Every Woman 2022
Jun. 20th, 2022 10:35 pmHello, creator!
I'm so excited to see what you come up with for this exchange! Hope you have a great time with it. Prompts are here if you want them, but if you have another idea that's inspiring you I'm happy to see that too.
If you have any questions or concerns, please contact me through the mods. I'm also sincereously on AO3. Please also feel free to check out any of my past exchange letters for prompts and inspiration, if you want!
General fic likes:
Worldbuilding (especially magical, religious and cultural worldbuilding)
Unusual formats, including in-universe documents and IF/Choose Your Own Adventure
Canon divergence
Outsider POV
Dramatic irony
Moments of quiet intimacy during breaks in the action (especially good for missing scenes in between what we see in canon)
Slowly building intimacy/respect together - slow burn in general
Taking care of injured people
Hair care, washing, and styling as bonding
Forced proximity (undercover together, trapped together, accidental/arranged marriage, fake dating, only one bed, etc.)
Elaborate plans that may or may not work out
Improvising new plans as you go along
"That's an extremely bad plan, of course I'm in" type situations and interpersonal dynamics
Getting in way over your head but throwing yourself headfirst into the plan anyway
Repressed characters learning to let go
Struggling against temptation/the Dark Side
Five + one things structure
General art likes
I love a wide range of art styles, so I don't have much of a preference there. For art-specific prompts:
Wearing your nicest outfits for a formal event (and getting those formal clothes messed up if/when the event goes sideways)
Helping someone get dressed, because of an injury or complicated clothes
Fight scenes, especially being already battered and bruised but still squaring up to continue the fight
Dancing, well or badly
Sneaking into a place you shouldn't be
General DNWs:
Character bashing
Canon-divergent death of requested characters (canonical deaths are fine)
Non-canonical child death
Setting change AUs (ex. coffeeshop, high school, modern AU, etc.)
Time travel AUs
Explicitly stated sexuality labels for characters whose sexuality is not canonically defined
Formalized dom/sub relationships
Ageplay
Raceplay
Omegaverse
Mpreg
Excretory kinks
Rape/noncon (dubcon - sex pollen with both/all characters dosed, sex in arranged marriages, fuck-or-die, etc. - are fine, as are references to canonical rape/noncon.)
Underage under 15 and unrequested non-canonical ships with 20+ year age gaps (mentions of canon examples are fine, but please don't make them the focus of the fic)
Cross-gen incest
Animal abuse
Hopeless endings (endings can be dark, but not without any shred of hope)
Please keep the violence level at about what it is in canon.
FANDOMS
Tags: Carrie White, Margaret White, Sue Snell
Additional Info and Prompts: Each of these characters have such raw pain guiding their lives and actions, and seeing how they express that hurt - for better or for worse - is so fascinating to me. The mundane setting tinged with the supernatural (or at least a kind of natural that includes things like telekinesis) also opens up a lot of fun worldbuilding possibilities that any of these characters can explore.
- Ship preferences: Carrie/Sue and/or canon pairings
- Any requested character having a moment of vulnerability, for whatever reason, in front of one or more other requested characters. They all have to put up such a strong front to other people; what happens when that front fails?
- I liked how much the book drew on in-universe documents to build its narrative, and I’d love to see other documents - Carrie’s schoolwork? religious pamphlets Margaret wrote? Sue’s book?
- Carrie doesn’t go to the prom and gets the chance to practice her power in smaller forms of vengeance/revenge in high school. How might she experiment with the power? How does she keep it secret or not? Is there ever a point where she crosses the line?
- Carrie's power is exposed earlier and she goes on the run from being captured and contained by the government/a company/various and sundry nefarious forces, either on her own or with Sue or Margaret.
- Anything on Margaret’s past and how she developed her twisted religious views - was there any specific incident that gave her such a horror of roadhouses, or did it slowly build up over time? This could also work with five-times structures (five lessons Margaret taught Carrie, etc.)
- Margaret herself has the carrier gene for TK - what would have happened if she had gotten the power? How would it have changed her religious views and the way she raised Carrie?
- Sue becomes a leading TK researcher and mentors another young TK-positive girl. Carrie’s ghost - figurative or real - may also make an appearance.
Tags: Velma Kelly, Roxie Hart, Mary Sunshine, Mama Morton
Additional Info and Prompts: Four women in a deeply cynical world who are absolutely determined to get what they want. Even Mary Sunshine has a tenacity to her, while Velma and Roxie scheme with a mix of pettiness and audacity and Mama smiles and pulls the strings. In the show they all have times where one needs another to get ahead, even though they might hate it, and that interplay of how they all use each other - and sometimes grudgingly work together - really interests me.
- Ship preferences: any combination of Velma/Roxie/Mama/Mary/other murderesses and/or canon pairings
- In-universe newspaper articles or book excerpts - I'd love to see Mary Sunshine's prim takes on other crimes, or a retrospective on Velma or Roxie or Mama a few years after the events of the film.
- Life on the road with Velma and Roxie's act post-canon - how successful or not are they, really? What kinds of gimmicks and deals do they come up with to bring in an audience? How many times do they have to stop themselves from killing each other?
- We saw how Roxie built up a persona for her trial - what was it like for Velma in the early days after her arrest? (Did she even have to change that much to come up with her "murderess" persona?)
- All of Roxie's pre-canon past brushes with notoriety, no matter how exaggerated they might be in her head - her dating that well-to-do ugly bootlegger for starters, but maybe also her reaction to a half-a-sentence review during her chorus girl days or to being at the club just before Velma Kelly's arrest.
- How did Mary Sunshine get to be a crime reporter? Did she obliviously fall into it through some black comedy of errors, or is she a bit slyer than she initially appears? What does she do to pursue a story?
- What kinds of deals did Mama have with the prisoners who weren't Velma or Roxie? With the people outside the prison system? Were there ever any genuine feelings or was it pure calculating business? How did she choose this life and pursue it in the first place?
Tags: Sophia Petrillo, Blanche Devereaux, Dorothy Zbornak, Rose Nylund
Additional Info and Prompts: This show never fails to make me laugh! I love the bond the women have, how even when their strong personalities cause hilarious friction they still come together in the end. They all also have such distinctive voices that I'd enjoy seeing anything about their perspective on the world around them, particularly any incidents in their colorful pasts.
- Ship preferences: any combination of Blanche/Dorothy/Rose and/or canon pairings
- Any canon-typical misadventures would be awesome: taking a class together, going on a trip together, hosting a party together, that sort of thing. I'd also love to see elaborations of any of the memories the girls talk about over the course of the show, like Rose's St. Olaf stories or Sophia's Sicily stories or Blanche's stories about her past beaus.
- Wilder adventures would also be fun: exorcising a ghost, pulling off a heist, suddenly acquiring superpowers...
- The girls are all interviewed for some reason - recalling an event, giving a police report - but they all have wildly different takes on what actually happened...
- Interactions with their extended families, especially their children and grandchildren. What traits do they and their families have in common, for better or for worse? A lot of the canon stories with their grandchildren involve them adjusting their relationships to fix mistakes they made with their children, and it could be incredibly interesting to see more of those kinds of stories.
I'm so excited to see what you come up with for this exchange! Hope you have a great time with it. Prompts are here if you want them, but if you have another idea that's inspiring you I'm happy to see that too.
If you have any questions or concerns, please contact me through the mods. I'm also sincereously on AO3. Please also feel free to check out any of my past exchange letters for prompts and inspiration, if you want!
General Likes and DNWs
General fic likes:
Worldbuilding (especially magical, religious and cultural worldbuilding)
Unusual formats, including in-universe documents and IF/Choose Your Own Adventure
Canon divergence
Outsider POV
Dramatic irony
Moments of quiet intimacy during breaks in the action (especially good for missing scenes in between what we see in canon)
Slowly building intimacy/respect together - slow burn in general
Taking care of injured people
Hair care, washing, and styling as bonding
Forced proximity (undercover together, trapped together, accidental/arranged marriage, fake dating, only one bed, etc.)
Elaborate plans that may or may not work out
Improvising new plans as you go along
"That's an extremely bad plan, of course I'm in" type situations and interpersonal dynamics
Getting in way over your head but throwing yourself headfirst into the plan anyway
Repressed characters learning to let go
Struggling against temptation/the Dark Side
Five + one things structure
General art likes
I love a wide range of art styles, so I don't have much of a preference there. For art-specific prompts:
Wearing your nicest outfits for a formal event (and getting those formal clothes messed up if/when the event goes sideways)
Helping someone get dressed, because of an injury or complicated clothes
Fight scenes, especially being already battered and bruised but still squaring up to continue the fight
Dancing, well or badly
Sneaking into a place you shouldn't be
General DNWs:
Character bashing
Canon-divergent death of requested characters (canonical deaths are fine)
Non-canonical child death
Setting change AUs (ex. coffeeshop, high school, modern AU, etc.)
Time travel AUs
Explicitly stated sexuality labels for characters whose sexuality is not canonically defined
Formalized dom/sub relationships
Ageplay
Raceplay
Omegaverse
Mpreg
Excretory kinks
Rape/noncon (dubcon - sex pollen with both/all characters dosed, sex in arranged marriages, fuck-or-die, etc. - are fine, as are references to canonical rape/noncon.)
Underage under 15 and unrequested non-canonical ships with 20+ year age gaps (mentions of canon examples are fine, but please don't make them the focus of the fic)
Cross-gen incest
Animal abuse
Hopeless endings (endings can be dark, but not without any shred of hope)
Please keep the violence level at about what it is in canon.
FANDOMS
Carrie
Tags: Carrie White, Margaret White, Sue Snell
Additional Info and Prompts: Each of these characters have such raw pain guiding their lives and actions, and seeing how they express that hurt - for better or for worse - is so fascinating to me. The mundane setting tinged with the supernatural (or at least a kind of natural that includes things like telekinesis) also opens up a lot of fun worldbuilding possibilities that any of these characters can explore.
- Ship preferences: Carrie/Sue and/or canon pairings
- Any requested character having a moment of vulnerability, for whatever reason, in front of one or more other requested characters. They all have to put up such a strong front to other people; what happens when that front fails?
- I liked how much the book drew on in-universe documents to build its narrative, and I’d love to see other documents - Carrie’s schoolwork? religious pamphlets Margaret wrote? Sue’s book?
- Carrie doesn’t go to the prom and gets the chance to practice her power in smaller forms of vengeance/revenge in high school. How might she experiment with the power? How does she keep it secret or not? Is there ever a point where she crosses the line?
- Carrie's power is exposed earlier and she goes on the run from being captured and contained by the government/a company/various and sundry nefarious forces, either on her own or with Sue or Margaret.
- Anything on Margaret’s past and how she developed her twisted religious views - was there any specific incident that gave her such a horror of roadhouses, or did it slowly build up over time? This could also work with five-times structures (five lessons Margaret taught Carrie, etc.)
- Margaret herself has the carrier gene for TK - what would have happened if she had gotten the power? How would it have changed her religious views and the way she raised Carrie?
- Sue becomes a leading TK researcher and mentors another young TK-positive girl. Carrie’s ghost - figurative or real - may also make an appearance.
Chicago
Tags: Velma Kelly, Roxie Hart, Mary Sunshine, Mama Morton
Additional Info and Prompts: Four women in a deeply cynical world who are absolutely determined to get what they want. Even Mary Sunshine has a tenacity to her, while Velma and Roxie scheme with a mix of pettiness and audacity and Mama smiles and pulls the strings. In the show they all have times where one needs another to get ahead, even though they might hate it, and that interplay of how they all use each other - and sometimes grudgingly work together - really interests me.
- Ship preferences: any combination of Velma/Roxie/Mama/Mary/other murderesses and/or canon pairings
- In-universe newspaper articles or book excerpts - I'd love to see Mary Sunshine's prim takes on other crimes, or a retrospective on Velma or Roxie or Mama a few years after the events of the film.
- Life on the road with Velma and Roxie's act post-canon - how successful or not are they, really? What kinds of gimmicks and deals do they come up with to bring in an audience? How many times do they have to stop themselves from killing each other?
- We saw how Roxie built up a persona for her trial - what was it like for Velma in the early days after her arrest? (Did she even have to change that much to come up with her "murderess" persona?)
- All of Roxie's pre-canon past brushes with notoriety, no matter how exaggerated they might be in her head - her dating that well-to-do ugly bootlegger for starters, but maybe also her reaction to a half-a-sentence review during her chorus girl days or to being at the club just before Velma Kelly's arrest.
- How did Mary Sunshine get to be a crime reporter? Did she obliviously fall into it through some black comedy of errors, or is she a bit slyer than she initially appears? What does she do to pursue a story?
- What kinds of deals did Mama have with the prisoners who weren't Velma or Roxie? With the people outside the prison system? Were there ever any genuine feelings or was it pure calculating business? How did she choose this life and pursue it in the first place?
Golden Girls
Tags: Sophia Petrillo, Blanche Devereaux, Dorothy Zbornak, Rose Nylund
Additional Info and Prompts: This show never fails to make me laugh! I love the bond the women have, how even when their strong personalities cause hilarious friction they still come together in the end. They all also have such distinctive voices that I'd enjoy seeing anything about their perspective on the world around them, particularly any incidents in their colorful pasts.
- Ship preferences: any combination of Blanche/Dorothy/Rose and/or canon pairings
- Any canon-typical misadventures would be awesome: taking a class together, going on a trip together, hosting a party together, that sort of thing. I'd also love to see elaborations of any of the memories the girls talk about over the course of the show, like Rose's St. Olaf stories or Sophia's Sicily stories or Blanche's stories about her past beaus.
- Wilder adventures would also be fun: exorcising a ghost, pulling off a heist, suddenly acquiring superpowers...
- The girls are all interviewed for some reason - recalling an event, giving a police report - but they all have wildly different takes on what actually happened...
- Interactions with their extended families, especially their children and grandchildren. What traits do they and their families have in common, for better or for worse? A lot of the canon stories with their grandchildren involve them adjusting their relationships to fix mistakes they made with their children, and it could be incredibly interesting to see more of those kinds of stories.