sincereously: night sky above mountains (Default)
Hello, creator!

I'm so excited to see what you come up with for this exchange! Hope you have a great time with it. Prompts are here if you want them, but if you have another idea that's inspiring you I'm happy to see that too.

If you have any questions or concerns, please contact me through the mods. I'm also sincereously on AO3. Please also feel free to check out any of my past exchange letters for prompts and inspiration, if you want!

General Likes and DNWs
General fic likes:
Worldbuilding (especially magical, religious and cultural worldbuilding)
Unusual formats, including in-universe documents and IF/Choose Your Own Adventure
Canon divergence
Outsider POV
Dramatic irony
Moments of quiet intimacy during breaks in the action (especially good for missing scenes in between what we see in canon)
Slowly building intimacy/respect together - slow burn in general
Taking care of injured people
Hair care, washing, and styling as bonding
Forced proximity (undercover together, trapped together, accidental/arranged marriage, fake dating, only one bed, etc.)
Elaborate plans that may or may not work out
Improvising new plans as you go along
"That's an extremely bad plan, of course I'm in" type situations and interpersonal dynamics
Getting in way over your head but throwing yourself headfirst into the plan anyway
Repressed characters learning to let go
Struggling against temptation/the Dark Side
Five + one things structure

General art likes
I love a wide range of art styles, so I don't have much of a preference there. For art-specific prompts:
Wearing your nicest outfits for a formal event (and getting those formal clothes messed up if/when the event goes sideways)
Helping someone get dressed, because of an injury or complicated clothes
Fight scenes, especially being already battered and bruised but still squaring up to continue the fight
Dancing, well or badly
Sneaking into a place you shouldn't be

General DNWs:
Character bashing
Canon-divergent death of requested characters (canonical deaths are fine)
Non-canonical child death
Setting change AUs (ex. coffeeshop, high school, modern AU, etc.)
Time travel AUs
Explicitly stated sexuality labels for characters whose sexuality is not canonically defined
Formalized dom/sub relationships
Ageplay
Raceplay
Omegaverse
Mpreg
Excretory kinks
Rape/noncon (dubcon - sex pollen with both/all characters dosed, sex in arranged marriages, fuck-or-die, etc. - are fine, as are references to canonical rape/noncon.)
Underage under 15 and unrequested non-canonical ships with 20+ year age gaps (mentions of canon examples are fine, but please don't make them the focus of the fic)
Cross-gen incest
Animal abuse
Hopeless endings (endings can be dark, but not without any shred of hope)

Please keep the violence level at about what it is in canon.


FANDOMS

Carrie
Tags: Carrie White, Margaret White, Sue Snell

Additional Info and Prompts: Each of these characters have such raw pain guiding their lives and actions, and seeing how they express that hurt - for better or for worse - is so fascinating to me. The mundane setting tinged with the supernatural (or at least a kind of natural that includes things like telekinesis) also opens up a lot of fun worldbuilding possibilities that any of these characters can explore.

- Ship preferences: Carrie/Sue and/or canon pairings

- Any requested character having a moment of vulnerability, for whatever reason, in front of one or more other requested characters. They all have to put up such a strong front to other people; what happens when that front fails?

- I liked how much the book drew on in-universe documents to build its narrative, and I’d love to see other documents - Carrie’s schoolwork? religious pamphlets Margaret wrote? Sue’s book?

- Carrie doesn’t go to the prom and gets the chance to practice her power in smaller forms of vengeance/revenge in high school. How might she experiment with the power? How does she keep it secret or not? Is there ever a point where she crosses the line?

- Carrie's power is exposed earlier and she goes on the run from being captured and contained by the government/a company/various and sundry nefarious forces, either on her own or with Sue or Margaret.

- Anything on Margaret’s past and how she developed her twisted religious views - was there any specific incident that gave her such a horror of roadhouses, or did it slowly build up over time? This could also work with five-times structures (five lessons Margaret taught Carrie, etc.)

- Margaret herself has the carrier gene for TK - what would have happened if she had gotten the power? How would it have changed her religious views and the way she raised Carrie?

- Sue becomes a leading TK researcher and mentors another young TK-positive girl. Carrie’s ghost - figurative or real - may also make an appearance.



Chicago
Tags: Velma Kelly, Roxie Hart, Mary Sunshine, Mama Morton

Additional Info and Prompts: Four women in a deeply cynical world who are absolutely determined to get what they want. Even Mary Sunshine has a tenacity to her, while Velma and Roxie scheme with a mix of pettiness and audacity and Mama smiles and pulls the strings. In the show they all have times where one needs another to get ahead, even though they might hate it, and that interplay of how they all use each other - and sometimes grudgingly work together - really interests me.

- Ship preferences: any combination of Velma/Roxie/Mama/Mary/other murderesses and/or canon pairings

- In-universe newspaper articles or book excerpts - I'd love to see Mary Sunshine's prim takes on other crimes, or a retrospective on Velma or Roxie or Mama a few years after the events of the film.

- Life on the road with Velma and Roxie's act post-canon - how successful or not are they, really? What kinds of gimmicks and deals do they come up with to bring in an audience? How many times do they have to stop themselves from killing each other?

- We saw how Roxie built up a persona for her trial - what was it like for Velma in the early days after her arrest? (Did she even have to change that much to come up with her "murderess" persona?)

- All of Roxie's pre-canon past brushes with notoriety, no matter how exaggerated they might be in her head - her dating that well-to-do ugly bootlegger for starters, but maybe also her reaction to a half-a-sentence review during her chorus girl days or to being at the club just before Velma Kelly's arrest.

- How did Mary Sunshine get to be a crime reporter? Did she obliviously fall into it through some black comedy of errors, or is she a bit slyer than she initially appears? What does she do to pursue a story?

- What kinds of deals did Mama have with the prisoners who weren't Velma or Roxie? With the people outside the prison system? Were there ever any genuine feelings or was it pure calculating business? How did she choose this life and pursue it in the first place?



Golden Girls
Tags: Sophia Petrillo, Blanche Devereaux, Dorothy Zbornak, Rose Nylund

Additional Info and Prompts: This show never fails to make me laugh! I love the bond the women have, how even when their strong personalities cause hilarious friction they still come together in the end. They all also have such distinctive voices that I'd enjoy seeing anything about their perspective on the world around them, particularly any incidents in their colorful pasts.

- Ship preferences: any combination of Blanche/Dorothy/Rose and/or canon pairings

- Any canon-typical misadventures would be awesome: taking a class together, going on a trip together, hosting a party together, that sort of thing. I'd also love to see elaborations of any of the memories the girls talk about over the course of the show, like Rose's St. Olaf stories or Sophia's Sicily stories or Blanche's stories about her past beaus.

- Wilder adventures would also be fun: exorcising a ghost, pulling off a heist, suddenly acquiring superpowers...

- The girls are all interviewed for some reason - recalling an event, giving a police report - but they all have wildly different takes on what actually happened...

- Interactions with their extended families, especially their children and grandchildren. What traits do they and their families have in common, for better or for worse? A lot of the canon stories with their grandchildren involve them adjusting their relationships to fix mistakes they made with their children, and it could be incredibly interesting to see more of those kinds of stories.
sincereously: night sky above mountains (Default)
Hello, writer!

I'm so excited to see what you come up with for this exchange! Hope you have a great time with it. Prompts are here if you want them, but if you have another idea that's inspiring you I'm happy to see that too.

If you have any questions or concerns, please contact me through the mods. I'm also sincereously on AO3.

General likes:
Worldbuilding (especially religious and cultural worldbuilding)
Canon divergence
Bickering, friendly and not-so-much
Introspection
Unreliable narrators
Moments of quiet intimacy during breaks in the action (especially good for missing scenes in between what we see in canon)
Complicated women, and complicated relationships between complicated women
Slowly building intimacy/respect together - slow burn in general
Taking care of injured people
Forced proximity (undercover together, trapped together, accidental/arranged marriage, fake dating, only one bed, etc.)
Elaborate plans that may or may not work out
Improvising new plans as you go along
"That's an extremely bad plan, of course I'm in" type situations and interpersonal dynamics
Getting in way over your head but throwing yourself headfirst into the plan anyway
Repressed characters learning to let go
Struggling against temptation (and giving into it)
Unusual formats, including in-universe documents
Five + one things structure

General DNWs:
Character bashing
Canon-divergent death of any requested characters (canonical deaths are fine)
Non-canonical child death
Setting change AUs (ex. coffeeshop, high school, modern AU, etc.)
Time travel AUs
Formalized dom/sub relationships
Humiliation during sex
Ageplay
Raceplay
Omegaverse
Excretory kinks
Rape/noncon (dubcon - sex pollen with both/all characters dosed, sex in arranged marriages, fuck-or-die, etc. - are fine)
Underage under 15 and unrequested non-canonical ships with 20+ year age gaps (mentions of canon examples of both are acceptable, but please don't make them the focus of the fic)
Cross-gen incest
Animal abuse
Fic devoted primarily to examining real-world issues/-isms (please don't feel that you have to avoid them, but I'd rather they not be the entirety of what the work is about)
Hopeless endings (endings can be dark, but not without any shred of hope)
Please keep the level of violence at about what it is in canon.


FANDOMS

Dreamgirls

Requests: Effie White, Deena Jones, Lorrell Robinson

Ship and group notes: I'm good with gen, canon pairings, and/or Effie/Deena. I'm also happy to have any combination of requested characters, including leaving one or two of the requested characters offstage or in the background if it makes more sense to focus on only one or two requested characters.

About the canon: See the promo post here!

The summary I gave in the promo post doesn't really do justice to the women and their relationships, which I love. I love how headstrong and indomitable Effie is, and how Deena builds her confidence and comes into her own, and how Lorrell has a snarky streak in her sunny personality. The whole show is about their dreams and their struggles and successes in making those dreams a reality, and it's so fun to watch them grow and change over the course of the show.

I'm also interested in the setting: the 1960s-1970s R&B and pop music industry as interpreted by 1980s Broadway. There's room for social commentary (among other things, the Black leads get one of their early songs covered and buried by a white group), drama (secret affairs and Curtis' payola operations), and Broadway glitz (look at the costumes! often with super-fast costume changes!).

I'm good with basing the fic off of any production you want. In addition, while I requested the stage show for this, the movie sticks very closely to the stage version and I would be fine with more movie-influenced fic as well, if you're having trouble finding/watching the stage musical.

Prompts:

- How did the girls first come together as a group? Were they all friends growing up (Effie talks about her and Deena once being each other's closest friends), or did they meet later on and bond over their shared desire to sing? I'd love to hear about their successes and failures pre-fame, and them sharing their big dreams with each other.

- How did Deena and Lorrell handle the interim time period between Act I and Act II, where they're going on international tours as the Dreams, adjusting to Michelle replacing Effie, and dealing with Deena's wedding to Curtis as well as Lorrell's continuing relationship with Jimmy?

- Effie mentions that she saw Deena at Deena's mother's funeral and wanted to talk to her, but there were "too many people in the way". What would have happened if they had had the chance to talk? What would that conversation have been like?

- When the show ends, they've reconciled but they're also on different paths. What would happen if they reunite again a few years later, while Effie's rising in the music business again and Deena's in her movie career and Lorrell's pursuing a life without Jimmy in it? Anything about them rebuilding their friendships and how them going after their own dreams is turning out. (I didn't request Michelle here, but you can also bring up what she's doing at this point).

- Curtis was supposed to love Effie. So was Deena. (Take that however you will).


Gypsy

Requests: Louise, June, Rose

Ship and group notes: I'm good with gen, canon pairings, and/or f/f pairing one of the requested characters with Tessie, Mazeppa, Electra, or OCs. I'm also happy to have any combination of requested characters, including leaving one or two of the requested characters offstage or in the background if it makes more sense to focus on only one or two requested characters.

About the canon: See the promo post here!

I love how wonderfully complex the women are, especially Rose. It's fun watching her smash her way through all obstacles through a mix of manipulation and just plain grandstanding, but her talent for deception also includes deceiving herself, to the detriment of her relationship with June and Louise. With June and Louise, I love them growing up and figuring out how to break free and find their own dreams, even if it's not what Rose had in mind for them. I love the complex mix of love and self-centered ambition that Rose has for her daughters, and the mix of love and frustration and hunger for approval that the girls feel for Rose. These women all do deeply care about each other, but man, sometimes they have a very dysfunctional way of showing it.

I'm good with basing the fic off of any production you want. In addition, while I requested the stage show for this, the movie(s) sticks very closely to the stage version and I would be fine with more movie-influenced fic as well, if you're having trouble finding/watching the stage musical.

Prompts:

- Any missing scenes of the family, Herbie, and the boys on the road - practicing the routines together, conning their way out of jams, exploring the new cities they perform in.

- Any part of Rose's backstory before the events of the play. So much of Rose's issues in her parenting seem related to the fact that her own mother walked out on her, after all. I'd also love to see Rose as unreliable narrator!

- Rose teaching her daughters the things she thinks they need to learn, and the lessons that they learned from her without her meaning to. (I also like the moments where June and especially Louise are taking a page from Rose's books to get what they want, and where they're more alike than they might want to acknowledge).

- How did June deal with being on her own with Tulsa once she escaped the troupe? For better or for worse it'd be the first time in her life she'd ever been away from Mama and Louise - that has to turn up some intense emotions.

- I'd also be interested in seeing the women reunite and reflect on how their lives have gone at some point after canon, particularly a reunion for the sisters or for Rose and June. (I tend to see the musical characters as separate from the real-life figures, so you can take as much or as little as you want from the real peoples' history here, including inventing something new).


Forever Amber

Requests: Amber St. Clare

Ship and group notes: I'm good with gen or with any pairing that conforms to my DNWs. I feel like if Amber thought she could get something out of a relationship/sex with somebody, she totally Would, so that gives you a wide range to choose from.

About the canon: See the promo post here!

I love Amber. She's breathtakingly self-centered, short-sighted, petty, and not terribly bright, but she knows what she wants and she's going to go for it, dammit. The narrative voice is slightly distant from Amber, and it strikes a good balance of knowing exactly what Amber is but also retaining empathy for her, so that even Amber's worst ideas come across with wry amusement at what trouble Amber's getting herself into now and interest in how she'll get out of it. Amber's overwhelming selfishness also makes the rare moments where she does help someone besides herself that much more endearing. It all adds up for a character I really enjoyed following for 900+ pages.

Kathleen Winsor also did a fantastic job of researching life in London under the rule of Charles II, which comes through in both explorations of places, events, and everyday life in the city as well as characterization for historical figures like Nell Gwynn, Barbara Palmer, and Charles himself.

Prompts:

- In general, I'd be thrilled with any type of missing moments or canon-typical plots. The book richly describes 17th-century England from the pastoral villages to the homes of God-fearing merchants to the London slums to the dazzling court of Charles II, and all of those places have plenty of opportunity for Amber to get herself in and out of trouble. Maybe Amber schemes to acquire a priceless jewel or dethrone a rival in business or affection? Given that it's Amber, those plans may or may not succeed.

- As much as Amber is generally characterized as a selfish-but-determined Scarlett O'Hara type, she does get a few softer moments that stand out in their rarity (paying for a blanket for the Quaker woman in prison, befriending Nan). Seeing more of those types of moments - maybe interactions with her children? - could be lovely.

- I'd love to read more about Amber's life as an actress specifically - I find the history of theatre super-fascinating, with all the drama both onstage and off. Anything would be great, from the mundane aspects of running a show to Amber manipulating a performance to achieve her own ends to offstage fights (and possibly hatesex?) with rival Beck Marshall.

- Super-AU: what if Amber's birth family had found out about her and claimed her? If it's early enough, could she have met Bruce in a different way and subsequently had an entirely different relationship with him (they wouldn't be social equals, but they'd be much closer than they were in canon)? If it happens much later, how would that change Amber's standing in court? The Earl of Radclyffe would definitely get more aggressive in pursuing Amber if he found out - how would she have dealt with him?

- Post-canon (or in an AU where Amber realizes that the message from Bruce is fake before she leaves England), Amber is furious about being tricked and returns to court to wreak VENGEANCE!
sincereously: night sky above mountains (Default)
Dear creator,

I'm so excited to see what you come up with for this exchange! Hope you have a great time with it. Prompts are here if you want them, but if you have another idea that's inspiring you I'm happy to see that too.

If you have any questions or concerns, please contact me through the mods. I'm also sincereously on AO3.

General fic likes:
Worldbuilding (especially magical, religious and cultural worldbuilding)
Canon divergence
Bickering, friendly and not-so-much
Introspection
Moments of quiet intimacy during breaks in the action (especially good for missing scenes in between what we see in canon)
Complicated women, and complicated relationships between complicated women
Slowly building intimacy/respect together - slow burn in general
Taking care of injured people
Forced proximity (undercover together, trapped together, accidental/arranged marriage, fake dating, etc.)
Elaborate plans that may or may not work out
Improvising new plans as you go along
"That's an extremely bad plan, of course I'm in" type situations and interpersonal dynamics
Getting in way over your head but throwing yourself headfirst into the plan anyway
Repressed characters learning to let go
Struggling against temptation (and giving into it)

General art likes
I love a wide range of art styles, so I don't have much of a preference there. For art-specific prompts:
Characters holding onto each other - hugs, or keeping each other up, or restraining each other, it all works.
Illustrations of your favorite moment in the show
Costume designs

General DNWs:
Character bashing
Canon-divergent death of any requested characters (canonical deaths are fine)
Non-canonical child death
Setting change AUs (ex. coffeeshop, high school, modern AU, etc.)*
Formalized dom/sub relationships
Ageplay
Omegaverse
Mpreg
Excretory kinks
Rape/noncon (dubcon - sex pollen with both/all characters dosed, sex in arranged marriages, fuck-or-die, etc. - are fine)
Underage under 15 and unrequested non-canonical ships with 15+ year age gaps (mentions of canon examples of both are acceptable, but please don't make them the focus of the fic)
Cross-gen incest
Animal abuse
Fic devoted primarily to examining real-world issues/-isms (please don't feel that you have to avoid them, but I'd rather they not be the entirety of what the work is about)
Hopeless endings (endings can be dark, but not without any shred of hope)
For both fic and art, please keep the level of violence at about what it is in canon.

*Canon-dependent, applies to Dreamgirls, Fiddler, and Gypsy but not to Macbeth or Doctor Faustus.

Some resources

Dreamgirls (OBC): https://www.youtube.com/watch?v=OLMkq_yTcS0
Dreamgirls (OBC): https://www.youtube.com/watch?v=X2P_NSW-zvQ
Dreamgirls (Berlin, 1998): https://www.youtube.com/watch?v=zJKVs3dI1bY
Dreamgirls script: https://vdocuments.mx/dreamgirls-script.html

Fiddler on the Roof (Broadway Revival, 2015, part 1): https://www.youtube.com/watch?v=hjOC2RrG5hA
Fiddler on the Roof (Broadway Revival, 2015, part 2): https://www.youtube.com/watch?v=0xWFgu1pXSI
Fiddler on the Roof script: https://www.bournplayers.org.uk/Fiddler/doc/script.pdf

Gypsy (Broadway Revival, 2008, Patti LuPone as Rose): https://www.youtube.com/watch?v=gFTnBdH99Zg
Gypsy (Broadway Revival, 2008, Patti LuPone as Rose): https://www.youtube.com/watch?v=ZuSCaVkfsz4
Gypsy (American Musical Theater of San Jose, 2006): https://www.youtube.com/watch?v=dbBlynih_78
Gypsy script: https://drive.google.com/file/d/1V70lbg4ZX0FE0IgT5EF3Jst3GAe8Qv1I/view

I've seen enough different versions of Macbeth and Doctor Faustus that picking examples out is hard, but if you want a specific production let me know and I'll see if I can find an example of it. Otherwise, pick your favorite! Some scripts, if you find that helpful:

Macbeth (Folger Shakespeare): https://shakespeare.folger.edu/downloads/pdf/macbeth_PDF_FolgerShakespeare.pdf

Doctor Faustus (A text): http://elizabethandrama.org/wp-content/uploads/2018/05/Doctor-Faustus-A-Text-Script.pdf

Doctor Faustus (B text): http://www.perseus.tufts.edu/hopper/text?doc=Perseus:text:1999.03.0011

Dreamgirls, Fiddler, and Gypsy also have movie versions, and while none of them are exact matches to the stage version they're very close.

Also, that huge musical masterlist that might be relevant to people's interests:

https://web.archive.org/web/20201123073651if_/https://docs.google.com/document/d/1Rut7cTYValeBSSisnPQhd60EZltvFz1-S_IYI_RK-AI/edit

The links are no longer clickable, but many of the videos are still available. Just be sure that the link reads "https://www.youtube.com/watch?v=[whatever the video address is]" to be sure it works.



FANDOMS

General About

My sign-up ended up following two themes: women finding themselves and having complicated relationships with each other in musical theater and people ambitiously seeking supernatural power and regretting it (or not).

For the first (Dreamgirls, Fiddler, and Gypsy), I love the strong personalities at play and how they play off each other. Oftentimes these women are seeking out their dreams, and in doing so they have to confront the restrictions of their society, the restrictions of their own abilities, and each other to find out who they are and what will make them happiest. I also like how these women care about each other, because they do deeply care but sometimes have a very dysfunctional way of showing it, and I'd like to see explorations of those relationships. The settings here are important as well, and I'd love to see any worldbuilding that goes into those, including incorporating historical facts about the time periods (the Dreams interacting with real-life Motown groups, for example, or the characters in Fiddler practicing more Jewish religious traditions, or what daily life on the vaudeville circuit was like for Rose, June, and Louise).

For the second (Macbeth and Doctor Faustus), I like Lady Macbeth's and Faustus' reckless pursuit of power. (Macbeth's too, but Lady Macbeth is certainly more willing to throw herself headlong into magic forces when there's a chance to fulfill her goals). Their ambition, self-belief, and self-reliance is a heady combination and makes for some compelling characters, and I'd enjoy seeing how the world looks from their perspectives. They're also the kind of people who'd get up to some incredibly wild plans to get what they want, and seeing those plans unfold would be fun to see. I'd also love to see more about the supernatural worlds they invoke to try to gain power - how they work, how alien they are from the "real" world in terms of perception and morality, how they see the world of mortals, any of that would be great. The actual setting matters to me less here than it does for the musicals, and I'd be open to reimaginings in different settings that follow the same script (and if you can find links to productions that have those reimaginings, I'd love to see them!).

Dreamgirls

Requests: Effie White, Deena Jones, Lorrell Robinson, Effie White & Deena Jones & Lorrell Robinson, Effie White & Deena Jones, Effie White/Deena Jones

Prompts:

- How did the girls first come together as a group? Were they all friends growing up (Effie talks about her and Deena once being best friends), or did they meet later on and bond over their shared desire to sing? I'd love to hear about their successes and failures pre-fame, and them sharing their big dreams with each other.

- Effie mentions that she saw Deena at Deena's mother's funeral and wanted to talk to her, but there were "too many people in the way". What would have happened if they had had the chance to talk? What would that conversation have been like?

- When the show ends, they've reconciled but they're also on different paths. What would happen if they reunite again a few years later, while Effie's rising in the music business again and Deena's in her movie career and Lorrell's pursuing a life without Jimmy in it? Anything about them rebuilding their friendships and how them going after their own dreams is turning out. (I didn't request Michelle here, but you can also bring up what she's doing at this point, besides marrying CC).

- Curtis was supposed to love Effie. So was Deena. (Take that however you will).

Fiddler on the Roof

Requests: Tzeitel, Hodel, Chava, Chava & Hodel & Tzeitel, Golde/Tevye, Motel/Tzeitel, Hodel/Perchik, Chava/Fyedka

Prompts:

- Anatevka is almost another character in this show, and it'd be cool to see slice-of-life stories about living in Anatevka, growing up and living according to traditions (and, sometimes, bending those traditions just a bit when they don't work as well).

- Any stories about the couples growing into married life together. For the girls' romances, we see the courtship but relatively little of life after the wedding - how were Motel and Tzeitel preparing for the new baby, or how were Hodel and Perchik trying to make a home in Siberia, or how did Chava and Fyedka balance their different religions and cultures in everyday life together? I'd also love backstory about Golde and Tevye, total strangers who found themselves bound together and only much later realized that hey, maybe we do love each other, after all (even if it takes a lot for either of them to admit it).

- Epistolary stories about Tzeitel, Hodel, and Chava keeping in contact even when they're continents apart at the end of the show.

- I like to think that the whole family did make it to America eventually. What would that reunion be like? How would they all have changed and what would still be the same?


Gypsy

Requests: Louise, June, Rose, Louise & June, Louise & Rose

Prompts:

- Missing scenes of the family, Herbie, and the boys on the road, practicing the routines and occasionally conning their way out of jams. I love seeing the complex mix of love and self-centered ambition that Rose has for her daughters, and the mix of love and frustration and hunger for approval that the girls feel for Rose, and I'd like to see that coming through in their everyday lives.

- Rose teaching her daughters the things she thinks they need to learn, and the lessons that they learned from her without her meaning to. (I also like the moments where June and especially Louise are taking a page from Rose's books to get what they want, and where they're more alike than they might want to acknowledge).

- What were the last few weeks before June left like? She got married to Tulsa three weeks before leaving - did Louise know at all, or did June keep everything a secret from her? What was their last conversation like?

- I'd also be interested in seeing the sisters reunite and reflect on how their lives have gone at some point after canon. (You can take as much or as little as you want from the real-life Gypsy Rose Lee and June Havoc here, including inventing something new).


Doctor Faustus

Requests: Faustus, Mephistopheles, Faustus/Mephistopheles

Prompts:

- I'd love to see some more of the canon-typical tricks Faustus was pulling during the 24 years, with Faustus reveling in his powers and thinking how clever and powerful he is while Mephistopheles is rolling his eyes the whole time but going along with it anyway. Interactions with Lucifer and other devils could also work here, with Faustus faced with this almost overwhelming power in a terrifying hellscape but throwing himself headlong into it anyway.

- Conversely, I'm also interested in those times where Faustus almost gets some self-awareness of how badly he's fucked up and consequently how badly he's fucked, but never quite gets there until the end. A moment of quiet talking with Mephistopheles would work well with that here.

- Mephistopheles as a demon is going to have a fascinating perspective on this whole scenario, and it'd be great to see his very non-human view of Faustus, the mortal world, and the world of the supernatural during the time that he's bound to Faustus.


Macbeth

Requests: Lady Macbeth, Hecate/Lady Macbeth, Macbeth/Lady Macbeth

Prompts:

- Generally I'm interested in anything with Lady Macbeth's POV on the events of canon - her relationship with Macbeth, her ambition, her ruthlessness, possibly her interests in the supernatural world and what it can provide for them, and also the moments where she does feel some sort of remorse or guilt for what she's doing but refuses to stop anyway.

- Hecate appears to Lady Macbeth during the scene in Act 1 where she demands the spirits "unsex me here". A deal with the devil (or rather, close contriver of all harms) ensues. Any insight into the world of the supernatural would also be great here, strange and horrifying as it can be.

- What happens if Lady Macbeth's the one who goes to the witches for more prophecies, and not Macbeth (or if she and Macbeth go together)? What would they want from her in return? Are there lines that even she will not cross?