norman, and how does she express that understanding?

- Marion's ghost appears - haunting her killer, leading her sister and/or lover to the truth of what happened to her, just taking out her frustration on everything in sight, etc.

- Marion isn’t attacked in the shower, and later comes to live in Fairvale with Sam without telling him what she did. She and Norman now have the weird position of having shared some secrets with each other but kept plenty of others - what happens when she runs into him again? Does Lila or Sam ever suspect what happened? Are the police still after Marion, or do they ever get suspicious about Norman?

- Anything about Lila's grief, and Sam's, post-canon. Marion was one of the few people either of them had left and she died a couple of weeks before Christmas, poor guys. I'd also be interested in seeing Lila confront Norman/Mother, or making a desperate attempt to reach Marion beyond the grave.
sincereously: night sky above mountains (Default)
Hello, creator!

I'm so excited to see what you come up with for this exchange! Hope you have a great time with it. Prompts are here if you want them, but if you have another idea that's inspiring you I'm happy to see that too. You can also check out any of my past prompts or promptfills on my journal for ideas if you want!

If you have any questions or concerns, please contact me through the mods. I'm also sincereously on AO3.

General Likes and DNWs
General fic likes:
Worldbuilding (especially magical, religious and cultural worldbuilding)
Unusual formats, including in-universe documents and IF/Choose Your Own Adventure
Canon divergence
Outsider POV
Dramatic irony
Moments of quiet intimacy during breaks in the action (especially good for missing scenes in between what we see in canon)
Slowly building intimacy/respect together - slow burn in general
Taking care of injured people
Hair care, washing, and styling as bonding
Forced proximity (undercover together, trapped together, accidental/arranged marriage, fake dating, only one bed, etc.)
Elaborate plans that may or may not work out
Improvising new plans as you go along
"That's an extremely bad plan, of course I'm in" type situations and interpersonal dynamics
Getting in way over your head but throwing yourself headfirst into the plan anyway
Repressed characters having a chance to be vulnerable
Struggling against temptation/the Dark Side
Five + one things structure

General art likes
I love a wide range of art styles, so I don't have much of a preference there. Art-specific likes:
Strong lighting/contrast of light and dark
Earth tones
Cool colors
Strong lines
Symbolic imagery
General art prompts:
In-universe illustrations or artworks, including maps and schematics
Looking up at the night sky
Wearing your nicest outfits for a formal event (and getting those formal clothes messed up if/when the event goes sideways)
Helping someone get dressed, because of an injury or complicated clothes
Fight scenes, especially being already battered and bruised but still squaring up to continue the fight
Dancing, well or badly
Sneaking into a place you shouldn't be

General DNWs:
Character bashing
Canon-divergent death of requested characters (canonical deaths are fine)
Non-canonical child death
Setting change AUs (ex. coffeeshop, high school, modern AU, etc.)
Time travel AUs
Explicitly stated sexuality labels for characters whose sexuality is not canonically defined
Formalized dom/sub relationships
Ageplay
Raceplay
Omegaverse
Mpreg
Excretory kinks
Rape/noncon (dubcon - sex pollen with both/all characters dosed, sex in arranged marriages, fuck-or-die, etc. - are fine, as are references to canonical rape/noncon.)
Underage under 15 and unrequested non-canonical ships with 20+ year age gaps (mentions of canon examples are fine, but please don't make them the focus of the fic)*
Cross-gen incest
Animal abuse
Hopeless endings (endings can be dark, but not without any shred of hope)

Please keep the violence level at about what it is in canon.

**For Nancy Birch, this DNW is modified to "DNW underage under 12, DNW graphic depictions of under-15 sex, mentions of canonical under-12 underage for other characters is fine but please don't graphically depict it"


FANDOMS

Please click on all bold/underlined headings to see more details.

A Series of Unfortunate Events

Requested tags: Beatrice Baudelaire & The Duchess of Winnipeg | R. & Kit Snicket, WB: History of VFD, WB: VFD Codes

Requested medium tags: Medium Opt-In: Illustrated Text (Art & Writing) - Any Nominated Illustrated Text Medium, Medium Opt-In: Art - Costume Design, Medium Opt-In: Art - Floorplan/Architectural Style Drawing, Medium Opt-In: Unique Rules - Map: Any, Medium Opt-In: Art - Stained Glass, Medium Opt-In: Art - Playing Card, Medium Opt-In: Art - Tarot Card, Medium Opt-In: Unique Rules - Interactive Fiction - Web-based choice-based IF not hosted on AO3, Medium Opt-In: Unique Rules - Logic Grid Puzzle, Medium Opt-In: Unique Rules - Murdle, Medium Opt-In: Writing - Any In-Universe Documents That Fit the Canon Setting

About the canon:

One of my favorite series as a kid! I love the frequent references, the macabre humor, and the mysteries that are constantly hinted at and only sometimes solved. The codes and other intricacies of the VFD's work are really fascinating worldbuilding. I’m also interested in the friendship among the women, as tragically as it turned out.

Prompts

- Anything at all about them growing up in VFD together - practicing theatrics and codes, going mountain climbing, training bats, interacting with their fellow Volunteers, things like that!

- Beatrice and Kit and the Duchess trying to solve (or being suspects in) the various fires and deaths and general mayhem of the schism would also be great for a logic grid puzzle or Murdle.

- Beatrice actually did survive the fire and is rescued by Kit and/or the Duchess. Does having her friend back help Kit's unhappiness? Could she and the Duchess pull off a plan to stop the firestarters or try to help her children?

- I'd also love to see events in the rise and fall of VFD and in the books as displayed in in-universe documents. Coded telegrams and reviews and news columns and just about any kind of communication? Map of an in-universe safe house? Costume designs for various VFD disguises? (You could also make up your own codes!)



Harlots

Requested tags: Violet Cross/Amelia Scanwell, Nancy Birch

Requested medium tags: Art - Fanart, Medium Opt-In: Unique Rules - Interactive Fiction - Web-based choice-based IF not hosted on AO3, Medium Opt-In: Unique Rules - Logic Grid Puzzle, Medium Opt-In: Writing - Any In-Universe Documents That Fit the Canon Setting, Medium Opt-In: Writing - Interactive Fiction - AO3 style Choose Your Own Adventure

About the canon:

I love so much about this canon - the fripperies and humor, the politicking and drama and the moments of sincerity that shine through. I love the setting, with its range from decadence to squalor. More than anything, I love how complex the women are and complicated relationships they have with each other. All of these stories are, in the end, about people on the fringes trying to carve a place in the world, and I love seeing their successes and failures as they go after what they want.

Prompts

- (Amelia/Violet) Any small series of missing slice-of-life scenes during or after their time in canon would be great - Violet caring for Amelia after her stabbing, them going on a journey together, Amelia and Violet having reading lessons and "reading lessons"...

- (Amelia/Violet) With their plot so unresolved at the end of season 2, I'd love to see what happens next for them! Them getting to strengthen their relationship after the physical and emotional turmoil they dealt with all season, being able to escape and build a life together, maybe helping find a way to take down the Spartans?

- (Nancy) Outsider POV on Nancy - she keeps so many things so close to her chest, it's really interesting to see what people see when they think about her, especially in her more vulnerable moments.

- (Nancy) Nancy backstory - how she grew up in Lydia Quigley's house (probably the most un-Nancy place to live personality-wise, on top of all the horrors of of Quigley-run house), her growing relationship with Margaret and her daughter(s), how she escaped and developed her own way of living. Did she have someone to guide her in becoming a dominatrix, or did she figure that out on her own?

- (Nancy) Related to above, I also love Nancy/Margaret and also enjoy Nancy/Margaret/Will as a V-shaped OT3 with Margaret as the hinge. I'd love to see the smaller quieter moments of their relationship, or the plans they made together and how those plans fell apart, or a way for them all to find a way to be more-or-less happy together in the end.



Stardew Valley

Requested tags: Krobus, Gunther, Marlon, Witch

Requested medium tags: Medium Opt-In: Art - Fanart, Medium Opt-In: Art - In-Universe Art, Medium Opt-In: Art - Drawn - Botanical Illustration, Medium Opt-In: Art - Stained Glass, Medium Opt-In: Art - Tarot Card, Medium Opt-In: Art - Zodiac Sign, Medium Opt-In: Instructions - Cocktail Recipes, Medium Opt-In: Instructions - In-Universe Spell or Ritual Instructions, Medium Opt-In: Instructions - Solo Journaling TTRPG rules, Medium Opt-In: Unique Rules - Interactive Fiction - Web-based choice-based IF not hosted on AO3, Medium Opt-In: Writing - Interactive Fiction - AO3 style Choose Your Own Adventure, Medium Opt-In: Writing - Any In-Universe Documents That Fit the Canon Setting

About the canon:

I really enjoy the setting - it's so pretty and so charming, with a strong undercurrent of magic. For this exchange I'm especially interested in the strange and supernatural parts of the valley - there's a lot of lore but also a lot left unexplained and open to imagination.

Prompts

- (Krobus) I love to see Krobus learning about the human world from the other characters and him teaching them about the world of the magical beings in return. What would happen if he struck up a friendship with a villager, especially someone who isn't the Farmer? Can he find a way to fit in the rhythm of life in the town?

- (Krobus) What, exactly, did Krobus do during the Elemental Wars that makes the dwarves want to send an assassin after him in particular? Any worldbuilding for both the Shadow People and the Dwarves (as well as other magical species) would be great too.

- (Gunther) So is Gunther the one who writes the descriptions for all of the artifacts and minerals that go into the museum? I'd love to see more of his scholarly archaeological work, including in-universe documents. And since he can leave the museum sometimes (he visits the Farmer to give them the Rusty Key), what if he goes on trips to find museum items? Anything from realistic archaeological practice to Gunther being a secret Indiana Jones figure would be really fun.

- (Gunther) Anything that goes into the Gunther-is-a-ghost theory. What was he like as a living villager? How did he die and end up haunting the museum? Did he know any of the other villagers when he was alive, or were they after his time?

- (Marlon) What's his history in the Adventurer's Guild? Are he and Gil the only members or is it an organization that goes throughout Ferngill (or even Gotoro)? What drew him to join or create the organization? What were his favorite or most harrowing adventures? How did he lose his eye and injure his leg, for example?

- (Marlon) Can Marlon use magic at all? If he doesn't, is it because he can't or because he refuses to (and if it's the latter, what actions led him to that decision)? If he can, how did he learn those skills, and what would happen if he had to put them to use to stop a large threat to the village and/or the valley?

- (Witch) How did she and the Wizard fall for each other? We only ever get the Wizard's side of how their marriage broke down - how does she see it? (I'm good with either or both as unreliable narrators). Did she create the shrines in her hut or did she build the hut around preexisting shrines? What goals does she have besides cursing random items in the town?

- (Witch) The Witch takes on an apprentice. Who does she pick? What are her goals in teaching them magic? How does the apprentice use their new powers?

- Any combination of my requested characters on an adventure of your choice - Gunther has to recruit Krobus' help to get a magical artifact for the museum! the Witch gives Marlon magical training! Marlon has to confront some unsavory Adventurer's Guild policies when he becomes friends with Krobus! the Witch conjures up ghostly Gunther to help with some scheme of hers! The valley is your oyster.

- From a worldbuilding perspective, any in-universe documents that delve into the Valley - including both the natural and the supernatural - would be a lot of fun. Maybe you get the Witch's spellbook or her illustrations of the magical properties of plants, or information from some of Gunther's library books or museum displays that we either don't see or only briefly see in-game, or Krobus' written observations about the world and the customs of the Shadow People, or Marlon taking notes on things that will be useful for monster combat.

sincereously: night sky above mountains (Default)
Hello, creator!

I'm so excited to see what you come up with for this exchange! Hope you have a great time with it. Prompts are here if you want them, but if you have another idea that's inspiring you I'm happy to see that too.

If you have any questions or concerns, please contact me through the mods. I'm also sincereously on AO3. Please also feel free to check out any of my past exchange letters for prompts and inspiration, if you want!

General Likes and DNWs
General Fic Likes:
Worldbuilding (especially magical, religious and cultural worldbuilding)
Unusual formats, including in-universe documents and IF/Choose Your Own Adventure
Canon divergence
Outsider POV
Dramatic irony
Moments of quiet intimacy during breaks in the action (especially good for missing scenes in between what we see in canon)
Slowly building intimacy/respect together - slow burn in general
Taking care of injured people
Hair care, washing, and styling as bonding
Forced proximity (undercover together, trapped together, accidental/arranged marriage, fake dating, only one bed, etc.)
Elaborate plans that may or may not work out
Improvising new plans as you go along
"That's an extremely bad plan, of course I'm in" type situations and interpersonal dynamics
Getting in way over your head but throwing yourself headfirst into the plan anyway
Repressed characters learning to let go
Struggling against temptation/the Dark Side
Five + one things structure

General DNWs:
Canon-divergent death of requested characters (canonical deaths are fine)
Non-canonical child death
Setting change AUs (ex. coffeeshop, high school, modern AU, etc.)
Time travel AUs
Explicitly stated sexuality labels for characters whose sexuality is not canonically defined
Formalized dom/sub relationships
Ageplay
Raceplay
Omegaverse
Mpreg
Excretory kinks
Rape/noncon (dubcon - sex pollen with both/all characters dosed, sex in arranged marriages, fuck-or-die, etc. - are fine, as are references to canonical rape/noncon.)
Underage under 15 and unrequested non-canonical ships with 20+ year age gaps (mentions of canon examples are fine, but please don't make them the focus of the fic)
Cross-gen incest
Animal abuse
Hopeless endings (endings can be dark, but not without any shred of hope)

Please keep the violence level at about what it is in canon.


FANDOMS

Cat Ballou (1965)

Tags: Cat Ballou, Kid Shelleen, Cat Ballou & Clay Boone & Uncle Jed & Kid Shelleen & Jackson Two-Bears, Cat Ballou/Jackson Two-Bears, Cat Ballou/Kid Shelleen, Clay Boone & Uncle Jed, Jackson Two-Bears & Kid Shelleen, Kid Shelleen & Tim Strawn, Professor Sam the Shade & The Sunrise Kid, Cat Ballou & Professor Sam the Shade & The Sunrise Kid

Additional Info and Prompts:

Such a fun movie! And it's a movie about stories, first and foremost - the legend of Cat Ballou, of course, but also the stories that built the myth of the Old West and the Western movie. It's fun to see where those legends contrast to the real (or real-ish) story, but also where the characters work to make the legends real themselves.

- Further adventures of Cat Ballou, queen of the outlaws, and her gang! What other heists do they pull off? How does the gang interact with the other residents of Hole-in-the-Wall? Do the relatives or associates of Sir Harry Percival try to take revenge against Cat, and how does she react? Do they run into other situations that require their justice? Can they adapt their Old West Outlaw Gang identity even as modernization rapidly approaches? I'd also love any of these stories as in-universe pulp stories or as ballads by Professor Sam the Shade and the Sunrise Kid.

- What did Clay and Jed get up to pre-canon? What drove them to become cattle rustlers? Jed's priest disguise seems to be a favorite of his - what was it like the first few times he tried that out?

- What were the other adventures of Kid Shelleen, real or imagined? What were the in-universe stories of Kid Shelleen like - the ones Cat read on the train and based the train robbery on, as well as new stories - and how did Shelleen tell the stories to others? What was Kid Shelleen and Tim Strawn's relationship like growing up, and what precipitated the final break between the two of them?

- I have a soft spot for Cat/Jackson - it's one of the sweetest relationships in the movie, with Cat defending him against the bigoted townsfolk and Jackson being so ride-or-die for the Ballous. What kind of a life could they build together? (Clay can head to St. Louis more-or-less amicably or just not be mentioned at all per your preference).

- I also like the idea of Cat choosing Kid Shelleen and going even further into a wild life of crime, ruled only by her own sense of right and wrong and Kid's dubious guidance. Can he impart useful heist planning skills and marksmanship techniques (once he's reached the right level of drunk) and help her embrace her sense of freedom? What havoc could they create together? Could they save each other, in their own way?

- Jackson and Kid Shelleen had a remarkably fun relationship, with Jackson as squire to Kid's knight-errant (especially in the dressing scene before Kid goes to fight Tim). Could they have gone off to have their own adventures, either post-canon or in a world where Tim and Harry were defeated before they could kill Frank Ballou? (There's also an interesting tension of Jackson Two-Bears as a Native American taking up the role of an Old West gunslinger).

- Professor Sam the Shade and the Sunrise Kid are a great framing device, but I'd also love to know more about them personally. How did they meet and start working together? Do they go from place to place singing outlaw ballads? Were they the ones that wrote the ballad of Cat Ballou, and what was the process of writing the song like? If they did write the ballad, was the "real" story different from the story we get in the movie? (I also like the idea of Sam the Shade and the Sunrise Kid manipulating and changing the story while the characters of the movie can still interact with them, or like a more benevolent version of the Player in Rosencrantz and Guildenstern Are Dead. Could Cat hear her story and come to them to demand a different ending?)



Double Indemnity (1944)

Tags: Phyllis Dietrichson, Lola Dietrichson, Barton Keyes, Phyllis Dietrichson/Walter Neff, Phyllis Dietrichson & Barton Keyes, Lola Dietrichson & Phyllis Dietrichson, Lola Dietrichson/Phyllis Dietrichson

Additional Info and Prompts:

I love the atmosphere of this movie, the sense of corruption just under the surface, the sharpness of the characters and their dialogue and the way they play off each other - basically, everything this movie exemplifies as a film noir.

- Backstory of Phyllis - before she met the Dietrichsons, while she was nurse to the first Mrs. Dietrichson, etc. How much is she telling the truth about her past? Did she have any other murders besides the first Mrs. Dietrichson? I'd love to see more about how her mind works.

- What was Phyllis' next move going to be if she'd managed to successfully kill Neff in their final confrontation? She's perhaps not as good a plotter as she thinks she is, but she's ruthless enough that she could make a good go of escape, and it'd be really fun to watch whether she succeeds or fails.

- In the book, Phyllis and Walter escape to a steamship bound for Mexico, where they commit suicide by jumping off the ship into the water. What could have happened if this version of Phyllis and Walter had both escaped only to see each other again in Mexico, both on the run from the law and still in the midst of their love/hate/possible murder attempts against each other?

- For either of the two above prompts, you could also have Barton or Lola in pursuit of the criminals, for justice and/or for revenge. What emotions are running through them, now that the horrible truth has come out? How do they track the fugitive(s) down? What's it like if they confront Phyllis and/or Walter again?

- Outsider POV on the movie from Barton's or Lola's perspective - they're both clever enough to get most of the way to the truth, but they're missing a few crucial pieces, and it's be interesting to see where their insights and blind spots are from their own perspective.

- What could have happened if, instead of antagonizing Lola, Phyllis had tried to make an ally of her instead? Between Phyllis' coldness and Lola's fire, you could have this really interesting mix of mentorship and manipulation between them. Would Phyllis succeed in corrupting Lola, or would Lola turn the tables on Phyllis? (Maybe a bit of both?)



Psycho (1960)

Tags: Lila Crane, Marion Crane, Mother, Norman Bates, Sam Loomis, Lila Crane & Marion Crane, Lila Crane & Sam Loomis, Marion Crane/Sam Loomis, Norman Bates & Lila Crane, Norman Bates & Marion Crane, Norman Bates & Mother, Norman Bates/Marion Crane, Norman Bates/Sam Loomis

Additional Info and Prompts:

I enjoy all the things that are not as they seem in this canon, about the sides of the characters that they hide from everyone, sometimes including themselves. There’s a lot of horror, but it’s understated and happens more in people’s heads (including those of the audience).

Shipwise I like Marion/Sam, Marion/Norman, and Sam/Norman. None of these ships have to be portrayed as straightforwardly romantic and can definitely go to dark places (particularly those involving Norman, because, well, dude has issues). I don't mind incorporating aspects of the books/sequel movies but would prefer a focus on this specific movie, and I'm also fine with ignoring the books/sequels if you'd like to explore something different.

- What was Norman's life like in that spooky house and that run-down motel with only Mother for company? What did the other townsfolk, including Sam, think of him? It's not unlikely that the knife that killed Marion came from Sam's hardware store...

- Mother's perspective on the events of the movie, or on living in the mental hospital after canon. How much is she aware of the things she's done and/or the things Norman blames her for? How much does she see herself as separate from or a part of Norman, and how does she express that understanding?

- Marion's ghost appears - haunting her killer, leading her sister and/or lover to the truth of what happened to her, just taking out her frustration on everything in sight, etc.

- Marion isn’t attacked in the shower, and later comes to live in Fairvale with Sam without telling him what she did. She and Norman now have the weird position of having shared some secrets with each other but kept plenty of others - what happens when she runs into him again? Does Lila or Sam ever suspect what happened? Are the police still after Marion, or do they ever get suspicious about Norman?

- Anything about Lila's grief, and Sam's, post-canon. Marion was one of the few people either of them had left and she died a couple of weeks before Christmas, poor guys. I'd also be interested in seeing Lila confront Norman/Mother, or making a desperate attempt to reach Marion beyond the grave.



The Russians Are Coming The Russians Are Coming (1966)

Tags: Solo: Yuri Rozanov, Solo: Elspeth Whittaker, Alexei Kolchin & Yuri Rozanov, Alexei Kolchin/Alison Palmer, Muriel Everett & Alice Foss, Yuri Rozanov & Walt Whittaker, Yuri Rozanov/Elspeth Whittaker/Walt Whittaker

Additional Info and Prompts: So this is actually the movie I got my username from, with Kolchin being so sincereously sorry about all the nonsense that's going on. It's so delightfully madcap (and so very '60s) and I enjoy both the hijinks and the heart underneath it.

Although this movie is built on Cold War tensions, for fic of this canon I'd prefer a lighter touch with the politics of the era (you don't have to avoid them, but you also don't have to write an actual realistic CIA/KGB interrogation or anything like that).

- All of the in-universe debriefings and reports after the events of the movie, because you know the officials are gonna want to know what exactly went down here. Bonus for the series of events being just as confused in the retelling as they were to experience, and for all the people involved - from Alice to Yuri - having wildly different perspectives and telling the story in massively different terms.

- I'd also love to see general "views of the movie from their POV" from Yuri, Elspeth, Muriel, and/or Alice. Yuri's POV would be hilarious as he tries to keep on goal and gets increasingly frustrated in it; Muriel and Alice's would be hilarious for how they take what awareness (or lack of it) they have and just take off with it. With Elspeth, she gets to be one of the relatively calmer heads throughout the movie - how is she processing all the antics going down?

- Further adventures of Alexei and Yuri aboard the СпруT, maybe keeping up some kind of correspondence with their Massachusetts friends or talking about the events of the movie afterward or teaming up to keep the captain from going on yet another hairbrained idea because didn't he learn enough the first time?

- Alexei and Alison keeping up a long-distance Cold War relationship and finding ways to meet again. Does Alexei ever send her messages and trinkets from all the faraway places the submarine comes to port? Does Alison make it over to Russia for a visit, or does Alexei get to see more of America? This would also be great for epistolary fic, if you're interested in that.

- Walt and Yuri becoming buddies against their will! Maybe they're the ones who end up tied or handcuffed together at one point and have to figure out a way to get unstuck. Maybe Walt does accidentally wing Yuri when he shoots at him, and afterward guiltily helps bind up his wounds.

- Between Walt and Yuri growing to understand each other and work together and the hand kiss from Yuri to Elspeth, it really got me thinking about Yuri/Elspeth/Walt. Maybe the sailors get to come back on a (sanctioned, this time, or maybe clandestine) visit to the island and they all find that they actually really, really like each other under more relaxed circumstances. Maybe for Reasons Walt and Elspeth have to hide Yuri from the authorities with them in their summer vacation house, and the forced proximity makes them all bond more deeply.

- Newly inspired, Walt Whittaker overcomes his writer's block and finally produces a new musical comedy - and what do you know, it's about a bunch of Russian sailors who are accidentally stranded on a small Massachusetts island. Walt manages to get tickets for the opening night to some of the sailors of the СпруT (maybe the governments or producers think it'll be good PR, maybe he has to pull a few strings to smuggle them in in secret). How do they all react to seeing the story on stage? Are they annoyed or amused by inaccuracies or artistic license? Does it become a date night for Alexei/Alison or for Yuri/Elspeth/Walt?



The Touch of Satan (1971)

Tags: Melissa Strickland, Lucinda Strickland, Melissa Strickland/Jodie Thompson, Melissa Strickland & Lucinda Strickland, Melissa Strickland/Lucinda Strickland

Additional Info and Prompts:

For a movie I first got to know through a MST3K episode, this movie has a LOT of potential. Supernatural powers! Horror! Desperate bargains and the price of getting what you want!

- Melissa has so many fascinating things going on in general - eternally young while her family (unevenly) ages, isolated and world-weary and desperately lonely, looking for an escape, devoted to her family but fascinated by Jodie's freedom. She literally sells her soul to Satan to prevent her sister from burning to death but later burns said sister to death herself for the sake of a guy she's known for two days - what's going through her heart and mind when that happens? Any sort of Melissa character study - pre-canon, during canon, after canon - would be great. How did she relate to her family and to the townspeople as she grew in her powers? (I'm especially interested in how she shifted from daughter to head of the household in the Strickland family because of her powers, and the tensions that brings). Did she ever try to escape the walnut ranch pre-Jodie?

- What kind of things can Melissa do with her witch powers? We mostly see her setting/putting out fires, messing with dreams, casting curses, and magicking clothes off - what are the possibilities and limitations of her powers? How did she experiment with witchcraft? What's it like, day-to-day, to live with the Devil's spirit inside her?

- Could Lucinda ever access witch powers? (The townsfolk assume it's Lucinda who's the witch at first, and Melissa does say "burn, witch, burn" when she kills her). If she could, what did she do with them? Did she have her own bargain with Satan, which Melissa may or may not have known about? Could she have used her powers (or hers and Melissa's combined) to change her fate?

- Melissa and Lucinda's bond is really interesting to me, considering Melissa is ultimately both Lucinda's savior and her killer. What were they like before the attempted burning - did they ever play around with folk magic together before anyone ever thought of selling their soul? What about later on, as Lucinda deteriorates and Melissa tries to hang on to Lucinda's sanity to no avail? What did Lucinda and Melissa do to try to keep Lucinda from losing her mind? What feelings did they have for each other - love, need, care, connection, desperation, resentment?

- How do Melissa and Jodie find their way post-canon? If Jodie does become a lawyer, that's prime material for "lawyer sold his soul to Satan" opportunities, but I could also see them wandering around the country looking for some way to be satisfied and be happy. How does Melissa handle her new freedom? How do they deal with the Devil and see each other in the aftermath? Do they find some kind of happiness together, or even find a way out of their deal with the Devil?

- In all honesty, while I'm looking for more earnest fic for this canon, I wouldn't mind bringing in aspects of the MST3K episode either. The pauses really are long!
sincereously: night sky above mountains (Default)
Hello, creator!

I'm so excited to see what you come up with for this exchange! Hope you have a great time with it. Prompts are here if you want them, but if you have another idea that's inspiring you I'm happy to see that too. In addition, while you don't have to include the genderflips described in multiple tags together if you don't want to, I'm glad to see it if it works for your story.

If you have any questions or concerns, please contact me through the mods. I'm also sincereously on AO3. Please also feel free to check out any of my past exchange letters for prompts and inspiration, if you want!

General Likes and DNWs
General Fic Likes:
Worldbuilding (especially magical, religious and cultural worldbuilding)
Unusual formats, including in-universe documents and IF/Choose Your Own Adventure
Canon divergence
Outsider POV
Dramatic irony
Moments of quiet intimacy during breaks in the action (especially good for missing scenes in between what we see in canon)
Slowly building intimacy/respect together - slow burn in general
Taking care of injured people
Hair care, washing, and styling as bonding
Forced proximity (undercover together, trapped together, accidental/arranged marriage, fake dating, only one bed, etc.)
Elaborate plans that may or may not work out
Improvising new plans as you go along
"That's an extremely bad plan, of course I'm in" type situations and interpersonal dynamics
Getting in way over your head but throwing yourself headfirst into the plan anyway
Repressed characters learning to let go
Struggling against temptation/the Dark Side
Five + one things structure

General Art Likes
I love a wide range of art styles, so I don't have much of a preference there. A couple of art likes:
Black-and-white or greyscale with pops of color
Focus on light - from warm glows illuminating the whole space to chiaroscuro
For art-specific prompts:
Depictions of clothing and hairstyle designs and in-universe fashion trends
Wearing your nicest outfits for a formal event (and getting those formal clothes messed up if/when the event goes sideways)
Helping someone get dressed, because of an injury or complicated clothes
Training with weapons
Fight scenes, especially being already battered and bruised but still squaring up to continue the fight
Dancing, well or badly
Sneaking into a place you shouldn't be

General DNWs:
Canon-divergent death of requested characters (canonical deaths are fine)
Non-canonical child death
Setting change AUs (ex. coffeeshop, high school, modern AU, etc.)
Time travel AUs
Explicitly stated sexuality labels for characters whose sexuality is not canonically defined
Formalized dom/sub relationships
Ageplay
Raceplay
Omegaverse
Mpreg
Excretory kinks
Rape/noncon (dubcon - sex pollen with both/all characters dosed, sex in arranged marriages, fuck-or-die, etc. - are fine, as are references to canonical rape/noncon. Aerys Targaryen committing Aerys-typical rape and sexual abuse in any relationship he's in is also fine, but I'd prefer it not be graphically described.)
Underage under 15 and unrequested non-canonical ships with 20+ year age gaps (mentions of canon examples are fine, but please don't make them the focus of the fic)
Cross-gen incest
Animal abuse
Hopeless endings (endings can be dark, but not without any shred of hope)

Please keep the violence level at about what it is in canon.


FANDOMS

Note on names: Generally I prefer that all Rule 63'd characters be renamed to better fit masculine/feminine naming conventions within the canon. The main extra points/exceptions:

- I'd prefer to keep canon nicknames even if the full name changes (ex. Ned Stark stays Ned, Domitan of Masbolle stays Dom, etc.)
- Please keep Han and Lando as Han and Lando. Luke can be renamed or stay Luke as per your preferences.

A Song of Ice and Fire

Tags: F!Renly Baratheon & F!Robert Baratheon & F!Stannis Baratheon, F!Robert Baratheon/F!Ned Stark, Joanna Lannister/M!Rhaella Targaryen, F!Duncan "Dunk" the Tall & F!Aegon V Targaryen, F!Ned Stark/Catelyn Tully, Ned Stark/M!Catelyn Tully

Additional Info and Prompts:

With the way Westeros works, a gender change wouldn't just change the destiny of an individual - the expectations on them, the factors that shape their character - but also on the course of history more generally. I love the possibilities of canon divergence here, and I also love seeing characters who still have their core canon personality but adapted to the circumstances they're raised in (especially seeing how they accept or rebel against the social freedoms or constraints that their canon counterparts didn't have).

I'm good with marrying Rule63'd characters off to anyone you like here as long as it conforms to my DNWs - women in Westeros especially have to face being in a political marriage game, and I'd be interested to see how the different lordly and royal houses play that game with different pawns on the board. I'm also good with any requested ship committing infidelity on an arranged marriage partner to be together.

- Any story about the Baratheon sisters growing up together in Storm's End and grudgingly working with each other to rule the Stormlands after their parents die, guiding their lands through troubles and crises. They'll all be stubborn as hell no matter what else in their lives differs from their male versions, after all...

- On a political level, does genderflipping the Baratheon siblings mean one of them ends up marrying Rhaegar, considering they're the closest Valyrian-blooded relatives they have? How would that change their place in the the political landscape as Aerys grows madder?

- F!Robert/F!Ned is probably my favorite variation on that ship - F!Robert can't indulge her worst qualities the way she could in canon, but she's still charismatic and headstrong in a way that Ned would both counterbalance and find appealing. How do they end up meeting and getting to know each other in this universe? How do they influence each other, for the better and for the worse? What kind of political changes come from having another Baratheon and Stark daughter in the mix?

- M!Rhaella in itself changes so much in a fascinating way - he can't be forced to marry Aerys, he has more opportunity to find and express his own voice, and as time passes he would seem more and more a good replacement for Aerys on the throne. I can definitely see Joanna seeing the potential in him and cultivating that. How would they come to know each other in this world - as an arranged marriage for any number of political reasons? for wild love? because Aerys insisted on marrying Joanna and she decided she wanted to become another Targaryen's queen, even if that means killing the Targaryen she's currently married to?

- I just think F!Egg and her lady knight-master is super cute! You can definitely make it so that they wander around as knight-and-squire-errant like in canon and have canon-typical adventures (but as women!)(and that could have an interesting effect on Dunk and her insecurity about being a true knight). You could also change how they met and grew to be friends - maybe Dunk becomes a sworn sword to Princess Egg, the way Jonquil Darke was to Queen Alysanne? How do they handle the succession crisis in this world anyway - it could be cool to see Queen Egg and the Lady Commander of her Queensguard!

- F!Ned and Cat could have a really fascinating bond, with F!Ned's repression and Cat's anger and both of their bone-deep devotion to their loved ones. Does Brandon turn out not to be a great husband and Cat finds a true partner in her goodsister instead? Is F!Ned the Stark daughter betrothed to Robert Baratheon in this world, and as the new queen, turns to her lady-in-waiting Cat to help hold the kingdom together and finds something more?

- M!Cat is also a super-interesting proposition, as the unquestioned heir to Riverrun with a massive duty to his House but also a great deal of social latitude that canon!Cat never has. What if m!Cat had been Ned's teenage crush foster companion instead of (or in addition to) Robert? (This could also make a huge difference years later when Jon Arryn dies). Or maybe while waging the Rebellion, they go from near-strangers to comrades in arms to even more. (What if m!Cat came with the man he loved to the Tower of Joy and survived it??)


Star Wars Original Trilogy

Tags: Leia Organa & F!Luke Skywalker, Leia Organa & F!Luke Skywalker & F!Han Solo, Leia Organa/F!Han Solo, F!Luke Skywalker/F!Han Solo, F!Lando Calrissian/F!Han Solo, F!Lando Calrissian/Leia Organa/F!Han Solo, Leia Organa/F!Luke Skywalker/F!Han Solo

Additional Info and Prompts:

So much of the appeal here for me is "what if these people, but all women" - a scrappy farmgirl turned Jedi knight, a scoundrel with a mostly-functional ship and a heart bigger than she'll ever admit, a suave criminal turned respectable with a good head for the big picture and a deep-down desire to do what she can to protect the people she cares for (and of course, the princess who burns against injustice and is more than willing to take charge when things go sideways).

I'm familiar with various aspects of both the Disney canon universe and the Legends universe, supplemented by spending way too much of my free time on Wookiepedia. Feel free to draw on whatever version of canon you want and to mix them together if it makes sense for what you're creating! Don't worry about what I might or might not have seen/read; I like going down wiki rabbit holes and I don't care about spoilers. Finally, if you're writing Leia/Luke/Han or Leia/Lando/Han I'm happy with it both as a full triad or as a Han-centric V, depending on your preferences.

- Roleswap or canon divergence AUs, especially for the twins:
--- Leia and/or Luke as Vader's Sith apprentices and/or as Empress Padmé's heir(s).
--- The twins raised together - as Tatooinian farmgirls, as the Princesses of Alderaan, as Jedi padawans or Nabooian politicians in a world where the Republic never fell, etc.

- Administering first aid to each other after a fight against Imperials.

- One of the twins doing lightsaber training, possibly with the other twin training them or with Han and/or Lando offering commentary.

- Target practice with their blasters, especially if it's turned into a (mostly) friendly competition.

- For Reasons, the characters have to switch outfits (makeshift disguises? one person's outfit got really tattered in battle and they had to piece a new one together from everyone else's? got dressed too fast getting out of bed together? they just think it would be fun to wear Lando's capes?).

- The flygirls (any combo with Lando or Luke or Han, but I would also love pilot!Leia) with their ships - fixing them, racing them, kissing in the cockpit, etc.

- Reunion in ROTJ, after Jabba the Hutt's defeat but before they all meet up with the Rebel fleet again.


Tortall

Tags: F!Domitan of Masbolle/Keladry of Mindelan, Keladry of Mindelan & F!Nealan of Queenscove, Dovasary Balitang & M!Saraiyu Balitang

Additional Info and Prompts:

Here, I love canon divergence, both the kind that is essentially "different paths to the same outcome" and the kind that goes wildly off the canon plotlines. I also really like using the genderflipped characters to explore parts of the Tortall universe that we don't get as much insight into in canon - different social groups, different ways of life, etc.

- AU where F!Dom and Kel are the first female members of the King's Own: how do they perceive each other when they first meet? How do they work together on missions and against people who are prejudiced against them, and what kind of adventures do they find together?

- I also like Kel still training for knighthood as in canon and encountering F!Dom as part of another fighting force - still the King's Own? the Queen's Riders? some other organization?

- I like the idea of Kel and F!Neal as a fighter-and-mage duo, since F!Neal would be more likely to continue her training to be a healer than her canon counterpart was. How would they have met up? How could their strengths have complemented each other?

- F!Neal comes to Corus to meet future queen Shinkokami and her Yamani entourage and meets Kel (maybe Kel is still training as a Tortallan knight or maybe she stayed in the Yamani Islands and pursued a martial career there?). What kind of mischief could they get up to together? Neal/Yuki would also be very welcome here.

- M!Sarai is an interesting proposition - at this point Dove becomes the only candidate for the twice-royal promised queen, so where does that leave M!Sarai? How does the raka conspiracy perceive him and his role in the prophecy? How would he see himself as a brother and potential supporter to Dove's queenship? On the other side, being male makes him a viable heir according to the luarin succession law - how does he handle that, especially if people start to prop him up as a potential king? How would he deal with the luarin nobility, especially people like Ferdy? How would his relationship with Zaimid develop (I am here for M!Sarai/Zaimid if you're interested)?
sincereously: night sky above mountains (Default)
Hello, creator!

I'm so excited to see what you come up with for this exchange! Hope you have a great time with it. Prompts are here if you want them, but if you have another idea that's inspiring you I'm happy to see that too. You can also check out any of my past prompts or promptfills on my journal for ideas if you want!

If you have any questions or concerns, please contact me through the mods. I'm also sincereously on AO3.

General Likes and DNWs

General fic likes:
Worldbuilding (especially magical, religious and cultural worldbuilding)
Unusual formats, including in-universe documents and IF/Choose Your Own Adventure
Canon divergence
Outsider POV
Dramatic irony
Moments of quiet intimacy during breaks in the action (especially good for missing scenes in between what we see in canon)
Slowly building intimacy/respect together - slow burn in general
Taking care of injured people, particularly washing someone's wounds and stitching them up
Forced proximity (undercover together, trapped together, accidental/arranged marriage, fake dating, only one bed, etc.)
Elaborate plans that may or may not work out
Improvising new plans as you go along
"That's an extremely bad plan, of course I'm in" type situations and interpersonal dynamics
Getting in way over your head but throwing yourself headfirst into the plan anyway
Repressed characters learning to let go
Struggling against temptation/the Dark Side
Five + one things structure

Marriage-a-la-Mode specific fic likes:
Bickering, friendly and not-so-much
Unreliable narrators
Making things worse, either accidentally or on purpose
Alternatively, hashing things out and coming to a tolerable arrangement

General DNWs:
Canon-divergent death of requested characters (canonical deaths are fine)
Non-canonical child death
Setting change AUs (ex. coffeeshop, high school, modern AU, etc.)
Time travel AUs
Explicitly stated sexuality labels for characters whose sexuality is not canonically defined
Formalized dom/sub relationships
Ageplay
Raceplay
Omegaverse
Mpreg
Excretory kinks
Rape/noncon (dubcon - sex pollen with both/all characters dosed, sex in arranged marriages, fuck-or-die, etc. - are fine, as are references to canonical rape/noncon.)
Underage under 15 and unrequested non-canonical ships with 20+ year age gaps (mentions of canon examples are fine, but please don't make them the focus of the fic)
Cross-gen incest
Animal abuse
Hopeless endings (endings can be dark, but not without any shred of hope)

Please keep the violence level at about what it is in canon.



FANDOMS

Please click on all bold/underlined headings to see more details.

A Song of Ice and Fire

Requested tags: Daena Targaryen, Elaena Targaryen

About the canon:
This is a really fun world to explore, with a lot of strong-willed personalities all trying to find what's best for themselves and for the people they care about (if any, tbh). With Targaryen women especially, their family history offers both the potential of power and the threat of punishment for reaching "too far", with a rare few being able to carve out actual happiness.

Prompts

- For both of these women, any sort of "canon but from their POV" would be great. They have a unique perspective on a time full of turmoil and it'd be fun to see their personalities, wants, and fears in the midst of that.

- For a brief time - while Baelor is in Dorne, before the official annulment - Daena was queen consort of Westeros. How did she use or not use power in this time period? How did she see Daenaera's example (was Daenaera even still alive by then?) If you want to go AU, could she have found a way to hang on to authority she had as consort even after Baelor's return?

- Daena disappears from the narrative soon after Daemon’s birth - what kind of life could she have had? Canon divergence is very welcome here! Maybe she takes a journey across Essos, or maybe she carves out a place (a new kingdom?) for herself and her son. (I’m not as interested in having her marry into the Starks, but I’d be interested to see her make a huge range of marriages for love and/or political gain, or her being extremely determined not to be married as well).

- What did Elaena do during the Blackfyre Rebellion? She would likely have already been de facto Master of Coin by then, and I'd be interested in both the political/bureaucratic aspects of her work during the Rebellion and the more personal issues of her family at war with itself.

- I'm really fascinated by what little we get about Elaena's relationship with Michael Manwoody. We know she loved him more for his skill with music than his swordsmanship - what was their courtship like? Did he ever take her to visit Dorne? He went to negotiate with Braavos, but all the deals were written in Elaena's handwriting - what was their time like in Braavos together?

- Honestly, just giving Daena and/or Elaena a dragon would be really fun. Unleash all of the chaos!



Star Wars

Requested tags: C-3PO & R2-D2, C-3PO/R2/D2, C-3PO & R2-D2 & Darth Vader

About the canon:

This is another of my oldest fandoms! I love all the risks that Our Heroes take to help/save the others (even when there seems to be a betrayal, they always come back and do whatever they can to make things right), and it makes for sound camaraderie that makes their adventures so fun to watch. The worldbuilding is a great genre-hodgepodge of sheer pulpy nonsense with room for both fun antics and genuinely touching moments.

I'm familiar with various aspects of both the Disney canon universe and the Legends universe, supplemented by spending way too much of my free time on Wookiepedia. Feel free to draw on whatever version of canon you want and to mix them together if it makes sense for what you're creating! Don't worry about what I might or might not have seen/read; I like going down wiki rabbit holes and I don't care about spoilers.

Prompts

- Generally, this is a canon where I'll enjoy a lot of tropey shenanigans. Artoo and Threepio have to carefully repair each other after a battle! Artoo and Threepio (and Vader?) are stranded in some inhospitable location and have to make their way back to safety! Artoo and Threepio get temporarily rewired and have to maintain their composure while bodyswapped! All sorts of things.

- Artoo and Threepio are always on the edge of whatever drama is happening among the main characters, and I'd love the opportunity to see them at center stage! Anything with their own POV on the events of the movies would be great, or maybe an exploration of their lives in between the prequels and the original trilogy?

- Maybe Threepio and Artoo go on their own mission for the Rebellion! How do they deal with various obstacles? How well or badly do they do undercover? What are their interactions like with other droids, both friend and foe?

- There's just a lot of potential for comedy and drama and dramatic irony with Artoo + Threepio + Vader. How could the droids come into Vader's possession - capture, being bought, maybe they never left Anakin/Vader's service in the first place? How do they handle life behind Imperial lines, and what sort of tasks does Vader ask of them? How does Vader relate to them, as Vader and as the memory of Anakin?

- Any of the other prompts, but in the style of an after-the-fact mission report or other Rebel or Imperial internal communication.


Stardew Valley

Requested tags: Krobus, Gunther, Marlon, Witch

About the canon:

I really enjoy the setting - it's so pretty and so charming, with a strong undercurrent of magic. For this exchange I'm especially interested in the strange and supernatural parts of the valley - there's a lot of lore but also a lot left unexplained and open to imagination.

Prompts

- (Krobus) I love to see Krobus learning about the human world from the other characters and him teaching them about the world of the magical beings in return. What would happen if he struck up a friendship with a villager, especially someone who isn't the Farmer? Can he find a way to fit in the rhythm of life in the town?

- (Krobus) What, exactly, did Krobus do during the Elemental Wars that makes the dwarves want to send an assassin after him in particular? Any worldbuilding for both the Shadow People and the Dwarves (as well as other magical species) would be great too.

- (Gunther) So is Gunther the one who writes the descriptions for all of the artifacts and minerals that go into the museum? I'd love to see more of his scholarly archaeological work, including in-universe documents. And since he can leave the museum sometimes (he visits the Farmer to give them the Rusty Key), what if he goes on trips to find museum items? Anything from realistic archaeological practice to Gunther being a secret Indiana Jones figure would be really fun.

- (Gunther) Anything that goes into the Gunther-is-a-ghost theory. What was he like as a living villager? How did he die and end up haunting the museum? Did he know any of the other villagers when he was alive, or were they after his time?

- (Marlon) What's his history in the Adventurer's Guild? Are he and Gil the only members or is it an organization that goes throughout Ferngill (or even Gotoro)? What drew him to join or create the organization? What were his favorite or most harrowing adventures? How did he lose his eye and injure his leg, for example?

- (Marlon) Can Marlon use magic at all? If he doesn't, is it because he can't or because he refuses to (and if it's the latter, what actions led him to that decision)? If he can, how did he learn those skills, and what would happen if he had to put them to use to stop a large threat to the village and/or the valley?

- (Witch) How did she and the Wizard fall for each other? We only ever get the Wizard's side of how their marriage broke down - how does she see it? (I'm good with either or both as unreliable narrators). Did she create the shrines in her hut or did she build the hut around preexisting shrines? What goals does she have besides cursing random items in the town?

- (Witch) The Witch takes on an apprentice. Who does she pick? What are her goals in teaching them magic? How does the apprentice use their new powers?

- Any combination of my requested characters on an adventure of your choice - Gunther has to recruit Krobus' help to get a magical artifact for the museum! the Witch gives Marlon magical training! Marlon has to confront some unsavory Adventurer's Guild policies when he becomes friends with Krobus! the Witch conjures up ghostly Gunther to help with some scheme of hers! The valley is your oyster.



Marriage-a-la-Mode [SAFETY]

Requested tags: Viscountess Squanderfield, Viscountess Squanderfield/Viscount Squanderfield, Viscountess Squanderfield/Silvertongue, Viscountess Squanderfield/Viscount Squanderfield/Silvertongue

About the canon:

This series of paintings is available on Wikipedia: Marriage-a-la-Mode. Commentary is also available on the Wikipedia pages if you want it, but I'm open to a lot of different interpretations of these pieces of art!

I have a specific set of likes for this canon in my General Likes/DNWs section, and in general I really enjoy the mix of absurdity and tragedy that runs through these paintings. None of these people are particularly good and they bring most of their misfortunes on themselves, but given the world they live in, it's no wonder what they became. If you're interested in adding real-world historical detail, I'm happy to see that too!

Prompts

- Any character study on the Viscountess|The Bride - as a miserly merchant's daughter, how did she see her elevation to the aristocracy? Did she ever try to work on the marriage at first, or was it always hatred from the start? What did her descent into debauchery look like? How did she start her relationship with Silvertongue? What's her relationship like with her daughter?

- Plenty of aristocratic marriages in this time period worked with the husband and wife (after producing the necessary heir) having their own lives and cordially ignoring each other's indiscretions. Nobody here is ever going to be particularly emotionally healthy, but maybe in another world the Viscount and Viscountess could have called a truce before everything completely blew up and worked out a more tolerable arrangement. What does that negotiation look like?

- Alternatively, maybe the Viscountess and Silvertongue plan ahead a little better and quietly murder the Viscount before he can catch them. What's their plan? Could they get away with it? Where do their lives go after that?

- Viscountess/Viscount/Silvertongue = world's worst menage a trois. Maybe they're all pretending this is a fine arrangement and they're all worldly enough to handle this, but they're really really not. (How does Viscount/Silvertongue leg of the triangle work? Do they try to pettily sabotage each other all the time? Do they fuck? Do they do both at once??) Happy to see this explode spectacularly, with figurative and/or literal knives out, or maybe their menage limps into the sunset and they live semi-functionally ever after.

sincereously: Han & Luke, "how we doing?" "same as always" (same_as_always)
Dear Yoda,

Thank you so much for creating for me! I'm really excited to see what everyone comes up with for this exchange, and I hope you have a wonderful time with it.

I'm familiar with various aspects of both the Disney canon universe and the Legends universe, supplemented by spending way too much time on Wookiepedia. Feel free to draw on whatever version of canon you want and to mix them together (or to invent all-new worldbuilding aspects) if it makes sense for what you're creating! Don't worry about what I might or might not have seen/read; I like going down wiki rabbit holes and I don't care about spoilers.

Prompts are in this letter if you want them, but I'll be happy with anything that respects my DNWS. You can also click on my Star Wars tag to see what I've requested for past exchanges - I'm happy to get anything based on my past prompts, as well as for any promptfills I've written!

If you have any questions about this letter, please contact me through the mods. I'm also sincereously on AO3. Click any lines that are bolded+underlined to expand!

General Likes and DNWs

General Fic Likes:
Worldbuilding (especially religious and cultural worldbuilding)
Weird Force things, and exploring what it's like to be Force-sensitive and use the Force more generally
Unusual formats, including in-universe documents, maps and interactive fiction
Deep dives into mundane aspects of living in a fictional world
Canon divergence
Outsider POV
Dramatic irony
Moments of quiet intimacy during breaks in the action (especially good for missing scenes in between what we see in canon)
Complicated women, and complicated relationships between complicated women
Slowly building intimacy/respect together - slow burn in general
Taking care of injured people
Forced proximity (undercover together, trapped together, accidental/arranged marriage, fake dating, only one bed, etc.)
Elaborate plans that may or may not work out
Improvising new plans as you go along
"That's an extremely bad plan, of course I'm in" type situations and interpersonal dynamics
Getting in way over your head but throwing yourself headfirst into the plan anyway
Repressed characters learning to let go
Struggling against temptation/the Dark Side
Mind control/possession (and resisting mind control/possession)
Five + one things structure

General Art Likes
I love a wide range of art styles, so I don't have much of a preference there. For art-specific prompts:
Characters using weapons - lightsaber, blaster, vibroblade, lightwhip, whatever you want!
Dark Side versions of canonically "light" characters, particularly takes on Empress Padmé and/or Sith Empress Leia, possibly with their most loyal companions by their side.
Depictions of clothing and hairstyle designs and in-universe fashion trends.
Black-and-white or greyscale with pops of color
Light - from warm glows illuminating the whole space to chiaroscuro

General DNWs:
Character bashing
Canon-divergent death of requested characters (canonical deaths are fine)
Non-canonical child death
Setting change AUs (ex. coffeeshop, high school, modern AU, etc.)
Time travel AUs
Explicitly stated sexuality labels for characters whose sexuality is not canonically defined
Formalized dom/sub relationships
Ageplay
Raceplay
Omegaverse
Mpreg
Excretory kinks
Rape/noncon (dubcon - sex pollen with both/all characters dosed, sex in arranged marriages, fuck-or-die, etc. - are fine, as are references to canonical rape/noncon)
Underage under 15 and unrequested non-canonical ships with 20+ year age gaps (mentions of canon examples of both are fine, but please don't make them the focus of the fic)
Cross-gen incest
Animal abuse
Hopeless endings (endings can be dark, but not without any shred of hope)
Fic or art set after a child of Han and Leia (either Ben or Jacen) canonically falls to the Dark Side

For both fic and art, please keep the level of violence at about what it is in canon.


Prompts
Again, these are here if you want them, but please feel free to pursue other ideas if the idea won't let you go. I'm also perfectly happy with combining ships and prompts where it makes sense to do so.

General Prompts

For all my requests, I don't necessarily have many request-specific ideas as much as general scenarios or prompts that could apply to most of them. Any prompts that primarily focus on a particular requested pairing or group will be noted, but please don't assume that I want those requests more than any of the others - I love them all!

As a note, if you're writing Leia/Luke/Han or Leia/Lando/Han I'm happy with it both as a full triad or as a Han-centric V, depending on your preferences. I also like Han/Lando (though I didn't request it here) and am totally fine with bringing it up as a past relationship in any fic involving them.

- Missionfic and other adventure stories!
----Are they hunting a MacGuffin? Do they have to go undercover, and how well do any of them do at that? What goes right in the mission, and what goes horribly wrong, and how do they get the mission back on track?
----Alternatively, is this a situation where they might not be on the same side (Rebel vs. Imperial, Rebel vs. smuggler or neutral just trying to make their own way) and have to improvise a way to work together and get what they both want while learning to trust each other?
----If you're interested in interactive fiction/Choose Your Own Adventure, I'd love to see it!

- Canon-typical missing scene type moments:
----Jedi training for Force-sensitive characters. Luke and Leia and Mara all have very different relationships and approaches to the Force - where to they find commonalities and where do they conflict? How do Leia and/or Mara respond to the way Luke tries to teach? I also love Leia and/or Mara teaching or working with each other or with Luke on the Force.
----Anything about the time period in between ANH and ESB, where Leia is grieving her planet and Luke is adjusting to commanding a squadron and Han is insisting that no, really, he's going to leave any day now. Meanwhile, Lando and Karrde are continuing to build up their respective enterprises (and maybe in an AU, he has to turn to the Rebellion and/or to each other for help long before ESB?), and Mara is dealing with internal Imperial politics after a major blow to the Empire and itching to find the Rebels and strike back at them.

- Canon-divergence AUs, including but not limited to:
----One or both twins are raised by Vader as his Sith-apprentice(s): do one or both of them ever try to get to the Rebellion, or do they go on their own mission to take down the Empire from the inside? Do either of them ever try to ally with the Emperor's Hand?
----Empress Padmé AU: does she raise one or both of the twins as her heirs? Does she bring Mara in as a Hand (maybe to raise alongside her child/ren), or recruit Han or Lando or Talon Karrde for their skills and bring them into contact with the others that way? How do these characters fit in (or not) under her rule, and do they ever try to work around or against it?
----Alderaan is not destroyed: I'm very here for the political fallout, as well as for Queen Leia stories and explorations into how she sees herself as an Organa and ruler of Alderaan.

- If you want to go in a sillier direction, I love the Star Wars crossover episode of The Muppet Show and would be thrilled to see another reunion between Star Wars characters and Muppets.

- Any of the other prompts, but in the style of an after-the-fact mission report or other Rebellion internal communication. Maybe every member of the mission has a conflicting story about what exactly happened? Maybe it's all the requisition and order forms Han filled out trying to get new parts every time something on the Falcon stops working?

Relationship-Specific Prompts

- (Leia & Luke) Anything that goes into their Force connection - feeling it before they realize what it is (maybe showing up in each other's dreams, or as each other's "imaginary friends" as small children) or using it to better learn how to use the Force and understand each other after they know. Also, Leia sharing her memories of Padmé with Luke.

- (Leia & Luke & Han or Leia/Luke/Han) I always see Han as being just a little weirded out by the whole Force thing, no matter how long he knows Luke and Leia. How does he handle both of their growing powers, and how does it change their relationships?

- (Lando/Leia/Luke/Han) I've also requested this ship for a sedoretu exchange, and I still really love the idea of them + sedoretu dynamics and worldbuilding. (My letter for that exchange is here, if you're interested in that).

- (Leia/Han or Lando/Leia/Han) They manage to keep Han from getting frozen in carbonite, but Luke is captured instead. How do they work together to save him and keep the Rebellion running while also grappling with their feelings for one another?

- (Leia/Han or Lando/Leia/Han) In ROTJ, they have a lot of time to come to an understanding about their relationship on the way from Tatooine back to the fleet - or just celebrate getting Han back.

- (Mara/Leia) It seems very likely that they would have run into each other at some point before ANH, even if Leia didn't know Mara's true position within the Empire. What were their interactions like during that time period? Later on, could Leia have recognized undercover!Mara while she was trapped at Jabba's palace, and how might that have changed the outcome or aftermath of that?

- (Mara/Luke) Mara is one of the few people who can tell him about his father, and in return Luke offers to help Mara find more about her own long-lost family.

- (Lando/Talon) They always struck me as having a good deal in common - practical men of business with an understated (but real) sense of principles. What kind of dealings could they work together? Could they find a good rapport - for business, of course - that turns to more?

- (C-3PO & R2-D2, C-3PO/R2-D2) They're always on the edge of whatever drama is happening among the main characters, and I'd love the opportunity to see them at center stage! Anything with their own POV on the events of the movies would be great, or maybe an exploration of their lives in between the prequels and the original trilogy? Maybe Threepio and Artoo go on their own mission for the Rebellion!

- (C-3PO & K-2SO & R2-D2) First off, the potential personality clashes are incredibly funny to me and I just love the idea of these three interacting together. Secondly, there's really good story potential from a Kaytoo-lives AU where they're all finding their place as droids in the Rebellion together (potentially an especially heartbreaking one if Kaytoo was the only survivor).

- (C-3PO & R2-D2 & Darth Vader) There's just a lot of potential for comedy and drama and dramatic irony here. How could the droids come into Vader's possession - capture, being bought, maybe they never left Vader's service in the first place? How do they handle life behind Imperial lines, and what sort of tasks does Vader ask of them? How does Vader relate to them, as Vader and as the memory of Anakin?

Jocasta Nu

- Jedi librarian and archivist! Jocasta's so cool, and I love her dedication to her profession and to the Jedi Order. What would her typical work day be like? Cataloguing, reference requests, teaching padawans how to use the library services? Any Jedi library science is great.

- One of the deleted scenes had Jocasta call Dooku "one of the most brilliant Jedi" and indicated a lot of personal respect. It also seems pretty likely that they were both training to be Jedi at around the same time. It'd be great to see anything for their relationship, platonically or romantically - going on a mission together, working on a research project together, sparring, etc.

- Jocasta escapes in the aftermath of Order 66 and continues her mission to safeguard the Order's knowledge and protect the list of Force-sensitive children.

sincereously: 3SF over white background with black lines (3sentenceficathon)
It's that time of year again! Three Sentence Ficathon is open to fills for three prompt posts, and is open for new prompts on Post 3 until February 11th.

My fills below:

16th Century CE RPF (Tudors)

Tudor Era RPF: Anne Boleyn; being the Duke of York's bride is flattering, but Henry's infatuation with his elder brother's wife infuriates her

The king had often dryly said that if he himself were meant to be King Arthur, his brother Henry would try to be all of the other Knights of the Round Table all at once. And in some ways, Anne had to admit, her husband succeeded at that - he could be gallant as Gawain and brave as Percival and poetic as Tristan, when he felt like it.

But when she saw how he looked at the queen - when he asked her to dance at masques whenever Catherine put an affectionate hand on her husband's shoulders, when he jousted under the name of a lovelorn mystery knight and begged her favor - she could only think of Lancelot.


Dracula

Dracula, Lucy & the brides of Dracula, Lucy meets the brides

She comes to the castle as the newest addition to the count's collection, and she is expected to fall neatly into the same unlife that awaits all of Dracula's brides. For a while she goes along with it, feasts with them on children's blood, learns their names and histories and secret hungers while they teach her their centuries of wiles and their favorite tactics in the hunt.

But Lucy has a taste for freedom that they have long forgotten, and every night she whispers a reminder that there is a whole world for them outside of the castle walls, and that four sets of razor teeth far outnumber one.


M*A*S*H

mash ; bj/hawkeye/peggy ; motorcyle

"Spokes Hunnicut? I haven't heard that name for years," Peg said, giving her new motorcycle one last check while BJ and Hawkeye still fiddled with their own.

Hawkeye stopped working when he heard her, straightening up with one of his brightest grins and saying, "You mean he didn't make that name up?"

"Okay, okay, you two," BJ said, kicking his motorcycle's stand away, "come on and follow me," and they did, because after everything they'd all been through, they'd follow anywhere he'd go.



A Song of Ice and Fire

any, any, hair care (washing, brushing, braiding, go wild)

"I like your hair," he said on their wedding night as Cat helped this stranger take down her braids, his hands (clumsy and gentle as his words) slowly working the pins through her locks in the first touch they'd ever shared alone together.

"You have beautiful hair," he said after their first daughter's birth, carefully rinsing sweat and soap out of the strands, and the warmth of the water and the warmth of Ned all blended together into wonderful contentment as an exhausted Cat leaned back closer to him and smiled.

"I love your hair," he said, and Cat gave him a knowing grin and handed him her brush; the king's visit fast approached and there was so much work still to be done, but for now she could steal this moment for her and Ned to share, alone in her chamber as the sun set red as her hair over the castle wall.

ASOIAF, Arya Stark, palinoia (n.) - the obsessive repetition of an act until it is perfect or mastered

Raise, parry, beat, thrust. She repeats it like her list of future dead, finding any sword or sword-like object she can and following the motions over and over until every muscle is screaming - raise, parry, beat, thrust.

She ends her evening prayers sweaty and shaking and triumphant, lowering her weapon and whispering valar morghulis.



Star Wars

any, any, dirty mind reading

Half an hour before the Falcon is scheduled to leave, and apparently Luke has to pull her aside and go over some mental shielding techniques.

Leia loves her brother, but honestly - "really, Han and I are about to go on our kriffing honeymoon and you have to do this now," she demands, staring up at him with her hands on her hips and that strange connection they have - the part of her mind she's come to label as Luke, that bond that's only gotten stronger since they've know what and why it is - buzzing in her head.

His smile back at her is half-amused and half-pained as he says, "That's exactly why I'm telling you this now," and Leia is starting to get a bad feeling about this as Luke's ears go red and he continues, "because I know we're still figuring out the sibling-bond thing and I'm glad you and Han are happy together and all, but there are some things I will not need to know about your honeymoon."

any ; any ; wait, you knit (crochet, sew, etc.)?

"Who else is gonna patch up my clothes if I rip them?" Han pulled Leia's shoulder slightly back, lining up the seam of her sleeve; she could feel the warmth of his fingers through the fabric as he added, "Not all of us grew up with a palace full of servants, your Highness - just hold still."

The jibe didn't have its usual bite - maybe because she'd realized he might poke her with words but never with the needle, maybe because he might've been as aware of how close they were standing as she was. Still, she couldn't help saying, "So that's why you've got those bloodstripes sewn on every pair of pants you own, is it?"

"Well, uh, it gets boring on long-hauls," he replied, but after that their focus both turned to the steady motion of the needle and - for a few minutes - all words died away.

sincereously: night sky above mountains (Default)
Hello, writer!

I'm so excited to see what you come up with for this exchange! Hope you have a great time with it. Prompts are here if you want them, but if you have another idea that's inspiring you I'm happy to see that too.

If you have any questions or concerns, please contact me through the mods. I'm also sincereously on AO3.

General likes:
Worldbuilding (especially religious and cultural worldbuilding)
Canon divergence
Bickering, friendly and not-so-much
Introspection
Unreliable narrators
Moments of quiet intimacy during breaks in the action (especially good for missing scenes in between what we see in canon)
Complicated women, and complicated relationships between complicated women
Slowly building intimacy/respect together - slow burn in general
Taking care of injured people
Forced proximity (undercover together, trapped together, accidental/arranged marriage, fake dating, only one bed, etc.)
Elaborate plans that may or may not work out
Improvising new plans as you go along
"That's an extremely bad plan, of course I'm in" type situations and interpersonal dynamics
Getting in way over your head but throwing yourself headfirst into the plan anyway
Repressed characters learning to let go
Struggling against temptation (and giving into it)
Unusual formats, including in-universe documents
Five + one things structure

General DNWs:
Character bashing
Canon-divergent death of any requested characters (canonical deaths are fine)
Non-canonical child death
Setting change AUs (ex. coffeeshop, high school, modern AU, etc.)
Time travel AUs
Formalized dom/sub relationships
Humiliation during sex
Ageplay
Raceplay
Omegaverse
Excretory kinks
Rape/noncon (dubcon - sex pollen with both/all characters dosed, sex in arranged marriages, fuck-or-die, etc. - are fine)
Underage under 15 and unrequested non-canonical ships with 20+ year age gaps (mentions of canon examples of both are acceptable, but please don't make them the focus of the fic)
Cross-gen incest
Animal abuse
Fic devoted primarily to examining real-world issues/-isms (please don't feel that you have to avoid them, but I'd rather they not be the entirety of what the work is about)
Hopeless endings (endings can be dark, but not without any shred of hope)
Please keep the level of violence at about what it is in canon.


FANDOMS

Dreamgirls

Requests: Effie White, Deena Jones, Lorrell Robinson

Ship and group notes: I'm good with gen, canon pairings, and/or Effie/Deena. I'm also happy to have any combination of requested characters, including leaving one or two of the requested characters offstage or in the background if it makes more sense to focus on only one or two requested characters.

About the canon: See 2021 promo post here!

The summary I gave in the promo post doesn't really do justice to the women and their relationships, which I love. I love how headstrong and indomitable Effie is, and how Deena builds her confidence and comes into her own, and how Lorrell has a snarky streak in her sunny personality. The whole show is about their dreams and their struggles and successes in making those dreams a reality, and it's so fun to watch them grow and change over the course of the show.

I'm also interested in the setting: the 1960s-1970s R&B and pop music industry as interpreted by 1980s Broadway. There's room for social commentary (among other things, the Black leads get one of their early songs covered and buried by a white group), drama (secret affairs and Curtis' payola operations), and Broadway glitz (look at the costumes! often with super-fast costume changes!).

I'm good with basing the fic off of any production you want. In addition, while I requested the stage show for this, the movie sticks very closely to the stage version and I would be fine with more movie-influenced fic as well, if you're having trouble finding/watching the stage musical.

Prompts:

- How did the girls first come together as a group? Were they all friends growing up (Effie talks about her and Deena once being each other's closest friends), or did they meet later on and bond over their shared desire to sing? I'd love to hear about their successes and failures pre-fame, and them sharing their big dreams with each other.

- How did Deena and Lorrell handle the interim time period between Act I and Act II, where they're going on international tours as the Dreams, adjusting to Michelle replacing Effie, and dealing with Deena's wedding to Curtis as well as Lorrell's continuing relationship with Jimmy?

- Effie mentions that she saw Deena at Deena's mother's funeral and wanted to talk to her, but there were "too many people in the way". What would have happened if they had had the chance to talk? What would that conversation have been like?

- When the show ends, they've reconciled but they're also on different paths. What would happen if they reunite again a few years later, while Effie's rising in the music business again and Deena's in her movie career and Lorrell's pursuing a life without Jimmy in it? Anything about them rebuilding their friendships and how them going after their own dreams is turning out. (I didn't request Michelle here, but you can also bring up what she's doing at this point).

- Curtis was supposed to love Effie. So was Deena. (Take that however you will).


Fiddler on the Roof

Requests: Golde, Tevye

Ship and group notes: I'd like to see the canon ships remain in place for this canon, but you can definitely focus as much or as little on romance as you'd like!

About the canon:

This is one of my favorite shows, hopeful and heartbreaking all at once. With Tevye and Golde specifically, I really love their strong personalities, the hilarious way they clash and the quieter sweet moments they sometimes find, and the strong dedication they both have to their family and to making a life together despite it all.

I'm good with basing the fic off of any production you want. In addition, while I requested the stage show for this, the movie sticks very closely to the stage version and I would be fine with more movie-influenced fic as well, if you're having trouble finding/watching the stage musical.

Prompts:

- Honestly, any slice-of-life of them in Anatevka would be great! Looking after their daughters, celebrating birthdays and religious holidays and other villagers' weddings, mending and scrimping through a hard winter, debating one of Tevye's assertions about what the Good Book says - any of that would be fun.

- Anything about their early marriage! They don't seem to have met before their wedding - did one of them have to move to Anatevka from somewhere else, and if they did, what was their first impression of their home and their new spouse-to-be? What was their wedding like? When they finally had to live together, what growing pains did they have to manage and what compromises did they have to find? How did they work together as new parents?

- Post-canon, how did they adjust to life in America with Bielke and Shprintze? So much of their lives have been built on a specific routine they created together over the years - how do they change together to fit a new city with a very different way of life than Anatevka? Did they ever reconnect with Tzeitel and/or Hodel and/or Chava in person again? (While I know what happened in the original stories, I'm looking for something different here).

- As much as they live their lives by TRADITION, do they ever come up with little traditions between themselves? Things like running jokes at their own or each other's or someone else's expense, or specific favorite foods that they try to get for each other on special occasions, or even just a familiar argument that they can basically quote the other person's dialogue for by now (but they still pick the fight sometimes anyway because it's comfortable and honestly kind of amusing to them at this point).

- Outsider POV would be a lot of fun too! What did their matchmaker see in them to put them together? How do their daughters see their marriage, and how does that affect what they want in the matches they eventually choose for themselves?


Gypsy

Requests: Louise, June, Rose

Ship and group notes: I'm good with gen, canon pairings, and/or f/f pairing one of the requested characters with Tessie, Mazeppa, Electra, or OCs. I'm also happy to have any combination of requested characters, including leaving one or two of the requested characters offstage or in the background if it makes more sense to focus on only one or two requested characters.

About the canon: See 2021 promo post here!

I love how wonderfully complex the women are, especially Rose. It's fun watching her smash her way through all obstacles through a mix of manipulation and just plain grandstanding, but her talent for deception also includes deceiving herself, to the detriment of her relationship with June and Louise. With June and Louise, I love them growing up and figuring out how to break free and find their own dreams, even if it's not what Rose had in mind for them. I love the complex mix of love and self-centered ambition that Rose has for her daughters, and the mix of love and frustration and hunger for approval that the girls feel for Rose. These women all do deeply care about each other, but man, sometimes they have a very dysfunctional way of showing it.

I'm good with basing the fic off of any production you want. In addition, while I requested the stage show for this, the movie(s) sticks very closely to the stage version and I would be fine with more movie-influenced fic as well, if you're having trouble finding/watching the stage musical.

Prompts:

- Any missing scenes of the family, Herbie, and the boys (and all their animals!) on the road - practicing the routines together, conning their way out of jams, exploring the new cities they perform in.

- Any part of Rose's backstory before the events of the play. So much of Rose's issues in her parenting seem related to the fact that her own mother walked out on her, after all. I'd also love to see Rose as unreliable narrator!

- Rose teaching her daughters the things she thinks they need to learn, and the lessons that they learned from her without her meaning to. (I also like the moments where June and especially Louise are taking a page from Rose's books to get what they want, and where they're more alike than they might want to acknowledge).

- What was Louise's life like in between that first striptease show and the high life we see in the final scenes? How did she get comfortable with this new way of performing? What kind of tactics did she use to get bookings and advance her career, and how did she start using and enjoying her rising fame and fortune?

- How did June deal with being on her own with Tulsa once she escaped the troupe? For better or for worse it'd be the first time in her life she'd ever been away from Mama and Louise - that has to turn up some intense emotions.

- I'd also be interested in seeing the women reunite and reflect on how their lives have gone at some point after canon, particularly a reunion for the sisters or for Rose and June. (I tend to see the musical characters as separate from the real-life figures, so you can take as much or as little as you want from the real peoples' history here, including inventing something new).
sincereously: night sky above mountains (Default)
Hello, creator!

I'm so excited to see what you come up with for this exchange! Hope you have a great time with it. Prompts are here if you want them, but if you have another idea that's inspiring you I'm happy to see that too.

If you have any questions or concerns, please contact me through the mods. I'm also sincereously on AO3.

General Likes and DNWs
General fic likes:
Worldbuilding (especially magical, religious and cultural worldbuilding)
Unusual formats, including in-universe documents and IF/Choose Your Own Adventure
Canon divergence
Outsider POV
Dramatic irony
Moments of quiet intimacy during breaks in the action (especially good for missing scenes in between what we see in canon)
Slowly building intimacy/respect together - slow burn in general
Taking care of injured people
Hair care, washing, and styling as bonding
Forced proximity (undercover together, trapped together, accidental/arranged marriage, fake dating, only one bed, etc.)
Elaborate plans that may or may not work out
Improvising new plans as you go along
"That's an extremely bad plan, of course I'm in" type situations and interpersonal dynamics
Getting in way over your head but throwing yourself headfirst into the plan anyway
Repressed characters learning to let go
Struggling against temptation/the Dark Side
Five + one things structure

General DNWs:
Death of requested characters*
Non-canonical child death
Setting change AUs (ex. coffeeshop, high school, modern AU, etc.)
Time travel AUs
Explicitly stated sexuality labels for characters whose sexuality is not canonically defined
Formalized dom/sub relationships
Ageplay
Raceplay
Omegaverse
Mpreg
Excretory kinks
Rape/noncon (dubcon - sex pollen with both/all characters dosed, sex in arranged marriages, fuck-or-die, etc. - are fine, as are references to canonical rape/noncon.)**
Underage under 15 and unrequested non-canonical ships with 20+ year age gaps (mentions of canon examples are fine, but please don't make them the focus of the fic)***
Cross-gen incest
Animal abuse
Hopeless endings (endings can be dark, but not without any shred of hope)

*For ASOIAF, canonical deaths are fine.
**This DNW is waived for Joanna/Tywin/Aerys/Rhaella.
***For Joanna/Tywin/Aerys/Rhaella, this DNW is modified to "DNW underage under 13".


FANDOMS

Please click on all bold/underlined headings to see more details.

Friends

Requested ship(s): Chandler Bing/Monica Geller/Rachel Green/Joey Tribbiani

Prompts and Other Information:

- For most of my prompts I have Monica and Joey as Evening and Rachel and Chandler as Morning, but you can absolutely change it or mix it up depending on your own moiety worldbuilding. I'm also okay with Ross and/or Phoebe as uncle and/or aunt to this sedoretu or forming different sedoretus of their own or staying single.

- Monica's looking for love but it seems like every guy and woman she meets is either Evening or already in a sedoretu with an Evening woman; Rachel keeps trying to anchor herself in a new life and it doesn't help that Ross keeps attaching himself to extremely ill-advised sedoretus. It takes some time to figure out what they really want is each other, and that maybe Chandler and Joey might be willing to give a full sedoretu a whirl. (I can also see where this plays into Chandler's fear of commitment - sure, he and Joey have been a couple for ages, but couples aren't the same as a "real" marriage, and a sedoretu is a serious next step).

- Alternatively, it's Chandler/Monica and Rachel/Joey who've been slowly drifting into couplehood, and now that they've each formed a pair they think it's the right moment to test out a sedoretu. How do they balance out the four pairs of a marriage?

- Chandler and Monica do get married in Vegas, but they can't do it by themselves, so they drunkenly convince an equally-drunk Rachel and Joey to do it with them.

- When Rachel gets pregnant with Emma she decides she needs a family to help raise her, and Monica/Chandler/Joey have been unsuccessfully looking for a Morning woman to complete their sedoretu anyway, so why not? Feelings ensure from there.


A Song of Ice and Fire

Requested ship(s): Cersei Lannister/Jaime Lannister/Catelyn Tully/Ned Stark, Joanna Lannister/Tywin Lannister/Aerys Targaryen/Rhaella Targaryen, Maron Martell/Myriah Martell/Daeron II Targaryen/Daenerys Targaryen (sister of Daeron), Willam Dustin/Barbrey Ryswell/Brandon Stark/Lyanna Stark

Prompts and Other Information:

- The Targaryens canonically get to ignore the incest taboo - do they have similar privileges with moieties? (Do people who marry into Targaryen sedoretus get the same privilege)? Do Valyrians think of moieties in different ways than Westerosi do? Is moiety and sedoretu even a common concept outside Westeros? Within Westeros, was it a First Men thing that the Andals adopted, or an Andal introduction to the continent (and how does sedoretu and moiety interact with the Faith?), or even something Rhoynish that entered via Dorne? (In terms of backstory, I'm also good with Rule 63'ing or otherwise adjusting various family trees to make your desired moieties work out, most notably for Tywin and Joanna).

- Cersei/Jaime/Cat/Ned: beautiful dysfuction that may actually work out somehow. How do all of them learn to coexist with each other, especially if it's a matter of Cat and Ned becoming spouses to the heir of Casterly Rock and his golden sister? What do they feel for each other - resentment, exasperation, grudging respect, genuine respect, maybe eventually love? Do the married couples settle their differences with swordfights? Cersei and Jaime are committing actual blood incest - how do Cat and Ned react to that, especially if their own supposedly "moiety sibling" relationship is feeling less-than-platonic?

- Joanna/Tywin/Aerys/Rhaella: even bigger dysfunction that is almost certainly going to end in murder. Give me the semi-good times at the start when Aerys is flying high on getting what he wants and Joanna and Tywin are gaining the power they dream of and Rhaella's just glad to have a woman she likes and a man who's not quite as terrible as Aerys. Alternatively, give me the times toward the end as Aerys is going off the deep end and his spouses are trying to keep the kingdom and maybe their marriage together (or possibly finding more rapport with each other than him and plotting to put him out of the way to let them live as they want).

- Maron/Myriah/Daeron/Daenerys: the canonical peacemaking marriages drawn a bit closer together. Do the Dornish have their own ideas for sedoretus - was it a Dornish custom that Daeron and Daenerys adopted in the first place, or a Valyrian or Westerosi tradition that Maron and Myriah have to adjust to? How do the marriages balance the needs of the Seven Kingdoms and of Dorne by itself all in one marriage? There's a significant age gap between Daeron/Myriah and Daenerys (and it's not clear where Maron falls into that, but I headcanon him being closer to Daenerys' age) - how do they negotiate that? How does the marriage impact the course of the Blackfyre Rebellions?

- Willam/Barbrey/Brandon/Lyanna: for when Rickard's Ambitions aren't quite so Southron. (This could also pair with Cersei/Jaime/Catelyn/Ned above). How do they work as a unit and as individuals in terms of Northern politics, especially if Aerys deteriorates as per canon? How do they get along personally? Barbrey is absolutely a strong personality in canon and Brandon and Lyanna are canonically "wolf-blooded", so the potential for sparks (in both a good and bad way) are high. Lots of horse racing is a bonus! I also feels like this would be one of the happier possible outcomes for Lyanna, so that's another plus here.


Star Wars

Requested ship(s): Lando Calrissian/Leia Organa/Luke Skywalker/Han Solo, Mara Jade/Leia Organa/Luke Skywalker/Han Solo, Lando Calrissian/Mara Jade/Leia Organa/Han Solo

Ship DNW: Han/Mara. I do ship pretty much every other combination of these characters, regardless of moiety and/or blood ties, so feel free to explore that if you want. Otherwise, I'm very happy to have strong platonic relationships, although I'd prefer not leaning too hard on "we're the same moiety so the idea that we'd ever be into each other is obviously inconceivable and wrong and horrible" (unless they are into each other anyway and angsting about it, lol).

Don't worry too much about what parts of canon I have and haven't consumed - I like going down wiki rabbit holes and I don't care about spoilers. I'm open to a lot of different time periods and settings within canon, but I do strongly prefer that this story is set before any child of Han and Leia (Ben or Jacen) canonically falls to the dark side.

Prompts and Other Information:

- With Lando/Mara/Leia/Han, I'm also good with including Luke as an "uncle" who gets to be with the sedoretu spouses of the opposite moiety.

- Sedoretu worldbuilding: are sedoretus a common relationship form across the galaxy, or are they generally limited to specific planets or cultures? The possible class aspects of sedoretus are also interesting - maybe it's a royal Alderaanian tradition with strong ceremonial aspects and ties to Alderaanian culture, or maybe it's the "respectable" form of marriage that any "respectable" person (whether established or an up-and-comer) is expected to strive for, or maybe it's more common among lower-class people who need to build more and stronger ties among themselves to give each other aid in times of trouble. How important are the moieties from planet to planet, and do different planets have different expectations and stereotypes about Morning and Evening people (maybe something to do with different aspects or conceptions of the Force)? How well - or badly - does each individual character feel they fit into their moiety's assigned roles?

- Sedoretu get-together fic in general is great, especially as a way to highlight rapport and similarities (and differences) among all the different pairings, romantic and platonic. Who is the first person who comes up with the idea of a sedoretu? Was it a case of two couples trying each other out, or a trio looking for a fourth? Who was the last person or couple to be convinced in?

- Accidental marriage sedoretu and fake/undercover marriage sedoretu could be tremendous fun! Maybe they'd fly more under the radar as a sedoretu or maybe sedoretu is a unique but mandatory custom from a planet that Leia's trying to convince into the Rebellion/the New Republic, and either way they have to pull together to pull off the mission and finally figure out their feelings for each other.

- I'm very here for canon divergence too, and those divergences can go very very wild. Among other ideas: one or both twins raised by Vader, both twins growing up together either on Tatooine or Alderaan, Jedi Order never fell (how do Jedi think about sedoretu?), Alderaan is never destroyed (Leia and Mara being arranged into a marriage as a political ploy between the Empire and Alderaan has kind of grabbed me lately, and you could do some fun things with that + sedoretu), etc.
sincereously: night sky above mountains (Default)
Hello, creator!

I'm so excited to see what you come up with for this exchange! Hope you have a great time with it. Prompts are here if you want them, but if you have another idea that's inspiring you I'm happy to see that too.

If you have any questions or concerns, please contact me through the mods. I'm also sincereously on AO3.

General fic likes:
Worldbuilding (especially magical, religious and cultural worldbuilding)
Encounters with the supernatural, particularly ghosts
Characters using or attempting to use magic or other supernatural forces
Maybe-magic-maybe-mundane events
Canon divergence
Introspection
Humor
Suspense
Unreliable narrators
Dramatic irony
Moments of quiet intimacy during breaks in the action (especially good for missing scenes in between what we see in canon)
Complicated women, and complicated relationships between complicated women
Slowly building intimacy/respect together - slow burn in general
Taking care of injured people
Forced proximity (undercover together, trapped together, accidental/arranged marriage, fake dating, only one bed, etc.)
Elaborate plans that may or may not work out
Improvising new plans as you go along
"That's an extremely bad plan, of course I'm in" type situations and interpersonal dynamics
Getting in way over your head but throwing yourself headfirst into the plan anyway
Repressed characters learning to let go
Struggling against temptation/the Dark Side/inner demons (and giving in)
Mind control/possession (and resisting mind control/possession)
Unusual formats, including in-universe documents
Five + one things structure

General art likes
Depictions of canon rooms, houses, and landscapes (also includes maps and set designs)
Characters with bloody hands
Characters doing ordinary things with very un-ordinary things happening in the background
Black-and-white or greyscale with pops of color
Light - from warm glows illuminating the whole space to chiaroscuro
Any art style is great!

General DNWs:
Character bashing
Non-canonical child death
Setting change AUs (ex. coffeeshop, high school, modern AU, etc.)
Time travel AUs
Explicitly stated sexuality labels for characters whose sexuality is not canonically defined
Formalized dom/sub relationships
Ageplay
Omegaverse
Mpreg
Excretory kinks
Rape/noncon (dubcon - sex pollen with both/all characters dosed, sex in arranged marriages, fuck-or-die, etc. - are fine)
Underage under 15 and unrequested non-canonical ships with 20+ year age gaps (mentions of canon examples of both are acceptable, but please don't make them the focus of the fic)
Animal abuse
Fic devoted primarily to examining real-world issues/-isms (please don't feel that you have to avoid them, but I'd rather they not be the entirety of what the work is about)
Hopeless endings (endings can be dark, but not without any shred of hope)
For both fic and art, please keep the level of violence at about what it is in canon.

FANDOMS

Arsenic and Old Lace

Requested Characters: Abby Brewster, Martha Brewster, Mortimer Brewster, Elaine Harper

Canon-specific DNWs: Canon-divergent death of any requested characters.

A classic movie with dead body shenanigans, the nicest murderers you’ll ever meet, and one very frazzled Cary Grant. What could be better for Halloween? I love the humor in this, the contrast of sweetness with horror lurking underneath (like the poisoned elderberry wine), and watching it has been a Halloween tradition for me for years.

I like Mortimer/Elaine, and I’m also happy with gen-focused works for this canon.

Prompts

- I’d love to see more of Abby and Martha’s history - how they grew up (their dad had a laboratory and seemed to be pretty wonky himself), raising Mortimer and getting to know Elaine, some of their early kills…

- During Mortimer and Elaine’s courtship, Abby and Martha decide to make a love potion for the lovebirds.

- Abby and Martha are throwing a Halloween party! And during the party, they find a lonely old gentleman who they think might need some of their special charity...

- Post-canon, Mortimer and Elaine just...have a house in Brooklyn with thirteen dead bodies in the basement. How do they handle that?

- The ghosts of the dead men start coming around. How do the inhabitants deal with that? Abby and Martha would probably just set out a nice tea for them, but Mortimer and Elaine would probably be less sanguine.


Carrie

Requested Characters: Carrie White, Margaret White, Sue Snell

Canon-specific DNWs: Canon-divergent death of Sue Snell.

Each of these characters have such raw pain guiding their lives and actions, and seeing how they express that hurt - for better or for worse - is so fascinating to me. The mundane setting tinged with the supernatural (or at least a kind of natural that includes things like telekinesis) also opens up a lot of fun worldbuilding possibilities that any of these characters can explore.

Ship preferences: Carrie/Sue and/or canon pairings

Prompts

- Any requested character having a moment of vulnerability, for whatever reason, in front of one or more other requested characters. They all have to put up such a strong front to other people; what happens when that front fails?

- I liked how much the book drew on in-universe documents to build its narrative, and I’d love to see other documents - Carrie’s schoolwork? religious pamphlets Margaret wrote? Sue’s book?

- Carrie doesn’t go to the prom and gets the chance to practice her power in smaller forms of vengeance/revenge in high school. How might she experiment with the power? How does she keep it secret or not? Is there ever a point where she crosses the line?

- Carrie's power is exposed earlier and she goes on the run from being captured and contained by the government/a company/various and sundry nefarious forces, either on her own or with Sue or Margaret.

- Anything on Margaret’s past and how she developed her twisted religious views - was there any specific incident that gave her such a horror of roadhouses, or did it slowly build up over time? This could also work with five-times structures (five lessons Margaret taught Carrie, etc.)

- Margaret herself has the carrier gene for TK - what would have happened if she had gotten the power? How would it have changed her religious views and the way she raised Carrie?

- Sue becomes a leading TK researcher and mentors another young TK-positive girl. Carrie’s ghost - figurative or real - may also make an appearance


Psycho

Requested Characters: Lila Crane, Marion Crane, Sam Loomis, Norman Bates, Mother/Norman's alter

Canon-specific DNWs: Canon-divergent deaths of Marion or Lila, or complete disappearance of Mother/Norman's alter while Norman survives. Canon deaths are fine, as is non-canonically killing off Norman or Sam.

I enjoy all the things that are not as they seem in this canon, about the sides of the characters that they hide from everyone, sometimes including themselves. There’s a lot of horror, but it’s understated and happens more in people’s heads (including those of the audience).

Shipwise I like Marion/Sam, Marion/Norman, and Sam/Norman. None of these ships have to be portrayed as straightforwardly romantic and can definitely go to dark places (particularly those involving Norman, because, well, dude has issues). I don't mind incorporating aspects of the books/sequel movies but would prefer a focus on this specific movie, and I'm also fine with ignoring the books/sequels if you'd like to explore something different.

Prompts

- What was Norman's life like in that spooky house and that run-down motel with only Mother for company? What did the other townsfolk, including Sam, think of him? It's not unlikely that the knife that killed Marion came from Sam's hardware store...

- Mother's perspective on the events of the movie, or on living in the mental hospital after canon. How much is she aware of the things she's done and/or the things Norman blames her for? How much does she see herself as separate from or a part of Norman, and how does she express that understanding?

- Marion's ghost appears - haunting her killer, leading her sister and/or lover to the truth of what happened to her, just taking out her frustration on everything in sight, etc.

- Marion isn’t attacked in the shower, and later comes to live in Fairvale with Sam without telling him what she did. She and Norman now have the weird position of having shared some secrets with each other but kept plenty of others - what happens when she runs into him again? Does Lila or Sam ever suspect what happened? Are the police still after Marion, or do they ever get suspicious about Norman?

- Anything about Lila's grief, and Sam's, post-canon. Marion was one of the few people either of them had left and she died a couple of weeks before Christmas, poor guys. I'd also be interested in seeing Lila confront Norman/Mother, or making a desperate attempt to reach Marion beyond the grave.

FIAB 2023

Aug. 30th, 2023 11:17 pm
sincereously: night sky above mountains (Default)
Hello, creator!

I'm so excited to see what you come up with for this exchange! Hope you have a great time with it. Prompts are here if you want them, but if you have another idea that's inspiring you I'm happy to see that too. You can also check out any of my past prompts or promptfills on my journal for ideas if you want!

If you have any questions or concerns, please contact me through the mods. I'm also sincereously on AO3.

General Likes and DNWs
General fic likes:
Worldbuilding (especially magical, religious and cultural worldbuilding)
Unusual formats, including in-universe documents and IF/Choose Your Own Adventure
Canon divergence
Outsider POV
Dramatic irony
Moments of quiet intimacy during breaks in the action (especially good for missing scenes in between what we see in canon)
Slowly building intimacy/respect together - slow burn in general
Taking care of injured people
Hair care, washing, and styling as bonding
Forced proximity (undercover together, trapped together, accidental/arranged marriage, fake dating, only one bed, etc.)
Elaborate plans that may or may not work out
Improvising new plans as you go along
"That's an extremely bad plan, of course I'm in" type situations and interpersonal dynamics
Getting in way over your head but throwing yourself headfirst into the plan anyway
Repressed characters learning to let go
Struggling against temptation/the Dark Side
Five + one things structure

General art likes
I love a wide range of art styles, so I don't have much of a preference there. For art-specific prompts:
Wearing your nicest outfits for a formal event (and getting those formal clothes messed up if/when the event goes sideways)
Helping someone get dressed, because of an injury or complicated clothes
Fight scenes, especially being already battered and bruised but still squaring up to continue the fight
Dancing, well or badly
Sneaking into a place you shouldn't be

General DNWs:
Character bashing
Canon-divergent death of requested characters (canonical deaths are fine)
Non-canonical child death
Setting change AUs (ex. coffeeshop, high school, modern AU, etc.)
Time travel AUs
Explicitly stated sexuality labels for characters whose sexuality is not canonically defined
Formalized dom/sub relationships
Ageplay
Raceplay
Omegaverse
Mpreg
Excretory kinks
Rape/noncon (dubcon - sex pollen with both/all characters dosed, sex in arranged marriages, fuck-or-die, etc. - are fine, as are references to canonical rape/noncon.)
Underage under 15 and unrequested non-canonical ships with 20+ year age gaps (mentions of canon examples are fine, but please don't make them the focus of the fic)
Cross-gen incest
Animal abuse
Hopeless endings (endings can be dark, but not without any shred of hope)

Please keep the violence level at about what it is in canon.


FANDOMS

Please click on all bold/underlined headings to see more details.

Columbo

Requested tags: Columbo, Dog the Dog, Lieutenant Columbo and Dog the Dog

Requested medium tags: Medium Opt In: Art - Fanart, Medium Opt In: Art - Stained Glass, Medium Opt In: Writing - Any In-Universe Documents That Fit the Canon Setting, Medium Opt In: Writing - Interactive Fiction - AO3 style Choose Your Own Adventure, Medium Opt In: Unique Rules - Interactive Fiction - Web-based choice-based IF not hosted on AO3, Medium Opt-In: Unique Rules - Murdle

About the canon:

I'm so very fond of this canon. It's very enjoyable watching both the elaborate murder plots and Columbo deftly unraveling them in his own seemingly-unassuming way. Plus the bond between man and dog!

Prompts

- We only really see Columbo on a case, and the information he gives about his life outside his work varies greatly on the suspects he's trying to corner. Is there any truth to any of the stories he weaves? Any slice-of-life or Columbo tailing a more "ordinary" case would be lovely.

- It'd be cool to get a look into Columbo's notebooks or case reports, or those of one of the colleagues who periodically get assigned to work with Columbo.

- I'd like to see a case from Dog's point of view! Maybe Dog is trying to help his master by seeking out crucial clues, or maybe Dog has a canine case of his own that intersects with Columbo's mystery-of-the-week. (This would work very well with interactive fiction, if that's something you're interested in).

- A Murdle would be so fun for this canon! Are Columbo's past suspects in the rich people prison and up to no good? Is there an entirely new cast of characters for Columbo and/or Dog to contend with?



A Song of Ice and Fire

Requested tags: Daena Targaryen, Elaena Targaryen

Requested medium tags: Medium Opt In: Art - Fanart, Medium Opt In: Art - Stained Glass, Medium Opt In: Writing - Any In-Universe Documents That Fit the Canon Setting

About the canon:
This is a really fun world to explore, with a lot of strong-willed personalities all trying to find what's best for themselves and for the people they care about (if any, tbh). With Targaryen women especially, their family history offers both the potential of power and the threat of punishment for reaching "too far", with a rare few being able to carve out actual happiness.

Prompts

- For both of these women, any sort of "canon but from their POV" would be great. They have a unique perspective on a time full of turmoil and it'd be fun to see their personalities, wants, and fears in the midst of that.

- For a brief time - while Baelor is in Dorne, before the official annulment - Daena was queen consort of Westeros. How did she use or not use power in this time period? How did she see Daenaera's example (was Daenaera even still alive by then?) If you want to go AU, could she have found a way to hang on to authority she had as consort even after Baelor's return?

- Daena disappears from the narrative soon after Daemon’s birth - what kind of life could she have had? Canon divergence is very welcome here! Maybe she takes a journey across Essos, or maybe she carves out a place (a new kingdom?) for herself and her son. (I’m not as interested in having her marry into the Starks, but I’d be interested to see her make a huge range of marriages for love and/or political gain, or her being extremely determined not to be married as well).

- What did Elaena do during the Blackfyre Rebellion? She would likely have already been de facto Master of Coin by then, and I'd be interested in both the political/bureaucratic aspects of her work during the Rebellion and the more personal issues of her family at war with itself.

- Honestly, just giving Daena and/or Elaena a dragon would be really fun. Unleash all of the chaos!



Star Wars

Requested tags: C-3PO & R2-D2, C-3PO/R2/D2, C-3PO & R2-D2 & Darth Vader

Requested medium tags: Medium Opt In: Art - Fanart, Medium Opt In: Art - Stained Glass, Medium Opt In: Writing - Any In-Universe Documents That Fit the Canon Setting, Medium Opt In: Writing - Interactive Fiction - AO3 style Choose Your Own Adventure, Medium Opt In: Unique Rules - Interactive Fiction - Web-based choice-based IF not hosted on AO3, Medium Opt-In: Unique Rules - Logic Grid Puzzle, Medium Opt-In: Any - Any In-Universe Documents that Fit the Canon Setting

About the canon:

This is another of my oldest fandoms! I love all the risks that Our Heroes take to help/save the others (even when there seems to be a betrayal, they always come back and do whatever they can to make things right), and it makes for sound camaraderie that makes their adventures so fun to watch. The worldbuilding is a great genre-hodgepodge of sheer pulpy nonsense with room for both fun antics and genuinely touching moments.

I'm familiar with various aspects of both the Disney canon universe and the Legends universe, supplemented by spending way too much of my free time on Wookiepedia. Feel free to draw on whatever version of canon you want and to mix them together if it makes sense for what you're creating! Don't worry about what I might or might not have seen/read; I like going down wiki rabbit holes and I don't care about spoilers.

Prompts

- Generally, this is a canon where I'll enjoy a lot of tropey shenanigans. Artoo and Threepio have to carefully repair each other after a battle! Artoo and Threepio (and Vader?) are stranded in some inhospitable location and have to make their way back to safety! Artoo and Threepio get temporarily rewired and have to maintain their composure while bodyswapped! All sorts of things.

- Artoo and Threepio are always on the edge of whatever drama is happening among the main characters, and I'd love the opportunity to see them at center stage! Anything with their own POV on the events of the movies would be great, or maybe an exploration of their lives in between the prequels and the original trilogy?

- Maybe Threepio and Artoo go on their own mission for the Rebellion! How do they deal with various obstacles? How well or badly do they do undercover? What are their interactions like with other droids, both friend and foe?

- There's just a lot of potential for comedy and drama and dramatic irony with Artoo + Threepio + Vader. How could the droids come into Vader's possession - capture, being bought, maybe they never left Anakin/Vader's service in the first place? How do they handle life behind Imperial lines, and what sort of tasks does Vader ask of them? How does Vader relate to them, as Vader and as the memory of Anakin?

- Any of the other prompts, but in the style of an after-the-fact mission report or other Rebel or Imperial internal communication.


Stardew Valley

Requested tags: Krobus, Gunther, Marlon, Witch

Requested medium tags: Medium Opt In: Art - Fanart, Medium Opt In: Art - Stained Glass, Medium Opt In: Writing - Interactive Fiction - AO3 style Choose Your Own Adventure, Medium Opt In: Unique Rules - Interactive Fiction - Web-based choice-based IF not hosted on AO3, Medium Opt-In: Unique Rules - Logic Grid Puzzle, Medium Opt-In: Instructions - Cocktail Recipes

About the canon:

I really enjoy the setting - it's so pretty and so charming, with a strong undercurrent of magic. For this exchange I'm especially interested in the strange and supernatural parts of the valley - there's a lot of lore but also a lot left unexplained and open to imagination.

Prompts

- (Krobus) I love to see Krobus learning about the human world from the other characters and him teaching them about the world of the magical beings in return. What would happen if he struck up a friendship with a villager, especially someone who isn't the Farmer? Can he find a way to fit in the rhythm of life in the town?

- (Krobus) What, exactly, did Krobus do during the Elemental Wars that makes the dwarves want to send an assassin after him in particular? Any worldbuilding for both the Shadow People and the Dwarves (as well as other magical species) would be great too.

- (Gunther) So is Gunther the one who writes the descriptions for all of the artifacts and minerals that go into the museum? I'd love to see more of his scholarly archaeological work, including in-universe documents. And since he can leave the museum sometimes (he visits the Farmer to give them the Rusty Key), what if he goes on trips to find museum items? Anything from realistic archaeological practice to Gunther being a secret Indiana Jones figure would be really fun.

- (Gunther) Anything that goes into the Gunther-is-a-ghost theory. What was he like as a living villager? How did he die and end up haunting the museum? Did he know any of the other villagers when he was alive, or were they after his time?

- (Marlon) What's his history in the Adventurer's Guild? Are he and Gil the only members or is it an organization that goes throughout Ferngill (or even Gotoro)? What drew him to join or create the organization? What were his favorite or most harrowing adventures? How did he lose his eye and injure his leg, for example?

- (Marlon) Can Marlon use magic at all? If he doesn't, is it because he can't or because he refuses to (and if it's the latter, what actions led him to that decision)? If he can, how did he learn those skills, and what would happen if he had to put them to use to stop a large threat to the village and/or the valley?

- (Witch) How did she and the Wizard fall for each other? We only ever get the Wizard's side of how their marriage broke down - how does she see it? (I'm good with either or both as unreliable narrators). Did she create the shrines in her hut or did she build the hut around preexisting shrines? What goals does she have besides cursing random items in the town?

- (Witch) The Witch takes on an apprentice. Who does she pick? What are her goals in teaching them magic? How does the apprentice use their new powers?

- Any combination of my requested characters on an adventure of your choice - Gunther has to recruit Krobus' help to get a magical artifact for the museum! the Witch gives Marlon magical training! Marlon has to confront some unsavory Adventurer's Guild policies when he becomes friends with Krobus! the Witch conjures up ghostly Gunther to help with some scheme of hers! The valley is your oyster.

FFFX 2023

Aug. 6th, 2023 07:48 pm
sincereously: night sky above mountains (Default)
Hello, creator!

I'm so excited to see what you come up with for this exchange! Hope you have a great time with it. Prompts are here if you want them, but if you have another idea that's inspiring you I'm happy to see that too.

If you have any questions or concerns, please contact me through the mods. I'm also sincereously on AO3.

General Likes and DNWs
General fic likes:
Worldbuilding (especially magical, religious and cultural worldbuilding)
Unusual formats, including in-universe documents and IF/Choose Your Own Adventure
Canon divergence
Outsider POV
Dramatic irony
Moments of quiet intimacy during breaks in the action (especially good for missing scenes in between what we see in canon)
Slowly building intimacy/respect together - slow burn in general
Taking care of injured people
Hair care, washing, and styling as bonding
Forced proximity (undercover together, trapped together, accidental/arranged marriage, fake dating, only one bed, etc.)
Elaborate plans that may or may not work out
Improvising new plans as you go along
"That's an extremely bad plan, of course I'm in" type situations and interpersonal dynamics
Getting in way over your head but throwing yourself headfirst into the plan anyway
Repressed characters learning to let go
Struggling against temptation/the Dark Side
Five + one things structure

General DNWs:
Character bashing
Canon-divergent death of requested characters (canonical deaths are fine)
Non-canonical child death
Setting change AUs (ex. coffeeshop, high school, modern AU, etc.)
Time travel AUs
Explicitly stated sexuality labels for characters whose sexuality is not canonically defined
Formalized dom/sub relationships
Ageplay
Raceplay
Omegaverse
Mpreg
Excretory kinks
Rape/noncon (dubcon - sex pollen with both/all characters dosed, sex in arranged marriages, fuck-or-die, etc. - are fine, as are references to canonical rape/noncon.)
Underage under 15 and unrequested non-canonical ships with 20+ year age gaps (mentions of canon examples are fine, but please don't make them the focus of the fic)
Cross-gen incest
Animal abuse
Hopeless endings (endings can be dark, but not without any shred of hope)

Please keep the violence level at about what it is in canon.


FANDOMS

Please click on all bold/underlined headings to see more details.

A Brother's Price

Requested tags: Eldie Porter, Original Middle Sister of a Criminal Family, Original Middle Sister of an Army Volunteer Family

About the canon:

I'm interested in the world that's constructed here, particularly how women fit within the family structures and the highly stratified society. It doesn't show as much with our viewpoint characters, being a rare boy and a princess who’s become the Eldest, but it's interesting how much of an average woman's identity in this world is subsumed into being part of a collective group of sisters, including running any sort of businesses or other jobs together and receiving any punishment earned by an individual member of the family. It'd be cool to see both the kinds of women that fit within these tight-knit, insular conceptions of family and those who want to defy the norms to find an individual identity or choose a different family. I'd also love to see any explorations of the in-universe culture.

While the tag is for original characters, I'm good with the characters turning out to be unnamed background canon characters too.

This canon is a single book available through most online book retailers and in libraries, including in ebook formats.

Prompts

- (Eldie Porter) From the Eldest of a duchess's family to a younger sister of farmers/merchants, and with her life and those of her new sisters on the line if she ever slips up and exposes the truth - how does she adjust in the aftermath of the book? How do her new sisters feel and act around her, or her new sisters-in-law and cousins in the royal family? What would happen if someone else found out about who she really was?

- (Eldie Porter) In an AU where the Porters aren't quite so ambitious and survive as former in-laws and closely trusted advisors to the Queens, what kind of person does Eldie Porter become? How does she feel about the Porter family? Is she at all close to the royals? What happens if she finds out the truth of her parentage?

- (Middle Sister of a Criminal Family, Middle Sister of an Army Volunteer Family) The characters take part in the War of the False Eldest. Who did they fight for? What did they think about the dynastic situation that led to the war, or were they just concerned about the common people/their family who got trampled in the war's path? Did they know the Whistlers at all, and what was their impression of them if they did?

- (Original Middle Sister of a Criminal Family) What kind of criminals are they - thieves, thugs, smugglers, pickpockets, counterfeiters? What kind of criminal does this middle sister want to be, if she wants to be a criminal at all? What's her relationship with her sisters like, particularly with her Eldest? Is she satisfied with her status or is she looking for more, and what would that "more" look like for her? If so, does she succeed in getting it?

- (Original Middle Sister of an Army Volunteer Family) What happened to her family to make joining the army seem like the best option? Was she actually interested in joining the army, or did her sisters pressure her into it? How does she adjust to the drudgery and danger of army life - that line in the book that "the army eats families" has stuck with me here. Does she manage to make it out and rise higher, and if she does, what prices does she end up paying for it?


Harlots

Requested tags: Violet Cross/Amelia Scanwell, Nancy Birch/Margaret Wells, William North/Margaret Wells

About the canon:
I love so much about this canon - the fripperies and humor, the politicking and drama and the moments of sincerity that shine through. I love the setting, with its range from decadence to squalor. More than anything, I love how complex the women are and complicated relationships they have with each other. All of these stories are, in the end, about people on the fringes trying to carve a place in the world, and I love seeing their successes and failures as they go after what they want.

For any story, I'm good with Margaret/Nancy and Margaret/Will by themselves or occurring simultaneously as V-shaped polyamory with Margaret as the hinge.

Harlots is 3 seasons (although only 2 are necessary for my request) of approximately 1-hour episodes (with 8 episodes a season) available on Hulu.

Prompts

- (Amelia/Violet) Any small series of missing slice-of-life scenes during or after their time in canon would be great - Violet caring for Amelia after her stabbing, them going on a journey together, Amelia and Violet having reading lessons and "reading lessons"...

- (Amelia/Violet) With their plot so unresolved at the end of season 2, I'd love to see what happens next for them! Them getting to strengthen their relationship after the physical and emotional turmoil they dealt with all season, being able to escape and build a life together and avoid the unwanted marriage, maybe teaming up with the Wells and associates in their plots against the Spartans? (As far as Hunt goes...well, I'd prefer that he not be outright abusive or that Amelia and Violet kill him, but other ways of writing him out of the equation - him sticking to calling off the engagement at the end of S2, going on the run after the ruse with Margaret is discovered, being killed as the start of a casefic, turning out to be not-straight and working out an amicable mutual bearding situation with Amelia and Violet - will work for me).

- (Margaret/Nancy, Margaret/Will) Any kind of backstory fic would be very welcome. What little moments led to Nancy and Margaret falling into trust while in Lydia's house? What was their personal and professional life like after leaving Lydia - did they ever try to go into business together, or help each other find a place in the world? How did Margaret first get to know Will - he wasn't a client, but was he connected to the world of sex work in other ways or did he join it for the sake of being with Margaret?

- (Margaret/Nancy, Margaret/Will) The people who love Margaret come after her after she's transported. Do they work to bring her back or try to establish a new life in a new world?



Measure for Measure

Requested tags: Isabella

About the canon:

Isabella's headstrong and messy and that's what I enjoy about her. She has a idiosyncratic set of ideals that she can be ruthless about pursuing. She isn't completely uncompromising in her principles, but the places where she chooses to bend and the places where she won't bend at all (and how she justifies those things to herself and to others) are really fascinating. I love productions that lean into how angry she can be about the unfair world and unfair situation she lives in.

This canon is available through multiple public-domain sources.

Prompts

- Honestly, if you just want to do 10k of character study, I'm all for that. Does she have any stories or saints or scholars who particularly speak to her? Who does she admire and who does she deplore? Where does she see her actions line up with her faith, and where does she have to work to reconcile them together? If you happen to be interested in early modern Catholic religious history or theology, I'd enjoy seeing some of those details too.

- After the play, does the shadow of what happened follow her even as she tries to escape to the convent? How do the other nuns react to her? Abbesses historically had quite a lot of influence in their local communities and had to interact with local authorities - what would happen if she eventually became Abbess? Alternatively, how would she fare as the Duchess? Could she find an expression of her faith and her needs that feels right to her? Noblewomen could historically wield a lot of soft power if they played their cards right - could Isabella harness that power (and for what purpose?) or is she not equipped to play that game?

- Do she and Claudio ever rebuild their relationship? Mariana has done an enormous morally ambiguous favor for Isabella, knows as well as Isabella does what it's like to suffer at a man's whims, and after marrying Angelo becomes far more prominent socially - how does Isabella relate to Mariana in the aftermath of the play, whether she marries the Duke or not? I'm good with her never interacting with Angelo again if you want, but if they do end up thrown together for some reason (maybe the Duke is doing some other convoluted scheme and they're either caught up in it or trying to pick up the pieces) how could those fraught circumstances unfold?

- Instead of a bed trick, Isabella opts for a straight-up prison break. Bonus points if she also dresses up as a friar in the course of the escape.



Stardew Valley

Requested tags: Krobus, Gunther, Marlon, Witch

About the canon:

I really enjoy the setting - it's so pretty and so charming, with a strong undercurrent of magic. For this exchange I'm especially interested in the strange and supernatural parts of the valley - there's a lot of lore but also a lot left unexplained and open to imagination.

This canon is available on Steam.

Prompts

- (Krobus) I love to see Krobus learning about the human world from the other characters and him teaching them about the world of the magical beings in return. What would happen if he struck up a friendship with a villager, especially someone who isn't the Farmer? Can he find a way to fit in the rhythm of life in the town?

- (Krobus) What, exactly, did Krobus do during the Elemental Wars that makes the dwarves want to send an assassin after him in particular? Any worldbuilding for both the Shadow People and the Dwarves (as well as other magical species) would be great too.

- (Gunther) So is Gunther the one who writes the descriptions for all of the artifacts and minerals that go into the museum? I'd love to see more of his scholarly archaeological work, including in-universe documents. And since he can leave the museum sometimes (he visits the Farmer to give them the Rusty Key), what if he goes on trips to find museum items? Anything from realistic archaeological practice to Gunther being a secret Indiana Jones figure would be really fun.

- (Gunther) Anything that goes into the Gunther-is-a-ghost theory. What was he like as a living villager? How did he die and end up haunting the museum? Did he know any of the other villagers when he was alive, or were they after his time?

- (Marlon) What's his history in the Adventurer's Guild? Are he and Gil the only members or is it an organization that goes throughout Ferngill (or even Gotoro)? What drew him to join or create the organization? What were his favorite or most harrowing adventures? How did he lose his eye and injure his leg, for example?

- (Marlon) Can Marlon use magic at all? If he doesn't, is it because he can't or because he refuses to (and if it's the latter, what actions led him to that decision)? If he can, how did he learn those skills, and what would happen if he had to put them to use to stop a large threat to the village and/or the valley?

- (Witch) How did she and the Wizard fall for each other? We only ever get the Wizard's side of how their marriage broke down - how does she see it? (I'm good with either or both as unreliable narrators). Did she create the shrines in her hut or did she build the hut around preexisting shrines? What goals does she have besides cursing random items in the town?

- (Witch) The Witch takes on an apprentice. Who does she pick? What are her goals in teaching them magic? How does the apprentice use their new powers?

- Any combination of my requested characters on an adventure of your choice - Gunther has to recruit Krobus' help to get a magical artifact for the museum! the Witch gives Marlon magical training! Marlon has to confront some unsavory Adventurer's Guild policies when he becomes friends with Krobus! the Witch conjures up ghostly Gunther to help with some scheme of hers! The valley is your oyster.

sincereously: night sky above mountains (Default)
Dear creator,

Thank you for creating something for me for this exchange! I'm excited to see what you come up with and I hope you have fun doing it. Prompts are here if you'd like them, but if there's another idea inspired by the selected tags that grabs you I'd be happy to see it! Please also don't take me writing more or less for one prompt or another as a sign of what I'd prefer; I had to narrow down the tag options to only my very favorites for each request, so please take that as a sign that I'd love anything you'd come up for any of them.

If you have any questions or concerns, please contact me through the mods. I'm also sincereously on AO3.

General Likes and DNWs
General fic likes:
Worldbuilding (especially magical, religious and cultural worldbuilding; also includes exploring in-universe wedding customs)
Unusual formats, including in-universe documents and IF/Choose Your Own Adventure
Canon divergence
Outsider POV
Dramatic irony
Moments of quiet intimacy during breaks in the action (especially good for missing scenes in between what we see in canon)
Slowly building intimacy/respect together - slow burn in general
Taking care of injured people
Forced proximity (undercover together, trapped together, accidental/arranged marriage, fake dating, only one bed, etc.)
Elaborate plans that may or may not work out
Improvising new plans as you go along
"That's an extremely bad plan, of course I'm in" type situations and interpersonal dynamics
Getting in way over your head but throwing yourself headfirst into the plan anyway
Repressed characters learning to let go
Struggling against temptation/the Dark Side
Five + one things structure

General DNWs:
Character bashing
Infidelity in requested ships
Canon-divergent death of requested characters (canonical deaths are fine)
Non-canonical child death
Setting change AUs (ex. coffeeshop, high school, modern AU, etc.)
Time travel AUs
Explicitly stated sexuality labels for characters whose sexuality is not canonically defined
Formalized dom/sub relationships
Ageplay
Raceplay
Omegaverse
Mpreg
Excretory kinks
Rape/noncon (dubcon - sex pollen with both/all characters dosed, sex in arranged marriages, fuck-or-die, etc. - are fine, as are references to canonical rape/noncon)
Underage under 15 and unrequested non-canonical ships with 20+ year age gaps (mentions of canon examples are fine, but please don't make them the focus of the fic)
Cross-gen incest
Animal abuse
Hopeless endings (endings can be dark, but not without any shred of hope)

Please keep the violence level at about what it is in canon.


FANDOMS

A Midsummer Night’s Dream

Ship: Demetrius/Helena/Hermia/Lysander

Tag List:
Magic - Artifact or Spell Accidentally Causes Marriage
Magic - Curse Broken by Marriage
Magic - Marriage Causes Unexpected Magical Effects
Magic - Marriage Is Magically Binding Even When One Party Was Pretending To Be Someone Else
Magic - Marriage Returns Lost Memories
Magic - Marriage Within a Dream Suddenly Becomes Real
Magic - Premonitions of Marriage
Magic - Spell Gone Wrong Results in Marriage
Marital Sex - Enjoying Watching Spouse Being Fucked By A Third Party
Poly Marriage - Figuring Out New Routine/Moving Into Each Others Space
Ritualistic Marriage - Mistakenly Believe Ritual Marriage Isn't Legally Binding
Ritualistic Marriage - Wedding Requires An Orgy
Soul Bond - Dream Proposal's Acceptance turns to Soul Bond on Waking
Soul Bond - Prophetic Dreams Of Marrying Poly Soulmates
Supernatural - Eldritch Marriage Ritual
Wedding - Forest Wedding
Wedding Ceremony - Presided Over by Woodland Fairies in a Fantastic Setting
Wedding Night - Discovering New Spouse Has Unexpected Kinks
Wedding Night - Expectations for Wedding Night Proven Very Wrong
Wedding Night - Sexual Exploration

More Info

About Demetrius/Helena/Hermia/Lysander: This is such an intriguing ship to me. None of them do anything by halves, and the way all their personalities and passions (real and illusory) connect and collide with each other over the course of the play makes them so great to watch. When they come out of the fairy world with everything they now think they want, they also still have to work through their feelings on what's real and false about their new lives (and how much exact ratio of reality to make-believe really matters to them in the end - I think the answer would very much vary among the four of them). And of course, the fairy magic opens the door to a lot of mindbendy fun.

Prompts

- Magic can help them lose their inhibitions and show each other their vulnerability; it could make them come together and find to a new understanding of each other as they try to either keep the magic going or undo it.

- Speaking of the fairies, what could happen if they didn't end up letting the lovers go free in the morning and instead kept them at their court? Now they've found themselves bound together, because of the fairies' whims or because they want to stay together as the only humans in a wild and unpredictable fairy court.

- Once they've come out of the woods and returned to Athens (either as an official group marriage or as two separate couples in the eyes of the law but all together all the same), how would they look back on their time in the woods as a group and make a new life together going forward?



A Song of Ice and Fire

Ships: Catelyn Tully Stark/Ned Stark

Tag List

Arranged Marriage - Love Deepens After Rocky Start
Arranged Marriage - Meet at the Wedding; Have Awkward But Satisfying Wedding Night Sex
Arranged Marriage - Slowly Falling in Love with Spouse
Established Marriage - Falling Deeply In Like With Spouse
Established Marriage - Expectant Couple Prepares for Baby
Established Marriage - Happy and Domestic
Established Marriage - Old Married Couple
Established Marriage - Pining for Spouse
Established Marriage - Participating in Spouse’s Religious Holidays
Established Marriage - Slice Of Married Life During Wartime
Established Marriage - Spoiling and Taking Care of Pregnant Spouse
Historical - Marriage to Symbolize Peace After a War
Historical - Writing Letters to Spouse During a War
Marital Sex - Mutually Inexperienced Spouses Discover Kinks Together
Political Marriage - Strengths Balance Each Other Unexpectedly Well
Political Marriage - To Secure an Alliance
Wedding - Blended Traditions
Wedding Ceremony - While It’s Snowing
Wedding Planning - Discussing How to Handle/Blend Spouses’ Different Traditions
Widowed - Obligated to Marry Sibling's Widow(er)

More Info

About Cat/Ned: I love the canon story of them building a life together and slowly falling in love. Neither of them expected to marry the other and their marriage got off to a rocky start, to say the least, but through a combination of natural compatibility and working to understand each other, they created one of the strongest marriages in the canon and became the loves of each other's lives. The chapter in AGOT where they're pulling each other close all the time during their meeting in King's Landing demonstrates just how much comfort they find in each other, and they both spend a lot of their page time just wanting to be back home and back together.

Prompts

- (Ned/Cat) Most of the freeforms work well to describe Ned and Cat's marriage prior to AGOT, and I'd love to see takes on their early married life as they get to know each other and learn to trust and depend on each other. This includes things like early awkward conversations and even more awkward sex in Riverrun, slice-of-life in Winterfell, learning to make the sex less awkward and eventually actually good, raising their children or discovering a pregnancy, and exchanging letters during Robert's Rebellion and the Greyjoy Rebellion. (A note on Jon: Jon's presence in Winterfell is obviously a major part of the development of Ned and Cat's marriage - handle it as much or as little as you'd like, I just ask you to be as fair as possible to each of the characters involved and to have Jon as the result of R+L=J as per my infidelity DNW).

- (Ned/Cat) I would also be interested in seeing Ned and Cat in a canon-divergence AU but still marrying for political reasons - maybe Edmure is a girl and Cat is heiress to Riverrun marrying second son Ned, or this is a world where Brandon and Catelyn manage to get married and have a child before his death and Ned marries his brother's widow to help secure Brandon's child's rulership of Winterfell.

- (Ned/Cat) Their marriage was both interfaith and intercultural, which is relatively rare in Westeros. Did they change the ceremony or have another ceremony (possibly an unofficial one) to accommodate each other's faiths? How do they understand each other's religious and cultural traditions during their marriage? (Ned had a sept built at Winterfell for Cat, Cat is generally more inclined to believe in supernatural signs from the old gods than even Ned is, and the children learn both faiths without any apparent attempt to pressure them, which suggests some degree of mutual understanding). Any worldbuilding on religious and cultural traditions of the old gods and the Seven would also be great, as well as delving into how the spouses handle the cultural differences and culture shock between the North/the Riverlands.


Star Wars Original Trilogy

Ships:Lando Calrissian/Leia Organa/Han Solo, Leia Organa/Luke Skywalker/Han Solo, Lando Calrissian/Leia Organa/Luke Skywalker/Han Solo

Tag List

Accidental Marriage - Included Unwitting Third Party in Marriage Accidentally
Accidental Marriage - Woke Up Married After A Drunk Night
Accidental Marriage - Fake Marriage Unknowingly Hits All Cultural Wedding Rites of Current Location
Elopement - Getting Married on a Whim
Established Marriage - Couple Practically Married to Best Friend
Established Marriage - Rescuing One's Spouse from Danger
Fake Marriage - As Part Of A Con
Fake Marriage - Getting Married During the Mission to Not Break their Cover but Then They Catch Feelings
Fake Marriage - Made Legally Binding by Helpful Third Party
Fake Marriage - Undercover As Married Leads To Unexpected Feelings
Marriage Laws - Marrying In A Different Culture To Get Around The Laws Of Your Own
Marriage of Convenience - To Extend Legal Rights/Protections To Partner
Marriage of Convenience - We Have to Get Married Before (Bad Thing) Happens
Poly Marriage - Figuring Out New Routine/Moving Into Each Others Space
Poly Marriage - Officially Coupled in Public but Privately Poly Married
Poly Marriage - Sedoretu AU
Vow Renewal Ceremony - Renewing Vows For "We Could Be Dead Tomorrow" Marriage After Peace/Safety
Wedding - Drunken Marriage
Wedding Ceremony - Improvised and Unofficial
Wedding Ceremony - On Battlefield and/or During Combat

More Info

About these ships:I love how much they're all willing to risk to help/save the others (even when there seems to be a betrayal, they always come back and do whatever they can to make things right), and it makes for sound camaraderie that makes their adventures so fun to watch. The frequent snarking and the tendency to improvise foolhardy plans for (mostly) good causes is a bonus!

I'm familiar with various aspects of both the Disney canon universe and the Legends universe, supplemented by spending way too much of my free time on Wookiepedia. Feel free to draw on whatever version of canon you want and to mix them together if it makes sense for what you're creating! (In the case of Han and Leia's canonical marriage, take as much or as little information about their canon!wedding and its timeline in either canon as you want here, including inventing something new. If you'd prefer to write something more Legends-leaning, I'm also very happy to have Mara Jade in the mix - with Luke, with Lando, as part of a big polyamorous web or sedoretu with any and all of my requested characters, whatever you want). Don't worry about what I might or might not have seen/read; I like going down wiki rabbit holes and I don't care about spoilers. Finally, if you're including Leia and Luke in the same relationship, I'm good with incest but I'm also good with V-type relationships if that makes you more comfortable.

Prompts

- A spur-of-the-moment marriage just seems to fit so well for these characters. They're all a bit reckless and maybe a bit drunk, but they also trust each other more than anything, and I really love the idea of them finding this joyful moment of union that they may not have planned out but 100% don't regret. Spur-of-the-moment proposals fit well here too - sure, they may both/all be thinking "what the hell?" at first, but after a bit of consideration...

- I also like the idea of these characters having an improvised unofficial wedding in the middle of something dangerous, along the lines of Will and Elizabeth's wedding in Pirates of the Caribbean. Maybe Luke or Lando is the hastily designated officiant (if they aren't also the ones getting married - or even if they are)? And if they go with this option, it could also be fun to see them having a larger, more official ceremony later once they're out of the life-or-death situation, confirming to each other and the galaxy that this is what they want.

- Fake marriage/marriage of convenience while on a mission, con, or smuggling run. It'd be easier to negotiate with this planet or culture if they pose as a married group, or they're undercover for the sake of a con or a mission, or they need to extend legal protections to one another quickly and a marriage is the most efficient way to do it (given everything they get up to, I could easily believe any of them getting involved in a jam where they need a legal reason not to testify against each other or to shield someone against legal repercussions in a hurry).

- Accidental marriage while on a mission, con, or smuggling run. Similar to above, but more concerned with the fallout of getting married without intending it to mean anything. Maybe Han and Lando thought that wedding way back when didn't really count until Han is planning the wedding with Leia and they realize it'd be easier to add Leia to their marriage than go through the tax headache of a divorce, or maybe these three or four are on a mission to the GFFA's equivalent of Gretna Green or Las Vegas and don't recognize that whatever they just did counts as a legal marriage, or they have an encounter with an alien culture with very different ideas of what constitutes a legal union (something seemingly innocuous is a marriage ceremony to these aliens? a mistranslation makes them legally record three people in a marriage instead of two? they consider twins to be the same person and Han is very confused why he now has a husband and a wife? lots of options).


Star Wars Legends

Ship: Mara Jade/Luke Skywalker

Tag List:

Accidental Marriage- Fake Marriage Unknowing Hits All Cultural Wedding Rites of Current Location
Accidental Marriage - Woke Up Married After A Drunk Night
Elopement - Celebrate Victory with Spontaneous Act of Marriage
Elopement - Getting Married on a Whim
Established Marriage - Rescuing One's Spouse From Danger
Fake Marriage - Get Married During The Mission To Not Break Their Cover But Then They Catch Feelings
Fake Marriage - Undercover As Married Leads To Unexpected Feelings
Forced Marriage - Bad Guys Made Them Get Married
Marriage - Living Together Makes It Impossible to Keep Trauma Secret
Marriage of Convenience - To Extend Legal Rights/Protections To Partner
Marriage of Convenience - We Have to Get Married Before (Bad Thing) Happens
Proposal - Joke proposal becomes mutual running joke until whoops - we mean it
Proposal - Trying to casually propose like it’s no big deal
Science Fiction - Accidentally Married by Alien Cultural Ritual
Science Fiction - Truth Serum Results in Accidental Proposal
Soul Bond - Marriage To Stay Undercover Unexpectedly Results In Soul Bond
Soul Bond - Spouses Psychically Share Each Other’s Pain
Vow Renewal - After Falling in Love after Marrying for Convenience/Accidentally
Vow Renewal Ceremony - Renewing Vows For "We Could Be Dead Tomorrow" Marriage After Peace/Safety
Wedding Ceremony - On Battlefield and/or During Combat

More Info

About Mara/Luke: I love Mara's prickliness and deep-down loyalty and I love Luke's determination and heart. I really enjoy how well they work as a team to solve obstacles in their way, even at the beginning when they had zero reason to like or trust each other, and I like the snarkiness which becomes another way they challenge each other. They just seem to click!

I'm familiar with various aspects of the Legends universe, supplemented by spending way too much of my free time on Wookiepedia. If you want to make up new things for your fic or to include non-Legends-contradictory elements from the new canon, I'm fine with that too! Don't worry about what I might or might not have seen/read; I like going down wiki rabbit holes and I don't care about spoilers. And if you'd like to include background relationships (canon relationships, Han/Lando, Han/Leia/Lando), I'd be very happy to see them.

Prompts

- So many of the big moments of their relationship are in the middle of danger, and getting married spontaneously while still on an adrenaline high just really works for them. And I love them the idea of them reflecting on what they've gone through together after everything has cooled off and then choosing each other again with a vow renewal, too.

- Luke and Mara pretending to be married for any number of Very Good Reasons is both awesome and hilarious to me, as is them being obligated to be married for any of those same Very Good Reasons. I'm here for all the tropeyness, from trying to pull off the act with varying degrees of acting abilities (and snarking at each other throughout), to a moment of "are you kidding me" if/when they find out the marriage ended up being legally binding, to promising it definitely won't really matter and having that promise fade more and more into the background the more time they spend together...basically, all kinds of forced proximity turned welcome proximity while slowly opening up to each other and dealing with all these messy inconvenient feelings.

- I'm very interested in them being able to connect through the Force, in all kinds of different points in their relationship - when they still see each other as a danger but maybe grudgingly find a bond useful, after they've started up a friendship and start growing closer, after they've gotten together and are navigating a relationship as partners. How do they handle that intense vulnerability?
sincereously: Han & Luke, "how we doing?" "same as always" (same_as_always)
Dear Yoda,

Thank you so much for creating for me! I'm really excited to see what everyone comes up with for this exchange, and I hope you have a wonderful time with it.

I'm familiar with various aspects of both the Disney canon universe and the Legends universe, supplemented by spending way too much time on Wookiepedia. Feel free to draw on whatever version of canon you want and to mix them together (or to invent all-new worldbuilding aspects) if it makes sense for what you're creating! Don't worry about what I might or might not have seen/read; I like going down wiki rabbit holes and I don't care about spoilers.

Prompts are in this letter if you want them, but I'll be happy with anything that respects my DNWS. You can also click on my Star Wars tag to see what I've requested for past exchanges - I'm happy to get anything based on my past prompts, as well as for any promptfills I've written!

If you have any questions about this letter, please contact me through the mods. I'm also sincereously on AO3. Click any lines that are bolded+underlined to expand!


General Likes and DNWS
General fic likes:
Worldbuilding (especially religious and cultural worldbuilding)
Weird Force things, and exploring what it's like to be Force-sensitive and use the Force more generally
Unusual formats, including in-universe documents, maps and interactive fiction
Deep dives into mundane aspects of living in a fictional world
Canon divergence
Outsider POV
Dramatic irony
Moments of quiet intimacy during breaks in the action (especially good for missing scenes in between what we see in canon)
Complicated women, and complicated relationships between complicated women
Slowly building intimacy/respect together - slow burn in general
Taking care of injured people
Forced proximity (undercover together, trapped together, accidental/arranged marriage, fake dating, only one bed, etc.)
Elaborate plans that may or may not work out
Improvising new plans as you go along
"That's an extremely bad plan, of course I'm in" type situations and interpersonal dynamics
Getting in way over your head but throwing yourself headfirst into the plan anyway
Repressed characters learning to let go
Struggling against temptation/the Dark Side
Mind control/possession (and resisting mind control/possession)
Five + one things structure

General Art Likes
I love a wide range of art styles, so I don't have much of a preference there. For art-specific prompts:
Characters using weapons - lightsaber, blaster, vibroblade, lightwhip, whatever you want!
Dark Side versions of canonically "light" characters, particularly takes on Empress Padmé and/or Sith Empress Leia, possibly with their most loyal companions by their side.
Depictions of clothing and hairstyle designs and in-universe fashion trends.

General DNWs:
Character bashing
Canon-divergent death of requested characters (canonical deaths are fine)
Non-canonical child death
Setting change AUs (ex. coffeeshop, high school, modern AU, etc.)
Time travel AUs
Explicitly stated sexuality labels for characters whose sexuality is not canonically defined
Formalized dom/sub relationships
Ageplay
Raceplay
Omegaverse
Mpreg
Excretory kinks
Rape/noncon (dubcon - sex pollen with both/all characters dosed, sex in arranged marriages, fuck-or-die, etc. - are fine, as are references to canonical rape/noncon)
Underage under 15 and unrequested non-canonical ships with 20+ year age gaps (mentions of canon examples of both are fine, but please don't make them the focus of the fic)
Cross-gen incest
Animal abuse
Hopeless endings (endings can be dark, but not without any shred of hope)
Fic or art set after a child of Han and Leia (either Ben or Jacen) canonically falls to the Dark Side

For both fic and art, please keep the level of violence at about what it is in canon.


Prompts
Again, these are here if you want them, but please feel free to pursue other ideas if the idea won't let you go. I'm also perfectly happy with combining ships and prompts where it makes sense to do so.

Leia Organa/Han Solo, Leia Organa & Luke Skywalker, Leia Organa & Luke Skywalker & Han Solo, Leia Organa/Luke Skywalker/Han Solo, Lando Calrissian/Leia Organa/Han Solo, Lando Calrissian & Chewbacca, Lando Calrissian & Leia Organa & Luke Skywalker & Han Solo

With this group, I don't necessarily have many request-specific ideas as much as general scenarios or prompts that could apply to most of them. Any prompts that primarily focus on a particular requested pairing or group will be noted, but please don't assume that I want those requests more than any of the others - I love them all! As a note, if you're writing Leia/Luke/Han or Leia/Lando/Han I'm happy with it both as a full triad or as a Han-centric V, depending on your preferences. I also like Han/Lando (though I didn't request it here) and am totally fine with bringing it up as a past relationship in any fic involving them, as well as having Luke/Mara in any fic that doesn't put Luke with Leia and Han.

- (Any) An adventure story about going on the hunt for a MacGuffin, including mysterious clues and booby traps and narrow escapes from The Bad Guys. (I'd also be very here for this kind of story in a Choose Your Own Adventure format).

- (Any) An undercover mission! Han and Leia (+ Lando or Luke) pretending to be married/actually getting married to maintain cover, Luke having to resort to the Force at the worst possible time, Chewie actually bringing one or more of the others in as "prisoners" rather than him having to pretend to be the captured one for once...

- (Any) I really like one-or-both-twins-are-raised-by-Vader-as-his-Sith-apprentice(s) AUs and even Empress-Padmé-and-her-heir(s) AUs. Just having that one canon divergence can spiral out into some incredibly fun possibilities!

- (Any) Related to the above, but even more AU: Leia falls into a parallel universe where she is the Sith Empress. How does she feel about her alternate-universe self and to the AU counterparts of Luke and/or Han and/or Lando? (Do any of them fall into that universe with her?) And if anybody could get a rebellion going against a darkside!Leia, it would be Leia herself...

- (Any) In an AU where Alderaan is not destroyed, how does Alderaan's survival impact the development of the Rebellion, as well as the relationships among the characters? I'm also very here for Queen Leia stories, and explorations into how she sees herself as an Organa and ruler of Alderaan.

- (Any) If you wanted to go especially cracky - a humorous story based on the Star Wars episode of The Muppet Show. Leia meeting Miss Piggy-impersonating-Leia would be fantastic.

- (Leia & Luke) Anything that goes into their Force connection - feeling it before they realize what it is (maybe showing up in each other's dreams, or as each other's "imaginary friends" as small children) or using it to better learn how to use the Force and understand each other after they know. Also, Leia sharing her memories of Padmé with Luke.

- (Leia & Luke) I love any and all moments of Leia getting Jedi training, and I'd love to see more of that! How does she approach her powers? In what ways does she work well with Luke's teaching, and in what ways does she feel a conflict with it? How does she react when she's using her powers for the first time? I'm also great with a role-reversal where Leia's the Jedi teaching Luke.

- (Leia & Luke & Han or Leia/Luke/Han) Anything about the time period in between ANH and ESB, where Leia is grieving her planet and Luke is adjusting to commanding a squadron and Han is insisting that no, really, he's going to leave any day now. They're already close even by the end of ANH, having bound together in life-or-death situations, but how does their relationship develop and grow in the relatively mundane times?

- (Leia & Luke & Han or Leia/Luke/Han) I always see Han as being just a little weirded out by the whole Force thing, no matter how long he knows Luke and Leia. How does he handle both of their growing powers, and how does it change their relationships?

- (Lando & Leia & Luke & Han) Lando gets mixed up in the Rebellion much earlier (for any reason you want). How does that affect him meeting up with Han again, and meeting Luke for the first time? What's his relationship like with Leia as he joins in on the Rebellion? What kind of adventures could they have together in the ANH-ESB time period?

- (Leia/Han or Lando/Leia/Han) They manage to keep Han from getting frozen in carbonite, but Luke is captured instead. How do they work together to save him and keep the Rebellion running while also grappling with their feelings for one another?

- (Leia/Han or Lando/Leia/Han) In ROTJ, they have a lot of time to come to an understanding about their relationship on the way from Tatooine back to the fleet - or just celebrate getting Han back.

- (Lando & Chewie) Anything about their time together between ESB and ROTJ, having to rely on each other to find Han while repairing broken trust and processing how they've both changed since the last time they were working together.

- (Lando & Chewie) Sometime during the Rebellion, Chewie recruits Lando's help to liberate Kashyyyk from Imperial control. How do they try to pull it off? Any sort of elaborate schemes or cons would be awesome here.

- (Any) Any of the other prompts, but in the style of an after-the-fact mission report or other Rebellion internal communication. Maybe every member of the mission has a conflicting story about what exactly happened? Maybe it's all the requisition and order forms Han filled out trying to get new parts every time something on the Falcon stops working?



C-3PO & R2-D2, C-3PO & R2-D2 & Darth Vader

- (C-3PO & R2-D2) They're always on the edge of whatever drama is happening among the main characters, and I'd love the opportunity to see them at center stage! Anything with their own POV on the events of the movies would be great, or maybe an exploration of their lives in between the prequels and the original trilogy? Maybe Threepio and Artoo go on their own mission for the Rebellion!

- (C-3PO & R2-D2 & Darth Vader) There's just a lot of potential for comedy and drama and dramatic irony here. How could the droids come into Vader's possession - capture, being bought, maybe they never left Vader's service in the first place? How do they handle life behind Imperial lines, and what sort of tasks does Vader ask of them? How does Vader relate to them, as Vader and as the memory of Anakin?

- (Any) As with the prompts in the section above, a cracky crossover with the Star Wars episode of The Muppet Show would be delightful. Maybe Threepio and Artoo (and Vader???) get roped into being performers? Artoo seemed to like being a song-and-dance droid...


Jocasta Nu

- Jedi librarian and archivist! Jocasta's so cool, and I love her dedication to her profession and to the Jedi Order. What would her typical work day be like? Cataloguing, reference requests, teaching padawans how to use the library services? Any Jedi library science is great.

- One of the deleted scenes had Jocasta call Dooku "one of the most brilliant Jedi" and indicated a lot of personal respect. It also seems pretty likely that they were both training to be Jedi at around the same time. It'd be great to see anything for their relationship, platonically or romantically - going on a mission together, working on a research project together, sparring, etc.

- Jocasta escapes in the aftermath of Order 66 and continues her mission to safeguard the Order's knowledge and protect the list of Force-sensitive children.